Language of Literature – serie

This book presents an introduction to stylistics for students of literature. It does not presuppose linguistic knowledge, but it approaches literature in a linguistic way. In the first half it looks at the make-up of a sentence in English and how sentence elements are exploited by literary authors. In the second half it looks at the way in which a text is unified by elements beyond the sentence. The conclusion exemplifies the theory explained in the previous chapters.

The Language of Irish Literature is the first book on the market to discuss Irish Literature in terms of the history of, and the linguistic contacts in, the island. It provides a description of the development of the varieties of English in Ireland, concentrating on the input from Irish Gaelic and Scots as well as English. It examines the history of English in Ireland; the nature of Irish and of Irish Englishes; oral traditions: songs and stories; and the three main literary genres: drama, poetry and prose.

This book draws on examples from throughout the twentieth century to illustrate the diversity of techniques used in this century's poetry. Organised according to linguistic themes, rather than chronologically, the chapters introduce the reader to the more subtle uses of sound, structure and meaning as well as illustrating well-known techniques handed-down from the poetic tradition. Examples are taken from the famous writers of the twentieth century, such as Yeats, Eliot and Plath and from less well-known poets. The book culminates in a chapter which draws together the linguistic themes into an integrated analysis of two rather different poems.

This book gives a linguistic overview of the first eight centuries of English poetry - years which produced such key works as Beowulf, Layaman's Brut and Sir Gawain and the Green Knight. It begins with chapters on the social and literary context, before turning in more detail to subjects such as poetic diction, rhymed and alliterative verse, borrowed words, recurrent phrases, rhetoric and linguistic variety. Aimed at the beginning student and general reader, the book seeks to enhance appreciation and enjoyment by making the linguistic resources of the poets better understood.

George Orwell is well known for his strong views on language, society and politics, and admired for the robust, personal tone of his writings. The Language of George Orwell, the first detailed study of his style, demonstrates his stylistic versatility, and analyzes the linguistic techniques which create a variety of memorable effects in his novels and other prose works. Roger Fowler is a leading exponent of linguistic criticism, the method of analysis employed in this book.

The Language of Irish Literature is the first book on the market to discuss Irish Literature in terms of the history of, and the linguistic contacts in, the island. It provides a description of the development of the varieties of English in Ireland, concentrating on the input from Irish Gaelic and Scots as well as English. It examines the history of English in Ireland; the nature of Irish and of Irish Englishes; oral traditions: songs and stories; and the three main literary genres: drama, poetry and prose.

This book presents an introduction to stylistics for students of literature. It does not presuppose linguistic knowledge, but it approaches literature in a linguistic way. In the first half it looks at the make-up of a sentence in English and how sentence elements are exploited by literary authors. In the second half it looks at the way in which a text is unified by elements beyond the sentence. The conclusion exemplifies the theory explained in the previous chapters.

George Orwell is well known for his strong views on language, society and politics, and admired for the robust, personal tone of his writings. The Language of George Orwell, the first detailed study of his style, demonstrates his stylistic versatility, and analyzes the linguistic techniques which create a variety of memorable effects in his novels and other prose works. Roger Fowler is a leading exponent of linguistic criticism, the method of analysis employed in this book.