Mercury – serie

In 1951, musician Kenneth Peacock (1922-2000) secured a contract from the National Museum of Canada (today the Canadian Museum of History) to collect folksongs in Newfoundland. As the province had recently joined Confederation, the project was deemed a goodwill gesture, while at the same time adding to the Museum's meager Anglophone archival collections. Between 1951 and 1961, over the course of six field visits, Peacock collected 766 songs and melodies from 118 singers in 38 communities, later publishing two-thirds of this material in a three-volume collection, Songs of the Newfoundland Outports (1965). As the publication consists of over 1000 pages, Outports is considered to be a bible for Newfoundland singers and a valuable resource for researchers. However, Peacock's treatment of the material by way of tune-text collations, use of lines and stanzas from unpublished songs has always been somewhat controversial. Additionally, comparison of the field collection with Outports indicates that although Peacock acquired a range of material, his personal preferences requently guided his publishing agenda.To ensure that the songs closely correspond to what the singers presented to Peacock, the collection has been prepared by drawing on Peacock's original music and textual notes and his original field recordings. The collection is far-ranging and eclectic in that it includes British and American broadsides, musical hall and vaudeville material alongside country and western songs, and local compositions. It also highlights the influence of popular media on the Newfoundland song tradition and contextualizes a number of locally composed songs. In this sense, it provides a key link between what Peacock actually recorded and the material he eventually published. As several of the songs have not previously appeared in the standard Newfoundland collections, The Forgotten Songs sheds new light on the extent of Peacock's collecting. The collection includes 125 songs arranged under 113 titles along with extensive notes on the songs, and brief biographies of the 58 singers.

eng-CADuring his spare time, William Baker Nickerson investigated sites from New England to the Midwest and into the Canadian Prairies. In the course of exploration, he created an elegant and detailed record of discoveries and developed methods which later archaeologists recognized as being ahead of their time. By middle age, he was en route to becoming a professional contract archaeologist. However, after a very good start, during World War I archaeological commissions disappeared and failed to recover for many years afterward. Consequently, in spite of heroic efforts, Nickerson was unable to restore his scientific career and died in obscurity. His life story spans the transition of North American archaeology from museums and historical societies to universities, throwing light on a phase of history that is little known.

Tu sais, mon vieux Jean-Pierre is inspired by the work of archaeologist Jean-Pierre Chrestien (1949-2007), who worked hand-in-glove with a generation of researchers in helping to unearth unexpected and always interesting aspects of New France. Contributions focus first upon the door to New France in the Gulf of St. Lawrence, Newfoundland and Acadia. A second set of essays move further up the St. Lawrence and into the heartland of the continent. The final section examines aspects of Canadian culture: popular art, religion and communication. The essays share a curiosity for material culture, a careful regard for detail and nuance that forms the grain of New France studies, and sensitivity to the overall context that is part and parcel of how history proceeds on the local or regional scale. Happily we can now dispense with old-fashioned and facile generalizations about the allegedly absent bourgeoisie, the purportedly deficient commercial ethic of the habitants and the so-called underlying military character of the colony and get down the business of understanding real people and their possessions in context.

Mike Starr had a remarkable career in Canadian politics. In June 1957, he was appointed Minister of Labour in John Diefenbaker's cabinet and created a sensation, especially among Canadian ethnocultural groups. He made political history as the first Ukrainian Canadian appointed to federal cabinet. As Minister of Labour, Starr was faced with numerous national problems, including seasonal unemployment, regional disparities, union negotiations and emerging militant nationalism in Quebec. When the Diefenbaker government was defeated in the 1963 federal election, Starr returned to his earlier role as Member of Parliament. With the changing Canadian political environment, he was defeated by a tiny margin in the 1968 federal election. Starr continued his distinguished career of public service from 1968 to 1980. He promoted the increasing involvement of ethnocultural groups in Canada political life. In recent decades, it has become a political norm to have members of various ethnocultural and visible minority groups elected to the House of Commons, and appointed to Cabinet and other senior government positions. For breaking this barrier, Mike Starr was indeed a pioneer in Canadian politics.

