A modern epic on a grand scale, Avalovara is a rich and lyrical novel centered around Abel's courtship of three women. He pursues the sophisticated and inaccessible Roos across Europe; falls in love with Cecilia, a carnal, compassionate hermaphrodite; and achieves a tender, erotic alliance with a woman known only by an ideogram. Avalovara is an extraordinary novel, both in its depiction of modern life and in its rigorous, puzzlelike structure visually represented by a spiral and a five-word palindrome.

Against a backdrop of political corruption Jose lives an ordinary life, working a dead-end job catching mice in a dingy movie theater. Everything changes when he meets his wife Rosa thanks to the help of the Happy Heart Marriage Agency. They seem to have an understanding: Jose isn't bothered by Rosa's dishonesty, extra weight, and fantastically promiscuous past; Rosa isn't too put off by Jose's clubbed foot, periodic blackouts, or lack of direction--she just wants a house. Pragmatic, Jose sets out to get the money necessary to make that possible. And in doing so, he manages to become a robber, sniper, and political subversive wanted by the government. Deploying fast-paced, short chapters in a number of styles, Brandao deftly presents an array of engaging characters and conflicts, vividly depicting the absurdity of a repressive political regime with exceptional daring and humor.

Conceived exactly nine months before the five-hundredth anniversary of Columbus's discovery of the New World, the narrator of Christopher Unborn spends the novel waiting to be born. But what kind of world will he be delivered into? "Makesicko City," as the punning narrator calls it, is not doing well in this alternate, worst-case-scenario 1992. Politicians are selling pieces of their country to the United States. A black, acid rain falls relentlessly, forewarning of the even worse ecological catastrophes to come. Gangs of children, confined to the slums, terrorize their wealthy neighbors. A great novel of ideas and a work of aesthetic boldness, Christopher Unborn is a unique, and quite funny, work from one of the twentieth century's most respected authors.

In the early morning of March 31, 1970 in Belo Horizonte, Brazil, the annual birthday celebration of a prominent and wealthy young artist is taking place; and a train docked in Plaza Station filled with starving, drought-stricken migrant workers seeking relief gets turned away by the authorities, sparking a riot. From these seemingly unrelated events, Ivan Angelo's remarkable debut novel connects and implicates the lives of a complex of characters spanning three decades of tumultuous social and political history in twentieth-century Brazil. But with the central event - the celebration - missing, the reader is thrust into the middle of an intricate puzzle, left to construct the story from the evidence that accrues in a range of comic, unnverving, misleading and tragic episodes.

Cabrera Infante's masterpiece, Three Trapped Tigers is one of the most playful books to reach the U.S. from Cuba. Filled with puns, wordplay, lists upon lists, and Sternean typography--such as the section entitled "Some Revelations," which consists of several blank pages--this novel has been praised as a more modern, sexier, funnier, Cuban Ulysses. Centering on the recollections of a man separated from both his country and his youth, Cabrera Infante creates an enchanting vision of life and the many colorful characters found in steamy Havana's pre-Castro cabaret society.

One of the most remarkable books of contemporary Mexican literature, The Obstacles is the story of young writers coming of age in a world dominated entirely by their own fictions. It tells, in alternating chapters, the stories of two teenagers, Ricardo and Elias, who are characters in each others' novels.Blurring our notions of reality and fiction, Eloy Urroz takes the reader into a world where characters invent characters and challenge their creators. And the book's conclusion--in which a surprising connection between Ricardo and Elias is revealed--shows that not even fiction can be controlled in a world of such incredible unpredictability.

A modern epic on a grand scale, Avalovara is a rich and lyrical novel centered around Abel's courtship of three women. He pursues the sophisticated and inaccessible Roos across Europe; falls in love with Cecilia, a carnal, compassionate hermaphrodite; and achieves a tender, erotic alliance with a woman known only by an ideogram. Avalovara is an extraordinary novel, both in its depiction of modern life and in its rigorous, puzzlelike structure visually represented by a spiral and a five-word palindrome.

Against a backdrop of political corruption Jose lives an ordinary life, working a dead-end job catching mice in a dingy movie theater. Everything changes when he meets his wife Rosa thanks to the help of the Happy Heart Marriage Agency. They seem to have an understanding: Jose isn't bothered by Rosa's dishonesty, extra weight, and fantastically promiscuous past; Rosa isn't too put off by Jose's clubbed foot, periodic blackouts, or lack of direction--she just wants a house. Pragmatic, Jose sets out to get the money necessary to make that possible. And in doing so, he manages to become a robber, sniper, and political subversive wanted by the government. Deploying fast-paced, short chapters in a number of styles, Brandao deftly presents an array of engaging characters and conflicts, vividly depicting the absurdity of a repressive political regime with exceptional daring and humor.

Conceived exactly nine months before the five-hundredth anniversary of Columbus's discovery of the New World, the narrator of Christopher Unborn spends the novel waiting to be born. But what kind of world will he be delivered into? "Makesicko City," as the punning narrator calls it, is not doing well in this alternate, worst-case-scenario 1992. Politicians are selling pieces of their country to the United States. A black, acid rain falls relentlessly, forewarning of the even worse ecological catastrophes to come. Gangs of children, confined to the slums, terrorize their wealthy neighbors. A great novel of ideas and a work of aesthetic boldness, Christopher Unborn is a unique, and quite funny, work from one of the twentieth century's most respected authors.

In the early morning of March 31, 1970 in Belo Horizonte, Brazil, the annual birthday celebration of a prominent and wealthy young artist is taking place; and a train docked in Plaza Station filled with starving, drought-stricken migrant workers seeking relief gets turned away by the authorities, sparking a riot. From these seemingly unrelated events, Ivan Angelo's remarkable debut novel connects and implicates the lives of a complex of characters spanning three decades of tumultuous social and political history in twentieth-century Brazil. But with the central event - the celebration - missing, the reader is thrust into the middle of an intricate puzzle, left to construct the story from the evidence that accrues in a range of comic, unnverving, misleading and tragic episodes.

Cabrera Infante's masterpiece, Three Trapped Tigers is one of the most playful books to reach the U.S. from Cuba. Filled with puns, wordplay, lists upon lists, and Sternean typography--such as the section entitled "Some Revelations," which consists of several blank pages--this novel has been praised as a more modern, sexier, funnier, Cuban Ulysses. Centering on the recollections of a man separated from both his country and his youth, Cabrera Infante creates an enchanting vision of life and the many colorful characters found in steamy Havana's pre-Castro cabaret society.

One of the most remarkable books of contemporary Mexican literature, The Obstacles is the story of young writers coming of age in a world dominated entirely by their own fictions. It tells, in alternating chapters, the stories of two teenagers, Ricardo and Elias, who are characters in each others' novels.Blurring our notions of reality and fiction, Eloy Urroz takes the reader into a world where characters invent characters and challenge their creators. And the book's conclusion--in which a surprising connection between Ricardo and Elias is revealed--shows that not even fiction can be controlled in a world of such incredible unpredictability.