National Gallery London – serie

The impressive collection of 18th-century French paintings at the National Gallery, London, includes important works by Boucher, Chardin, David, Fragonard, Watteau, and many others. This volume presents over seventy detailed and extensively illustrated entries that expand our understanding of these paintings. Comprehensive research uncovers new information on provenance and on the lives of identified portrait sitters. Humphrey Wine explains the social and political contexts of many of the paintings, and an introductory essay looks at the attitude of 18th-century Britons to the French, as well as the market for 18th-century French paintings then in London salerooms.Published by National Gallery Company/Distributed by Yale University Press

This new volume in the series of National Gallery collection catalogues focuses on 16th-century Bologna and Ferrara. The Gallery holds the most important collection of these paintings outside Italy, including works by Garofalo representing his entire range as an artist; exquisite and grotesque miniature narratives by Mazzolino; a large masterpiece by the short-lived genius known as Ortolano; and some of the most dazzling paintings by the eccentric Dosso Dossi. There are two altarpieces by Lorenzo Costa along with his highly original Concert, and Francesco Francia's Buonvisi altarpiece. The book defines the special quality of works from the region, but also traces the influence of Perugino, Raphael, and Titian. New archival and technical research and provenance information reveal the fortunes of artists’ reputations across a long arc in the history of taste.Published by National Gallery Company/Distributed by Yale University Press

This substantial and beautifully illustrated volume documents the National Gallery’s unrivaled collection of Venetian paintings created between 1540 and 1600, including some of the greatest works commissioned by the city from Veronese, Titian, Tintoretto, and the Bassano family. The collection is so rich and varied that the book serves as an introduction to all the major types of painting produced in Venice during this period––the altarpiece, portrait, confraternity chapel decoration, ceiling and furniture painting, and paintings for the portego (long central hall) of a palace. Among the many important works included are Titian's Vendramin Family Venerating a Relic of the True Cross, Veronese's Family of Darius and four Allegories, and Tintoretto's Origin of the Milky Way. Nicholas Penny provides comprehensive and detailed information reflecting the most up-to-date scholarship on the paintings––many of which have passed through some of the greatest collections in Europe––along with a thorough discussion of their provenance.Published by National Gallery Company/Distributed by Yale University Press

An authoritative new two-volume publication cataloguing the German paintings before 1800 in the collection of the National Gallery, London  This fully illustrated catalogue presents the most up-to-date research on the 75 paintings in the National Gallery created in the German-speaking lands before 1800. Among them are important groups of works by artists such as Hans Holbein the Younger—including his famous double portrait The Ambassadors of 1533—Lucas Cranach the Elder, Albrecht Dürer, and Adam Elsheimer.  This is the first catalogue of German paintings since 1959 and includes authoritative entries on a number of important new acquisitions. Each entry discusses in detail the subject matter, authorship, provenance and art historical significance of the work. The German Paintings before 1800 also includes two essays, the first discussing the history of the paintings’ acquisition by the National Gallery and the taste for German painting in Britain, and the second addressing the ways in which these German artists produced their work.  Published by National Gallery Company/Distributed by Yale University Press

A comprehensive presentation of the important collection of Barbizon School painting at the National Gallery, LondonThe significant collection of 19th-century French paintings at the National Gallery, London, includes many important works by artists associated with the Barbizon School. In addition to paintings by Courbet, Millet, and Rousseau, there are over twenty works by Corot, including the monumental Italian Woman, or Woman with Yellow Sleeve (L’Italienne) recently acquired from the estate of Lucian Freud. Works by Corot range from an early oil study made in Italy to late studio landscapes. This meticulously researched and lavishly illustrated volume contains entries that examine all aspects of the paintings, from subject and stylistic significance to physical condition and conservation history. Setting the individual works within a broader context, essays explore the impact of plein-air practice; examine the relationship of the Barbizon School to the academic landscape painters and the Impressionists; and trace the history of the passionate collecting of these pictures in Britain well into the 20th century.Published by National Gallery Company/Distributed by Yale University Press

The National Gallery's collection of British paintings is small, but contains some of the most famous and best-loved paintings in the country. This readable catalogue includes the results of fresh examination of each work by the Gallery's Conservation and Scientific Departments.

The National Gallery in London houses one of the most important collections of early Italian paintings outside Italy, including works by Cimabue, Duccio, Giotto and the di Cione brothers. This completely updated catalogue of the collection is the first published since 1989, and it now includes four exceptional acquisitions from the intervening years: the 13th-century diptych now attributed to the Master of the Borgo Crucifix, The Virgin and Child by Cimabue, The Virgin and Child by the Clarisse Master, and The Coronation of the Virgin by Bernardo Daddi. For this volume, Dillian Gordon takes into account the substantial body of new research published over the past twenty years to review and in some cases reattribute the works. All but two paintings have been re-examined by the National Gallery's team of curators, conservators, and scientists. Through the use of infrared reflectography, much new information has been revealed regarding the significance of underdrawings and technique. Each work is illustrated in color, and many are accompanied by details and technical and comparative illustrations.Published by National Gallery Company/Distributed by Yale University Press