ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario.

"Studies in Iconography" is an annual journal hosted by the Index of Medieval Art and published in partnership with Medieval Institute Publications. It presents innovative work on the meaning of images from the medieval world broadly construed, between the fourth century to the year 1600. Past articles have addressed subjects as diverse as Byzantine fresco programs, Carolingian architectural diagrams, Gothic rent books, Jewish ritual images, and Islamicate stucco ornament. We encourage article submissions that offer interdisciplinary, theoretical, or critical perspectives. Works of both established and emerging scholars are welcome. Reviews of selected books on iconography and art history are included in every volume.

"Studies in Iconography" is an annual journal hosted by the Index of Medieval Art and published in partnership with Medieval Institute Publications. It presents innovative work on the meaning of images from the medieval world broadly construed, between the fourth century to the year 1600. Past articles have addressed subjects as diverse as Byzantine fresco programs, Carolingian architectural diagrams, Gothic rent books, Jewish ritual images, and Islamicate stucco ornament. We encourage article submissions that offer interdisciplinary, theoretical, or critical perspectives. Works of both established and emerging scholars are welcome. Reviews of selected books on iconography and art history are included in every volume. MIP also publishes the journal's associated book series, Studies in Iconography: Themes and Variations.

"Medieval Prosopography" was founded in 1980 when methodologies of social science were combined with social history in an attempt to explore and explicate the lives of people who, when treated as individuals, often remain obscure. Because relatively few sources were created by or about individuals during the Middle Ages the prosopographical method of analysis of groups of people has lent itself especially well to medieval history. The aim of this annual journal is to provide a venue for work engaged with the methodology of using data drawn from analysis of a group or relationships between individuals to restore to view the lives of those who would otherwise remain unexamined or to yield new insight into the medieval past. Scholarship taking the approach of collective or group biography also falls under the umbrella of prosopography and would be appropriate for the journal. Over the past four decades, "Medieval Prosopography" has published articles on a range of subjects from all periods and places of medieval history. The journal welcomes submissions on topics that relate to prosopography from late antiquity to the sixteenth century. Work on all areas and relevant aspects of the medieval world, including Islam and Byzantium, are welcome. Articles in the major European languages are invited and will be published in their original language.

This study considers how John Lyly's characters who are allegorical representations of Elizabeth validate the queen, but at the same time raise troubling issues as to her true nature. Theodora Jankowski looks at both the light and the dark side of the Elizabeth character in each of Lyly's court plays, while at the same time considering how that allegory works in terms of the various issues Lyly debates within the plays. She reveals the fraught nature of John Lyly's relationship to Queen Elizabeth. He was not the first creative artist to introduce subversive undercurrents in entertainments designed to flatter the queen. However, Jankowski demonstrates how Lyly, while praising the queen and accepting her beneficence, simultaneously manages to present his audiences with the "dark queen", the opposite side of the positive image of the Queen of England.

ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario.

"Studies in Iconography" is an annual journal hosted by the Index of Medieval Art and published in partnership with Medieval Institute Publications. It presents innovative work on the meaning of images from the medieval world broadly construed, between the fourth century to the year 1600. Past articles have addressed subjects as diverse as Byzantine fresco programs, Carolingian architectural diagrams, Gothic rent books, Jewish ritual images, and Islamicate stucco ornament. We encourage article submissions that offer interdisciplinary, theoretical, or critical perspectives. Works of both established and emerging scholars are welcome. Reviews of selected books on iconography and art history are included in every volume.

"Studies in Iconography" is an annual journal hosted by the Index of Medieval Art and published in partnership with Medieval Institute Publications. It presents innovative work on the meaning of images from the medieval world broadly construed, between the fourth century to the year 1600. Past articles have addressed subjects as diverse as Byzantine fresco programs, Carolingian architectural diagrams, Gothic rent books, Jewish ritual images, and Islamicate stucco ornament. We encourage article submissions that offer interdisciplinary, theoretical, or critical perspectives. Works of both established and emerging scholars are welcome. Reviews of selected books on iconography and art history are included in every volume. MIP also publishes the journal's associated book series, Studies in Iconography: Themes and Variations.

"Medieval Prosopography" was founded in 1980 when methodologies of social science were combined with social history in an attempt to explore and explicate the lives of people who, when treated as individuals, often remain obscure. Because relatively few sources were created by or about individuals during the Middle Ages the prosopographical method of analysis of groups of people has lent itself especially well to medieval history. The aim of this annual journal is to provide a venue for work engaged with the methodology of using data drawn from analysis of a group or relationships between individuals to restore to view the lives of those who would otherwise remain unexamined or to yield new insight into the medieval past. Scholarship taking the approach of collective or group biography also falls under the umbrella of prosopography and would be appropriate for the journal. Over the past four decades, "Medieval Prosopography" has published articles on a range of subjects from all periods and places of medieval history. The journal welcomes submissions on topics that relate to prosopography from late antiquity to the sixteenth century. Work on all areas and relevant aspects of the medieval world, including Islam and Byzantium, are welcome. Articles in the major European languages are invited and will be published in their original language.

This study considers how John Lyly's characters who are allegorical representations of Elizabeth validate the queen, but at the same time raise troubling issues as to her true nature. Theodora Jankowski looks at both the light and the dark side of the Elizabeth character in each of Lyly's court plays, while at the same time considering how that allegory works in terms of the various issues Lyly debates within the plays. She reveals the fraught nature of John Lyly's relationship to Queen Elizabeth. He was not the first creative artist to introduce subversive undercurrents in entertainments designed to flatter the queen. However, Jankowski demonstrates how Lyly, while praising the queen and accepting her beneficence, simultaneously manages to present his audiences with the "dark queen", the opposite side of the positive image of the Queen of England.