New Directions Classics – serie

Landing on the Mexican coast on Good Friday, 1519, Hernán Cortés felthimself the bearer of a divine burden to conquer and convert the firstadvanced civilization Europeans had yet encountered in the West. ForMontezuma, leader of the Mexicans, April 21, 1519 (known in theirsophisticated astronomical system as 9 Wind Day) was the precise date ofa dire prophesy: the return of Quetzalcoatl, a fearsome god predictedto arrive by ship, from the East, with light skin, a black beard, robedin black—exactly as Cortés would. The ensuing drama is described byeminent historian Maurice Collis in a style that is equal parts storyand scholarship. Though its consequences have been treated by writers asdiverse as D.H. Lawrence and Charles Olson, never before have the factsof this event been rendered with such extraordinary clarity andelegance.

Perhaps one of the greatest works of French literature is Madame de Lafayette’s The Princess of Clèves, often described as the first of all “modern” novels. This classic translation, with an introduction, by the late English novelist and biographer Nancy Mitford, was first brought out in 1951 by New Directions. It is now available as a New Directions Paperbook. Published in 1678 and written by Marie Madeleine Roche de la Vergne, Countess de Lafayette––a Parisian lady of fashion and great wit––it recreates with matchless vitality the lives and loves of the sixteenth-century courtiers of King Henry II of France. In her exquisite tapestry, we encounter such historic figures as Diane de Poitiers, the kings mistress; Catherine de Médicis, his queen; the doomed Mary Stuart, Queen of Scotland. It tells the story of the consuming passion of the young Duc de Nemours for the beautiful wife of his friend the Prince of Clèves. Madame de Sévigne, the great letter writer and life-long friend of Madame de Lafayette, called The Princess of Clèves “one of the most charming things.” It is still that––and it is also one of the truly great love stories of all literature.