Modern Artists – serie
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Rachel Whiteread has single-handedly expanded the parameters of contemporary sculpture with her casts of the outer and inner spaces of familiar objects, sometimes in quiet monochrome, sometimes in vivid jewel-like colour. She won the Turner Prize in 1993, the same year as her first large-scale public project, House, a concrete cast of a nineteenth-century terraced house in London's east end. This book, by writer and editor Charlotte Mullins - the first significant survey to examine Whiteread's career to date - has been substantial updated with a new chapter containing 10 major works, including Tate's Turbine Hall installation Embankment and Cabin, Whiteread's first permanent public sculpture in America. Born in London in 1963, Rachel Whiteread is one of Britain's most exciting contemporary artists. Her work is characterised by its use of industrial materials such as plaster, concrete, resin, rubber and metal. With these she casts the surfaces and volume in and around everyday objects and architectural space, creating evocative sculptures that range from the intimate to the monumental.
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This volume forms part of Tate Publishing's Modern Artists monographs. In a career spanning five decades, Peter Blake has established himself as one of the most influential and original artists working in Britain. Coming to prominence in the late 1950s and 60s his deployment of popular culture icons and consumer goods in his work earned him the title of 'father of pop'. His continued engagement with the technique of collage gave rise to one of the most iconic images of the 1960s, the cover he designed for The Beatles' @Sgt Pepper's Lonely Hearts Club Band'. Preferring to work outside of art world trends, Blake has instinctively drawn from his own life experience to produce work that unabashedly celebrates sentimental themes such as love, magic and nostalgia.
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The consistently original painter, sculptor and video artist Mark Wallinger has created some of the most subtly intelligent and irreverent work from the UK in the last twenty-five years. Studying in London at the Chelsea School of Art (1978 - 81) and Goldsmiths College (1983 - 5), his early work questioned the traditions and values of British society and its class system, best represented by his employment of images of racehorses. Painted in a photo-realist style, these works explored issues of ownership, inheritance and pedigree, with suggestive titles such as Race, Class, Sex (1993). His 1995 Turner Prize nomination was largely thanks to his piece A Real Work Of Art, an actual racehorse which Wallinger had bought and named 'A Real Work Of Art' with a view to entering it in races, causing his artistic concept to be piped into bookmakers up and down the country. In the late 1990s Wallinger shifted his focus to a questioning of institutionalised spirituality and religion. Typical of his humourous observational approach, his piece Angel (1997) is a video played in reverse showing the artist as his blind alterego 'Blind Faith' walking backwards at the bottom of an escalator at Angel Underground Station while reciting the opening lines of the Gospel of John in the King James Bible. His innate scepticism was downplayed in a later popular public sculpture commissioned for the Fourth Plinth in Trafalgar Square, Ecce Homo (1999), a serene marble life-sized cast of a young man representing Christ. After a retrospective at Tate Liverpool in 2000, representing Britain at the Venice Biennale in 2001, and then winning the Turner Prize in 2007 with his socially engaged installation State Britain, Wallinger's star has continued to ascend, culminating in Ebbsfleet Landmark Project - a fifty metre sculpture of a white horse standing in the English countryside. 2013 has also seen him create a multipart work entitled Labyrinth to mark the 150th anniversary of London Underground. As with all the titles in our perennial Modern Artists series, this book contains one hundred full-colour illustrations and a new interview with the artist.