Ology – serie

Celebrate 20 incredible years of Ology with this special edition of Dragonology - the journal of dragonologist Dr Ernest Drake.Do you believe in dragons? Said to originate from the library of eminent Victorian dragonologist Ernest Drake, this book imparts to readers the secrets of the ancient science of dragonology, bridging the gap between dragon legend and fact. The meticulous Dr. Drake assigns Latin names to various dragon species, ruminates on why dragons are able to speak, speculates on how they could fly, and explains the true purpose of their notorious hoarding habits. It includes a host of novelties, such as old letters, magic dust and dragon scales.In his afterword, Dr. Drake reveals that one of the crucial goals of dragonologists is to preserve and protect the magnificent creatures of their study wherever possible - a goal this lavishly illustrated volume most affectionately achieves. An incomparable gift for secret dragonologists everywhere! For true believers only. Don't let it fall into the wrong hands!The groundbreaking Ology series has sold more than 18 MILLION copies worldwide.

Celebrate 20 incredible years of OLOGY with this special edition of Egyptology - the journal of lost adventurer and Egyptologist, Emily Sands.With a stunning gold foiled cover featuring three "jewels" - and with its creation overseen by TGH James, ex keeper of Egyptian Antiquities at the British Museum - Egyptology is Emily Sands' lavish 1926 scrapbook journal of a lost expedition. Full of novelties and recreations, such as a piece of mummy cloth, a booklet on hieroglyphs and a board game, the book brims with beautiful art and fascinating facts about Ancient Egypt, and a has a final magnificent novelty at the back!The groundbreaking OLOGY series, which includes Dragonology, has sold more than 18 MILLION copies worldwide.

A ghostly addition to the multi-million selling Ology World series, brought to the attention of Templar, publishers of rare and unusual books - GHOSTOLOGY.In 1975, under a bed in an old house in Tarrytown, New York, an unearthly tome entitled Ghostology was discovered, wrapped in a substance, later found to be ectoplasm. It is the life's work and study of American ghostologist Lucinda Curtle, who mysteriously passed to the Other Side during a seance. After her death, Ghostology seemingly became haunted by the ghost of Lucinda herself, who now wants to keep the secrets of the dead A SECRET. Now published, ghostwritten by Dugald Steer, the world itself can decide if Ghostology - purporting to tell the truth about ghosts - was solid fact or insubstantial fiction.Delve into the wealth of information and learn about different types of ghosts, ghosts around the world and ghost through history; haunted houses, ships and other objects (including books); the ghostologist's field kit; psychics and mediums; fakes and frauds; test your ghostological knowledge on one of Lucinda's own case studies. Complete with a jewel in the cover, as well as letters, booklets, sealed pages, flaps, a moving wheel novelty and glow in the dark ink.

Over the last fifteen years, professional communications have changed drastically. Presentations are the primary way we communicate. There is a proliferation of presentation software in the workplace, but there are no documented best-practices for how to communicate optimally in this ubiquitous medium. There has never been a gold standard collection of best practices for telling the visual story until now. Whether you're a CEO, senior manager or educator, you create presentations that have incredibly high stakes. Stock value, sales revenue, career promotions and behavior changes are all influenced by presentations daily. Those of us who want to get ahead have had a few guides that teach us how to create 'sticky' verbal messages and make a successful delivery. But what about the slides themselves? Are they art or science, or both?If you 're tired of stagnating in your career or getting marginal feedback when you present to pivotal audiences, this book will change your approach, process and expectations for developing visual aides. It will make the difference between a good presentation and a great one. The personality of the book is smart and informative.It would be like the merging of an informative Strunk and White's "Elements of Style" with a spunky Anne Lamott - but it happens to all be in living color. Useful, yet with doses of reality sprinkled in. It will be referenced enough to be kept permanently on a desk as an essential guide yet profound enough to spark viral intrigue. For the first time, we have translated much of the design language into laymen 's terms.