Latino Pop Culture – serie

Here, Frederick Luis Aldama and Christopher González offer a thought-provoking conversation on the history of Latinos in the pro football leagues. As they weave their way through significant points where culture, politics, and history congeal (an early twentieth century era of Brown Color Lines, the Great Depression, WWII, birth of television, Civil Rights struggles, the twenty-first century Latino demographic explosion, among others), Aldama and González thread together an alpha-to-omega, all-encompassing story of Latinos in the NFL. They push hard at issues such as racial prejudice, including why Latinos have historically had to cross into the Canadian Leagues to prove themselves to white American officiators and the glaring omission of prominent Latino names honored within the hallowed interiors of the Pro Football Hall of Fame. Encyclopedic in scope and powerfully pointed in its analysis, they put the spotlight on the significant contribution made by Latinos in the history of pro football.

This book provides the first comprehensive study of narco cinema, a cross-border exploitation cinema that, for over forty years, has been instrumental in shaping narco-culture in Mexico and the US borderlands. Identifying classics in its mammoth catalogue and analyzing select films at length, Rashotte outlines the genre's history and aesthetic criteria. He approaches its history as an alternative to mainstream representation of the drug war and considers how its vernacular aesthetic speaks to the anxieties and desires of Latina/o audiences by celebrating regional cultures while exploring the dynamics of global transition. Despite recent federal prohibitions, narco cinema endures as a popular folk art because it reflects distinctively the experiences of those uprooted by the forces of globalization and critiques those forces in ways mainstream cinema has failed.

Tracing the historical trajectory of the pocho (Latinos who are influenced by Anglo culture) in pop culture, Medina shows how the trope of pocho/pocha/poch@, which traditionally signified the negative connotation of "cultural traitor" in Spanish, has been reclaimed through the pop cultural productions of Latinos who self-identify as poch@.