Appearing in the final year of Victoria's reign, Anna Lombard captured many preoccupations of the fin-de-siecle period and pushed them beyond the bounds of Victorian acceptability towards the greater freedoms of the twentieth century. This hugely popular novel (thirty editions, six million copies sold) examines male and female sexuality, extending the notion of New Woman feminism and proposing a new masculinity to match it. Its transgressive interracial sexual and social relations are set in a highly eroticized Indian landscape and against the rigidities of Victorian imperialism. Anna Lombard challenges and subverts a wide range of the most fiercely defended ideologies of its time. For modern readers familiar with late Victorian conventions, it retains its power to surprise and shock, and extends our knowledge and understanding of the ways in which Victorian writers reflected and constructed social attitudes. For all readers, then as now, it is mesmerisingly readable.This new edition will extend understanding of women's writing of the period, and introduces a new generation of readers to the work of a once popular and continually engrossing novelist, Victoria Cross (a pen name of Annie Sophie Cory).

Appearing in the final year of Victoria''s reign, Anna Lombard captured many preoccupations of the fin-de-siecle period and pushed them beyond the bounds of Victorian acceptability towards the greater freedoms of the twentieth century. This hugely popular novel (thirty editions, six million copies sold) examines male and female sexuality, extending the notion of New Woman feminism and proposing a new masculinity to match it. Its transgressive interracial sexual and social relations are set in a highly eroticized Indian landscape and against the rigidities of Victorian imperialism. Anna Lombard challenges and subverts a wide range of the most fiercely defended ideologies of its time. For modern readers familiar with late Victorian conventions, it retains its power to surprise and shock, and extends our knowledge and understanding of the ways in which Victorian writers reflected and constructed social attitudes. For all readers, then as now, it is mesmerisingly readable. This new edition will extend understanding of women''s writing of the period, and introduces a new generation of readers to the work of a once popular and continually engrossing novelist, Victoria Cross (a pen name of Annie Sophie Cory).

May Sinclair''s The Creators is a study of a group of writers and would-be writers and their struggles and/or accommodations withing the literary marketplace. It deals with the trials and tribulations of literary celebrity and with lack of recognition. It also focuses on the doubts and self-divisions of the artist and on his or her battles with conventional gender roles. The novel''s subtitle - ''a comedy'' - puzzled some of its first readers and reviewers, the TLS to speculate that the comedy must lie in that fact that the creators believe that they are geniuses. Sinclair does not take her characters as seriously as they take themselves, but her social comedy also exposes the limitations of the conventional middle-class world which either exploits or fails to understand them. First serialized in the Century Illustrated Monthly Magazine between November 1909 and October 1910, The Creators was first published in book form by John Constable in 1910. This edition restored the numerous and extensive cuts that were made to Sinclair''s manuscript during the process of the novel''s serialization.

This anthology introduces stories written by British and American Women from 1877 to 1910. The collection and the detailed, authoritative, introduction and notes, will enable the twenty-first-century reader to explore the themes and techniques these women developed as the Victorian was superseded by a new, Modernist, sensibility. Authors covered include Edith Wharton, Charlotte Perkins Gilman and Kate Chopin.

This volume brings together for the first time the entire range of the shorter pieces of imaginative writing that she continued to produce throughout her life, together with her final account of the vision informing her life''s work. It rescues Schreiner from the charge of having exhausted a slim talent in one semi autobiographical novel and provides a context in which to situate a woman writer whose idealist concerns recognised no simple geographical boundaries. To picture her as first and foremost a colonial writer or, alternatively, primarily as a member of the finde-siecle British avant garde, does little justice to the links she made in her own writing and to the complex situation she occupied, for Olive Emilie Albertina Schreiner''s life (1855-1920) straddled two centuries and two continents, while her travels between the land of her birth, South Africa, and her family''s European homeland embroiled her in the political ferment of two wars: the Boer War (1899-1902) and the first World War (1914-1918).

This anthology introduces stories written by British and American Women from 1877 to 1910. The collection and the detailed, authoritative, introduction and notes, will enable the twenty-first-century reader to explore the themes and techniques these women developed as the Victorian was superseded by a new, Modernist, sensibility. Authors covered include Edith Wharton, Charlotte Perkins Gilman and Kate Chopin.

This volume brings together for the first time the entire range of the shorter pieces of imaginative writing that she continued to produce throughout her life, together with her final account of the vision informing her life's work. It rescues Schreiner from the charge of having exhausted a slim talent in one semi autobiographical novel and provides a context in which to situate a woman writer whose idealist concerns recognised no simple geographical boundaries. To picture her as first and foremost a colonial writer or, alternatively, primarily as a member of the finde-siecle British avant garde, does little justice to the links she made in her own writing and to the complex situation she occupied, for Olive Emilie Albertina Schreiner's life (1855-1920) straddled two centuries and two continents, while her travels between the land of her birth, South Africa, and her family's European homeland embroiled her in the political ferment of two wars: the Boer War (1899-1902) and the first World War (1914-1918).

