Kunstwissenschaftliche Studien – serie
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19 produkter
19 produkter
Del 20 - Kunstwissenschaftliche Studien
Balthasar Neumann Als Stadtbaumeister
Inbunden, Tyska, 1937
1 650 kr
Skickas inom 5-8 vardagar
This title from the De Gruyter Book Archive has been digitized in order to make it available for academic research. It was originally published under National Socialism and has to be viewed in this historical context. Learn more here.
Del 21 - Kunstwissenschaftliche Studien
Die Braunschweigischen Schlösser Der Barockzeit Und Ihr Baumeister Hermann Korb
Inbunden, Tyska, 1937
1 650 kr
Skickas inom 5-8 vardagar
This title from the De Gruyter Book Archive has been digitized in order to make it available for academic research. It was originally published under National Socialism and has to be viewed in this historical context. Learn more here.
Del 13 - Kunstwissenschaftliche Studien
Michelangelo Und Der Barockstil
Inbunden, Tyska, 1933
1 650 kr
Skickas inom 5-8 vardagar
This title from the De Gruyter Book Archive has been digitized in order to make it available for academic research. It was originally published under National Socialism and has to be viewed in this historical context. Learn more here.
Del 14 - Kunstwissenschaftliche Studien
Sankt Georg Die Wehrkirche Zu Rastenburg
Inbunden, Tyska, 1933
1 650 kr
Skickas inom 5-8 vardagar
This title from the De Gruyter Book Archive has been digitized in order to make it available for academic research. It was originally published under National Socialism and has to be viewed in this historical context. Learn more here.
Del 24 - Kunstwissenschaftliche Studien
Orangerien Und Gewächshäuser
Ihre Geschichtliche Entwicklung in Deutschland
Inbunden, Tyska, 1939
1 574 kr
Skickas inom 5-8 vardagar
Del 23 - Kunstwissenschaftliche Studien
Andrea Orcagna Und Nardo Di Cione
Eine Stilgeschichtliche Untersuchung
Inbunden, Tyska, 1937
1 925 kr
Skickas inom 5-8 vardagar
This title from the De Gruyter Book Archive has been digitized in order to make it available for academic research. It was originally published under National Socialism and has to be viewed in this historical context. Learn more here.
Del 10 - Kunstwissenschaftliche Studien
Die Franziskuslegende in Der Oberkirche Von S. Francesco in Assisi
Und Ihre Stellung in Der Kunstgeschichtlichen Forschung
Inbunden, Tyska, 1932
1 574 kr
Skickas inom 5-8 vardagar
Del 11 - Kunstwissenschaftliche Studien
Die Bedeutung Der ästhetischen Grenze Für Die Methode Der Kunstgeschichte
Inbunden, Tyska, 1932
1 650 kr
Skickas inom 5-8 vardagar
Keine ausführliche Beschreibung für " Die Bedeutung der ästhetischen Grenze für die Methode der Kunstgeschichte" verfügbar.
Del 19 - Kunstwissenschaftliche Studien
Spätantikes Und Germanisches Kunstgut in Der Frühangelsächsischen Kunst
Nach Lateinischen Und Altenglischen Schriftquellen
Inbunden, Tyska, 1936
1 836 kr
Skickas inom 5-8 vardagar
Del 17 - Kunstwissenschaftliche Studien
Die Heutigen Aufgaben Der Kunstwissenschaft
Inbunden, Tyska, 1935
1 925 kr
Skickas inom 5-8 vardagar
This title from the De Gruyter Book Archive has been digitized in order to make it available for academic research. It was originally published under National Socialism and has to be viewed in this historical context. Learn more here.
