MoMA Artist Series – serie

Henri Matisse, Pablo Picasso, Joan Miró and Andy Warhol each significantly shaped the development of art in the 20th century. These modern masters are the subjects of four small books, the first volumes in a series featuring important artists in the collection of The Museum of Modern Art. Each book presents a single artist and guides readers through a dozen of his most memorable achievements. Works are reproduced in colour and accompanied by informative and accessible short essays that provide background on the artworks and on the artist himself, illuminating technique, style, subject matter and significance. Written by Carolyn Lanchner, former curator of painting and sculpture at the Museum, these books are excellent resources for readers interested in the stories behind masterpieces of the modern canon and for those who wish to understand the contributions of individual artists to the history of modern art.

Fernand Léger is one of two new volumes being published this autumn in the MoMA Artists series, which explores important artists represented in depth in the collection of The Museum of Modern Art, and guides readers through a dozen of each artist’s most memorable achievements. A short and lively essay by Carolyn Lanchner, a former curator of painting and sculpture at the Museum, accompanies each work, illuminating its significance and placing it in its historical moment in the development of modern art and the artist’s own life.

Paul Cézanne, whom Pablo Picasso called ‘the father of us all’, is widely considered to be 20th-century modernism’s presiding genius. Cézanne’s pioneering synthesis of a theory of form with the visual immediacy of Impressionism in the late 19th century inspired Henri Matisse and the Fauves and led to the development of Cubism by Picasso and Georges Braque. This latest volume in the MoMA Artist Series guides readers through ten of Cézanne’s most memorable achievements, selected fromThe Museum of Modern Art’s substantial collection of his work. His iconic figure paintings The Bather and Boy in a Red Vest are featured, along with emblematic still lifes and landscapes from earlier and later years. A lively essay by Carolyn Lanchner accompanies each work, illuminating its significance and placing it in its historical moment in the development of modern art.