May Sinclair – författare

At that moment, in a flash that came like a shifting of her eyes, the world she looked at suffered a change... It was the same world, flat field for flat field and hill for hill; but radiant, vibrant, and, as it were, infinitely transparent.Tales of eternal damnation, love, sexuality, death and supernatural talents form the core of May Sinclair's essential and groundbreaking oeuvre. Literary and still thrilling today, her stories explore the strangeness at the heart of human experience and relationships, where the mundane and the everyday meets lurking, otherworldly weirdness.Including the contents of the classic collections Uncanny Stories (1923) and The Intercessor and Other Stories (1931), this new volume also features two rare strange tales from a third, lesser-known book which explore further facets of Sinclair's fascination with the uncanny.

Born in 1865, Mary Olivier is the youngest of four children. Mamma dominates this Victorian household, idolising the boys, rejecting the independent love of her only daughter: the archetype of all women who control by weakness and suffering. Mary adores her mother- and she hates her. Ferociously intelligent, she vacillates between a passionate quest for her own artistic and sexual identity.This is one of the first novels ever written about a mother and daughter relationship, and the eternal conflict engendered by the deepest of ties. But it is a celebration too: for though Mary sacrifices her life- and her lover- to the demands of duty, she emerges victorious, finding in the discovery of her intellectual and feminine self an inner freedom, a perfect happiness.

Well, I'm glad my little girl didn't snatch and push. It's better to go without than to take from other people. That's ugly.'Harriett is the Victorian embodiment of all the virtues then viewed as essential to the womanly ideal: a woman reared to love, honour and obey. Idolising her parents, she learns from childhood to equate love with self-sacrifice, so that when she falls in love with the fiance of her closest friend, renunciation of this unworthy passion initially brings her a peculiar sort of happiness. But the passing of time reveals a different truth. Ironic, brief and intensely realised, The Life and Death of Harriett Frean (1922) is a brilliant study of female virtue seen as vice, and stands with the work of Virgina Woolf and Dorothy Richardson as one of the great innovative novels of the century.