Del 16 - Kunstwissenschaftliche Studien
Beziehungen Der Deutschen Plastik Zum Ornamentstich in Der Frühzeit Des 17. Jahrhunderts
Inbunden, Tyska, 1935
1 574 kr
Skickas inom 5-8 vardagar
Del 15 - Kunstwissenschaftliche Studien
Die Männliche Kleidung in Der Süddeutschen Renaissance
Inbunden, Tyska, 1934
1 836 kr
Skickas inom 5-8 vardagar
Del 8 - Kunstwissenschaftliche Studien
Die Darstellung Des Teufels in Der Christlichen Kunst
Inbunden, Tyska, 1931
1 574 kr
Skickas inom 5-8 vardagar
Del 4 - Kunstwissenschaftliche Studien
Ein Englisches Bestiar Des Zwölften Jahrhunderts
Inbunden, Tyska, 1930
1 836 kr
Skickas inom 5-8 vardagar
Del 173 - Kunstwissenschaftliche Studien
Sep Ruf 1908-1982
Inbunden, Tyska, 2018
528 kr
Skickas inom 3-6 vardagar
Sep Ruf zählt unbestritten zu den bedeutendsten deutschen Architekten des 20. Jahrhunderts. Mit eleganten leichten, transparenten Bauten wie dem Deutschen Pavillon für die Weltausstellung in Brüssel 1958 (mit Egon Eiermann) oder seinem Kanzlerbungalow in Bonn prägte er nicht nur die deutsche Nachkriegsmoderne, sondern auch das Bild der jungen Bonner Republik in der Weltöffentlichkeit. Manche seiner Meisterwerke wie die Akademie in Nürnberg blieben nahezu unbekannt, andere wie die Neue Maxburg in München – von Nikolaus Pevsner international gewürdigt – fanden in einem eher konservativen Umfeld nicht die ihnen zustehende Anerkennung. Irene Meissners Buch stellt Rufs Gesamtwerk erstmals umfassend vor, bewertet seine Bauten neu und ordnet sie in ihren architekturgeschichtlichen Kontext ein.
Häftad, Tyska, 2026
777 kr
Skickas inom 11-20 vardagar
Until the end of the 19th century, architectural theory was based firmly on practice, belonging primarily to the domain of architects concerned with construction, materiality, and design. A significant turning point came with the work of art historian August Schmarsow, who was the first to establish space as an autonomous category within architectural theory. He argued that the perception of space by the human subject is a fundamental precondition to architectural activity, and that the design of space constitutes the essence of architecture. This intervention initiated a reorientation in the understanding of the built environment that has remained effective into the modern era. This study investigates the conditions, sources, and stages of development that shaped this conceptual shift.First comprehensive analysis of Schmarsow’s writing on architectural theoryExamination of intellectual- and scientific-historical contexts as well as interdisciplinary referencesReconstructing an overall picture of Schmarsow’s architectural theory
Inbunden, Tyska, 2026
949 kr
Kommande
Taking Peter Paul Rubens’ *Battle of the Amazons* (1617/1618) as his starting point, Maximilian Geiger explores in this study the development of early modern history painting in the Netherlands. He examines the religious, economic, and empirical factors, as well as the aesthetic and epistemological aspects, that shaped this development since the Quattrocento. Rubens’ works, created at the turn of a new political and economic era, demonstrate a transformed understanding of the image, in which the pictorial concepts of Leon Battista Alberti and the Catholic Reformation were reflected upon and modified. Maximilian Geiger demonstrates that the narrative structures of painting are rooted in various perceptual spaces and modes of representation, and that the materiality of the images is an integral part of a new form of visual perception. He illustrates that Rubens contributed to a new way of apprehending reality through his painting. Innovative research on 17th-century theories of perception and spaceVisual storytelling as a methodological challengeExemplary study on key aspects of early modern image theory
Häftad, Tyska, 2026
655 kr
Kommande
What part did processes of abstraction play in modern architecture in the context of cultural, technical and social developments? Anselm Treichler explores this question by analysing and re-evaluating modernist designs and buildings. His reflections focus on the close links between, on the one hand, new materials and constructions made of iron, steel, concrete and glass, and on the other hand, between technical innovations and design concepts. Amidst such changes came the exciting emergence of a new architectural language, which is presented on the basis of selected works by Schinkel, Berlage, Loos, Gropius, Mies van der Rohe and Le Corbusier. Comprehensive analysis and re-assessment of abstraction processes in European architectureCritical perspectives on aesthetic, technical and social developmentsA fresh perspective on key works of modern architecture
Häftad, Tyska, 2026
949 kr
Kommande
International modernism outside Europe has rarely been considered in the history of photography. It is not very well-known, for example, that Brazil played a prominent role in photography from the 1830s onwards and developed an outstanding repertoire of techniques, discourses and individual formal languages. Based on intensive archival work and starting out from the photographer Valério Vieira, Alina Hofmann reconstructs the aesthetic and cultural context of photography in the “Brazilian Belle Époque”. She explores the question of what could or should have been achieved by photographic images around 1900. Vieira found humorous and critical answers to this question. His photographs convey a more comprehensive picture of the turn of the century than previously considered in research.First German-language publication about Valério VieiraA key research contribution on international modernism outside EuropeCombines art and media studies discourse with the history of photography