For Canadians, hockey is the game. Shared experiences and memories—lacing up for the first time, shinny on an outdoor rink, Sidney Crosby’s historic goal, or the one scored by Maurice Richard—make hockey more than just a game. While the relationship between hockey and national identity has been studied, where does the game fit into our understanding of multiple, diverse Canadian identities today? This interdisciplinary book considers hockey, both as professional and amateur sport, and both in historical and contemporary context, in relation to larger themes in Canadian Studies, including gender, race/ethnicity, ability, sexuality, geography, and reflects upon all aspects of hockey in Canadian life: play, fandom, sports broadcasting, and community activism. This interdisciplinary scholarly collection is an extension of the “Hockey in Canada: More Than Just a Game” exhibition presented by the Canadian Museum of History. Published in English. Includes one chapter in French.

This book presents the work of the E’se’get Archaeology Project, a community-based research endeavor focused on defining the archaeological record of Port Joli Harbour, Nova Scotia.

Sherry Olson has almost always worked with others, inspiring them to ground their research in an empathetic understanding of the human condition. Through this team work, she has made signal contributions in fields as diverse as environmental, social, urban, and women’s histories, as well as public health, demography, and geographic information systems (GIS). In this volume, a critical assessment of her life’s work is complemented by original pieces advancing our knowledge in these remarkably diverse fields. From the environmental impact of colonial settlement in New Zealand to racial segregation in Chicago, from the demography of the Mauricie and marriage patterns of Quebec City to the inns, gay spaces, and landladies of Montreal, this collection demonstrates the complexity of sharing space in the past and its centrality to any critical understandings of the global challenges we face in the present.Published in English.

Material Traces of War draws attention to the untold stories of women and war. It features women who served in the military, volunteered their time, worked as civilians and grieved lost loved ones, through objects, images and archival documents.

Between 1928 and 1971, nearly one million immigrants landed in Canada at Pier 21 in Halifax, Nova Scotia. During those years, it was one of the main ocean immigration facilities in Canada, including when it welcomed home nearly 400,000 Canadians after service overseas during the Second World War. In the immediate postwar period, Pier 21 became the busiest ocean port of entry in the country. Today, people across Canada still enjoy connections to Pier 21 through family history and stories of arrival at the site. Since 1998, researchers at the Pier 21 Interpretive Centre and now the Canadian Museum of Immigration have been conducting interviews, reviewing archival materials, gathering written stories, and acquiring photographs, documents, and other objects reflecting the history of Pier 21. Pier 21: A History builds upon the resulting collection. It presents a history of this important Canadian ocean immigration facility during its years of operation and later emergence as a site of public commemoration. Published in English. Also available in French: Quai 21: Une histoire.

The year 1968 in Canada was extraordinary. Leading scholars explore the year’s major events, from the rise of Trudeaumania and the Parti Québécois to the new visions articulated in the Royal Commission on the Status of Women, the CRTC, Medicare, the Indigenous rights movement, CanLit and more.

The year 1968 in Canada was an extraordinary one, unlike any other in its frenetic pace of activities and their consequences for the development of a new national consciousness among Canadians. It was a year when decisions and actions, both in Canada and outside its borders, were thick and contentious, and whose effects were momentous and far-reaching. It saw the rise of Trudeaumania and the birth of the Parti Québécois; the articulation of the new nationalism in English Canada and an alternative vision for Indigenous rights and governance; a series of public hearings in the Royal Commission on the Status of Women; the establishment of the Canadian Radio and Television Commission, nation-wide Medicare and CanLit; and a striving for both a new relationship with the United States and a more independent foreign policy everywhere else. And more. Virtually no segment of Canadian life was untouched by both the turmoil and the promise of generational change.Published in English with chapters in French.

The purpose of this Gazetteer and Atlas of Astronomy (GAA) is to list, define and illustrate, for the first time, every named (as opposed to merely catalogued) object in the sky within a single reference work for use by the general reader, writers and editors dealing with astronomical themes, and those astronomers concerned with any aspect of astronomical nomenclature. Each part of the GAA will contain: • An introduction to the nomenclature of the body or group of bodies in question • A glossary of terminology used • A gazetteer listing in strict alphanumerical sequence essential information defining the body or feature concerned • An alphanumerically arranged classified index of all the headwords in the gazetteer • An atlas comprising maps and images with coordinate grids and labels identifying features listed in the gazetteer • Appendix material on the IAU nomenclature system and the transcription systems used for non-roman alphabets