National Theatre Backstage Guides – serie

This book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre's repertoire. The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form. A book of tools, rather than rules, this guide provides suggestions and provocations, exercises and tricks, examples and discussions. An ideal text for playwrights to hone their craft.

This book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre''s repertoire. The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form. A book of tools, rather than rules, this guide provides suggestions and provocations, exercises and tricks, examples and discussions. An ideal text for playwrights to hone their craft.

This book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre''s repertoire. The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form. A book of tools, rather than rules, this guide provides suggestions and provocations, exercises and tricks, examples and discussions. An ideal text for playwrights to hone their craft.

Written by the former Deputy Head of Make-Up and Wigs at the National Theatre, this book opens up a process that very few people will otherwise be privy to, giving perspectives on the preparation before a production and responsibilities during, as well as looking more widely at training, career opportunities and success. It does so through drawing upon some of the most adventurous and challenging productions mounted at the National Theatre and elsewhere. From designing and fitting wigs to managing lighting-fast quick changes, hair, wigs and make-up people are a major part of the creation of any theatrical production. Yet their role and contribution are much less discussed and written about than elements such as writing, directing and acting, despite being critical to defining and executing the aesthetic of a production. Their involvement requires a great deal of research and creative thinking; collaboration with other members of the creative team; specific knowledge of wig-making and measuring, make-up design and application; and managing all of these elements during the course of the evening. Often required to cover all three elements (and sometimes more), the designer looking after hair, wigs and make-up needs to bring to the production multiple areas of expertise and is a core part of the creative team.

Written by the former Deputy Head of Make-Up and Wigs at the National Theatre, this book opens up a process that very few people will otherwise be privy to, giving perspectives on the preparation before a production and responsibilities during, as well as looking more widely at training, career opportunities and success. It does so through drawing upon some of the most adventurous and challenging productions mounted at the National Theatre and elsewhere. From designing and fitting wigs to managing lighting-fast quick changes, hair, wigs and make-up people are a major part of the creation of any theatrical production. Yet their role and contribution are much less discussed and written about than elements such as writing, directing and acting, despite being critical to defining and executing the aesthetic of a production. Their involvement requires a great deal of research and creative thinking; collaboration with other members of the creative team; specific knowledge of wig-making and measuring, make-up design and application; and managing all of these elements during the course of the evening. Often required to cover all three elements (and sometimes more), the designer looking after hair, wigs and make-up needs to bring to the production multiple areas of expertise and is a core part of the creative team.

Written by the former Deputy Head of Make-Up and Wigs at the National Theatre, this book opens up a process that very few people will otherwise be privy to, giving perspectives on the preparation before a production and responsibilities during, as well as looking more widely at training, career opportunities and success. It does so through drawing upon some of the most adventurous and challenging productions mounted at the National Theatre and elsewhere. From designing and fitting wigs to managing lighting-fast quick changes, hair, wigs and make-up people are a major part of the creation of any theatrical production. Yet their role and contribution are much less discussed and written about than elements such as writing, directing and acting, despite being critical to defining and executing the aesthetic of a production. Their involvement requires a great deal of research and creative thinking; collaboration with other members of the creative team; specific knowledge of wig-making and measuring, make-up design and application; and managing all of these elements during the course of the evening. Often required to cover all three elements (and sometimes more), the designer looking after hair, wigs and make-up needs to bring to the production multiple areas of expertise and is a core part of the creative team.

From one of the most celebrated actors of the stage and screen comes this book on the craft of acting.Lucian Msamati draws on his rich experience, particularly in the context of productions at the National Theatre - including: AmadeusMa Rainey's Black BottomMaster Harold and The BoysDeath and The King's HorsemanThe Comedy of ErrorsThe Overwhelming- to delve into sets of challenges and possibilities that actors might face.He offers up his tips on getting started in the industry; navigating the various professional relationships and roles inside a rehearsal room; and offers insights into running your own company and generating your own work.Peppered with quoted interviews with other industry professionals and personal anecdotes, which are sure to resonate with any reader, this will be a cherished book on any actor's bookshelf.

From one of the most celebrated actors of the stage and screen comes this book on the craft of acting.Lucian Msamati draws on his rich experience, particularly in the context of productions at the National Theatre - including: AmadeusMa Rainey''s Black BottomMaster Harold and The BoysDeath and The King''s HorsemanThe Comedy of ErrorsThe Overwhelming- to delve into sets of challenges and possibilities that actors might face.He offers up his tips on getting started in the industry; navigating the various professional relationships and roles inside a rehearsal room; and offers insights into running your own company and generating your own work.Peppered with quoted interviews with other industry professionals and personal anecdotes, which are sure to resonate with any reader, this will be a cherished book on any actor''s bookshelf.