Appearing in the final year of Victoria's reign, Anna Lombard captured many preoccupations of the fin-de-siecle period and pushed them beyond the bounds of Victorian acceptability towards the greater freedoms of the twentieth century. This hugely popular novel (thirty editions, six million copies sold) examines male and female sexuality, extending the notion of New Woman feminism and proposing a new masculinity to match it. Its transgressive interracial sexual and social relations are set in a highly eroticized Indian landscape and against the rigidities of Victorian imperialism. Anna Lombard challenges and subverts a wide range of the most fiercely defended ideologies of its time. For modern readers familiar with late Victorian conventions, it retains its power to surprise and shock, and extends our knowledge and understanding of the ways in which Victorian writers reflected and constructed social attitudes. For all readers, then as now, it is mesmerisingly readable.This new edition will extend understanding of women's writing of the period, and introduces a new generation of readers to the work of a once popular and continually engrossing novelist, Victoria Cross (a pen name of Annie Sophie Cory).

Appearing in the final year of Victoria''s reign, Anna Lombard captured many preoccupations of the fin-de-siecle period and pushed them beyond the bounds of Victorian acceptability towards the greater freedoms of the twentieth century. This hugely popular novel (thirty editions, six million copies sold) examines male and female sexuality, extending the notion of New Woman feminism and proposing a new masculinity to match it. Its transgressive interracial sexual and social relations are set in a highly eroticized Indian landscape and against the rigidities of Victorian imperialism. Anna Lombard challenges and subverts a wide range of the most fiercely defended ideologies of its time. For modern readers familiar with late Victorian conventions, it retains its power to surprise and shock, and extends our knowledge and understanding of the ways in which Victorian writers reflected and constructed social attitudes. For all readers, then as now, it is mesmerisingly readable. This new edition will extend understanding of women''s writing of the period, and introduces a new generation of readers to the work of a once popular and continually engrossing novelist, Victoria Cross (a pen name of Annie Sophie Cory).

May Sinclair''s The Creators is a study of a group of writers and would-be writers and their struggles and/or accommodations withing the literary marketplace. It deals with the trials and tribulations of literary celebrity and with lack of recognition. It also focuses on the doubts and self-divisions of the artist and on his or her battles with conventional gender roles. The novel''s subtitle - ''a comedy'' - puzzled some of its first readers and reviewers, the TLS to speculate that the comedy must lie in that fact that the creators believe that they are geniuses. Sinclair does not take her characters as seriously as they take themselves, but her social comedy also exposes the limitations of the conventional middle-class world which either exploits or fails to understand them. First serialized in the Century Illustrated Monthly Magazine between November 1909 and October 1910, The Creators was first published in book form by John Constable in 1910. This edition restored the numerous and extensive cuts that were made to Sinclair''s manuscript during the process of the novel''s serialization.

This anthology introduces stories written by British and American Women from 1877 to 1910. The collection and the detailed, authoritative, introduction and notes, will enable the twenty-first-century reader to explore the themes and techniques these women developed as the Victorian was superseded by a new, Modernist, sensibility. Authors covered include Edith Wharton, Charlotte Perkins Gilman and Kate Chopin.

This volume brings together for the first time the entire range of the shorter pieces of imaginative writing that she continued to produce throughout her life, together with her final account of the vision informing her life''s work. It rescues Schreiner from the charge of having exhausted a slim talent in one semi autobiographical novel and provides a context in which to situate a woman writer whose idealist concerns recognised no simple geographical boundaries. To picture her as first and foremost a colonial writer or, alternatively, primarily as a member of the finde-siecle British avant garde, does little justice to the links she made in her own writing and to the complex situation she occupied, for Olive Emilie Albertina Schreiner''s life (1855-1920) straddled two centuries and two continents, while her travels between the land of her birth, South Africa, and her family''s European homeland embroiled her in the political ferment of two wars: the Boer War (1899-1902) and the first World War (1914-1918).

This anthology introduces stories written by British and American Women from 1877 to 1910. The collection and the detailed, authoritative, introduction and notes, will enable the twenty-first-century reader to explore the themes and techniques these women developed as the Victorian was superseded by a new, Modernist, sensibility. Authors covered include Edith Wharton, Charlotte Perkins Gilman and Kate Chopin.

This volume brings together for the first time the entire range of the shorter pieces of imaginative writing that she continued to produce throughout her life, together with her final account of the vision informing her life's work. It rescues Schreiner from the charge of having exhausted a slim talent in one semi autobiographical novel and provides a context in which to situate a woman writer whose idealist concerns recognised no simple geographical boundaries. To picture her as first and foremost a colonial writer or, alternatively, primarily as a member of the finde-siecle British avant garde, does little justice to the links she made in her own writing and to the complex situation she occupied, for Olive Emilie Albertina Schreiner's life (1855-1920) straddled two centuries and two continents, while her travels between the land of her birth, South Africa, and her family's European homeland embroiled her in the political ferment of two wars: the Boer War (1899-1902) and the first World War (1914-1918).