New Sexual Worlds – serie

We are living in a time of great panic about “sex trafficking”—an idea whose meaning has been expanded beyond any real usefulness by evangelicals, conspiracy theorists, anti-prostitution feminists, and politicians with their own agendas. This is especially visible during events like the FIFA World Cup and the Olympic Games, when claims circulate that as many as 40,000 women and girls will be sex trafficked. Drawing on extensive fieldwork in Brazil as well as interviews with sex workers, policymakers, missionaries, and activists in Russia, Qatar, Japan, the UK, and South Africa, Gregory Mitchell shows that despite baseless statistical claims to the contrary, sex trafficking never increases as a result of these global mega-events—but police violence against sex workers always does.While advocates have long decried this myth, Mitchell follows the discourse across host countries to ask why this panic so easily embeds during these mega-events. What fears animate it? Who profits? He charts the move of sex trafficking into the realm of the spectacular—street protests, awareness-raising campaigns, telenovelas, social media, and celebrity spokespeople—where it then spreads across borders. This trend is dangerous because these events happen in moments of nationalist fervor during which fears of foreigners and migrants are heightened and easily exploited to frightening ends.

We are living in a time of great panic about “sex trafficking”—an idea whose meaning has been expanded beyond any real usefulness by evangelicals, conspiracy theorists, anti-prostitution feminists, and politicians with their own agendas. This is especially visible during events like the FIFA World Cup and the Olympic Games, when claims circulate that as many as 40,000 women and girls will be sex trafficked. Drawing on extensive fieldwork in Brazil as well as interviews with sex workers, policymakers, missionaries, and activists in Russia, Qatar, Japan, the UK, and South Africa, Gregory Mitchell shows that despite baseless statistical claims to the contrary, sex trafficking never increases as a result of these global mega-events—but police violence against sex workers always does.While advocates have long decried this myth, Mitchell follows the discourse across host countries to ask why this panic so easily embeds during these mega-events. What fears animate it? Who profits? He charts the move of sex trafficking into the realm of the spectacular—street protests, awareness-raising campaigns, telenovelas, social media, and celebrity spokespeople—where it then spreads across borders. This trend is dangerous because these events happen in moments of nationalist fervor during which fears of foreigners and migrants are heightened and easily exploited to frightening ends.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org.Amphibious Subjects is an ethnographic study of a community of self-identified effeminate men—known in local parlance as sasso—residing in coastal Jamestown, a suburb of Accra, Ghana's capital. Drawing on the Ghanaian philosopher Kwame Gyekye's notion of "amphibious personhood," Kwame Edwin Otu argues that sasso embody and articulate amphibious subjectivity in their self-making, creating an identity that moves beyond the homogenizing impulses of western categories of gender and sexuality. Such subjectivity simultaneously unsettles claims purported by the Christian heteronationalist state and LGBT+ human rights organizations that Ghana is predominantly heterosexual or homophobic. Weaving together personal interactions with sasso, participant observation, autoethnography, archival sources, essays from African and African-diasporic literature, and critical analyses of documentaries such as the BBC's The World’s Worst Place to Be Gay, Amphibious Subjects is an ethnographic meditation on how Africa is configured as the "heart of homophobic darkness" in transnational LGBT+ human rights imaginaries.

Disreputable Women is a deeply transdisciplinary study of how black women use sex work and place making to claim economic, bodily, and sexual autonomy in a militarized city that is intent on displacing and caging them. Christina Jessica Carney distills the production of these "disreputable women" during two major twentieth-century urban development processes in downtown San Diego, where municipal police, public health officials, and even activists designated street-involved sex workers and the places they congregated as blight.Carney documents how some black women reconceptualized the public and private spheres by using residential hotels and multiuse commercial spaces for housing and work, controlling their erotic economies and their sexual-cultural lives. She marks how discrete and explicit intellectual, economic, and political practices by black women complicate a dominant understanding of red-light areas and black sex workers as undesirable contaminators to be "cleaned out." Instead, her intuitive framework of "disreputability" offers a more ethical and workable approach to imagining the built environment and its inhabitants—developing a rich and robust grammar for understanding black women's lives amid scenes of militarization and gendered anti-blackness.