From one of the most celebrated actors of the stage and screen comes this book on the craft of acting.Lucian Msamati draws on his rich experience, particularly in the context of productions at the National Theatre - including: AmadeusMa Rainey''s Black BottomMaster Harold and The BoysDeath and The King''s HorsemanThe Comedy of ErrorsThe Overwhelming- to delve into sets of challenges and possibilities that actors might face.He offers up his tips on getting started in the industry; navigating the various professional relationships and roles inside a rehearsal room; and offers insights into running your own company and generating your own work.Peppered with quoted interviews with other industry professionals and personal anecdotes, which are sure to resonate with any reader, this will be a cherished book on any actor''s bookshelf.

Auditions can often be the most feared aspect of being an actor and yet, as the author points out, casting directors are on the side of everyone who auditions for them. They want you to do well, feel confident about the audition and in turn give the director the confidence they need to choose you.The insights and reassurances throughout this book provide a little-seen glimpse into the world of casting, helping you to understand how casting directors and directors view the process and what purpose the audition serves. Casting director Sam Stevenson draws on her rich experience, from both her time as deputy head of casting at the National Theatre and her varied freelance career, to delve into the challenges and possibilities that you might face. She explores the intersecting, underlying principles of auditioning for stage and screen, whether you are meeting online, in-person or self-taping.This book helps bridge the gap between you and the people who are making the decisions, to help it feel like a less scary process.

Auditions can often be the most feared aspect of being an actor and yet, as the author points out, casting directors are on the side of everyone who auditions for them. They want you to do well, feel confident about the audition and in turn give the director the confidence they need to choose you. The insights and reassurances throughout this book provide a little-seen glimpse into the world of casting, helping you to understand how casting directors and directors view the process and what purpose the audition serves. Casting director Sam Stevenson draws on her rich experience, from both her time as deputy head of casting at the National Theatre and her varied freelance career, to delve into the challenges and possibilities that you might face. She explores the intersecting, underlying principles of auditioning for stage and screen, whether you are meeting online, in-person or self-taping. This book helps bridge the gap between you and the people who are making the decisions, to help it feel like a less scary process.

Auditions can often be the most feared aspect of being an actor and yet, as the author points out, casting directors are on the side of everyone who auditions for them. They want you to do well, feel confident about the audition and in turn give the director the confidence they need to choose you. The insights and reassurances throughout this book provide a little-seen glimpse into the world of casting, helping you to understand how casting directors and directors view the process and what purpose the audition serves. Casting director Sam Stevenson draws on her rich experience, from both her time as deputy head of casting at the National Theatre and her varied freelance career, to delve into the challenges and possibilities that you might face. She explores the intersecting, underlying principles of auditioning for stage and screen, whether you are meeting online, in-person or self-taping. This book helps bridge the gap between you and the people who are making the decisions, to help it feel like a less scary process.

From the creator of some of the world's most iconic puppetry shows comes this National Theatre Backstage Guide to the craft. With a focus on the processes within each stage of creation and the key roles involved, the book offers insights into:the benefits of using puppetry in your performance;how to research and design your puppets;how to perform with a puppet, from the technical considerations to character acting;how to maintain your puppet and even repair it during a production;how to pursue a career in puppetryDrawing on both his experience working at the National Theatre on productions such as War Horse and Pinocchio, the author supplements his own know-how with contributions from other notable figures in puppetry, such as Fred Davis, Daisy Beattie, Audrey Brisson and Sarah Wright.Photos of puppets, from prototypes to final designs, are included.This is a unique opportunity to learn the principles of puppetry from someone who has worked extensively in the field across theatre, musicals, opera and dance.

From the creator of some of the world's most iconic puppetry shows comes this National Theatre Backstage Guide to the craft. With a focus on the processes within each stage of creation and the key roles involved, the book offers insights into: the benefits of using puppetry in your performance; how to research and design your puppets; how to perform with a puppet, from the technical considerations to character acting; how to maintain your puppet and even repair it during a production; how to pursue a career in puppetryDrawing on both his experience working at the National Theatre on productions such as War Horse and Pinocchio, the author supplements his own know-how with contributions from other notable figures in puppetry, such as Fred Davis, Daisy Beattie, Audrey Brisson and Sarah Wright.Photos of puppets, from prototypes to final designs, are included.This is a unique opportunity to learn the principles of puppetry from someone who has worked extensively in the field across theatre, musicals, opera and dance.

From the creator of some of the world's most iconic puppetry shows comes this National Theatre Backstage Guide to the craft. With a focus on the processes within each stage of creation and the key roles involved, the book offers insights into: the benefits of using puppetry in your performance; how to research and design your puppets; how to perform with a puppet, from the technical considerations to character acting; how to maintain your puppet and even repair it during a production; how to pursue a career in puppetryDrawing on both his experience working at the National Theatre on productions such as War Horse and Pinocchio, the author supplements his own know-how with contributions from other notable figures in puppetry, such as Fred Davis, Daisy Beattie, Audrey Brisson and Sarah Wright.Photos of puppets, from prototypes to final designs, are included.This is a unique opportunity to learn the principles of puppetry from someone who has worked extensively in the field across theatre, musicals, opera and dance.