Palgrave Studies in Literary Journalism – serie

This book traces the beginnings of literary (narrative) journalism in Australia. The resulting cultural history reveals important milestones in the development of Australia’s press and literature, while demonstrating the concerns unveiled in colonial literary journalism still resonate in Australia in the 21st century.

This book traces the beginnings of literary (narrative) journalism in Australia. The resulting cultural history reveals important milestones in the development of Australia’s press and literature, while demonstrating the concerns unveiled in colonial literary journalism still resonate in Australia in the 21st century.

This book stems from the question that we as co-authors grappled with for the past 3-plus years while in our own periods of stasis during the pandemic: What place does the travel writing genre hold in a post-COVID world? With the massive interruptions to travel and travel writing across 2020-2023 as the pandemic forced us indoors and into isolation, it also raised many other pertinent questions about the practice of and future of travel writing. Part of the prompt for this book comes from the post-pandemic assumption that in an ecologically fraught, less mobile, and more uncertain world, there may not be a place for travel writing as we know it to exist in any meaningful way. We examine the problems and solutions apparent for travel writing as it engages with a period of re-thinking, prompted by the pandemic, though necessary for a plethora of other reasons as well. As academics and travel writing practitioners, with decades of experience in the field, we offer a unique perspectiveon this topic – as we have the in-the-field experience of professional travel writers, and we have the academic grounding to better understand the history, theoretical concerns and contradictions of the genre to provide a more in-depth perspective to our travel writing colleagues. This grounding allows us to access a unique and valuable perspective for Re-thinking Travel Writing: The Journey of a Genre for academics, aspiring travel writers and contemporary colleagues in the field.

This book stems from the question that we as co-authors grappled with for the past 3-plus years while in our own periods of stasis during the pandemic: What place does the travel writing genre hold in a post-COVID world? With the massive interruptions to travel and travel writing across 2020-2023 as the pandemic forced us indoors and into isolation, it also raised many other pertinent questions about the practice of and future of travel writing. Part of the prompt for this book comes from the post-pandemic assumption that in an ecologically fraught, less mobile, and more uncertain world, there may not be a place for travel writing as we know it to exist in any meaningful way. We examine the problems and solutions apparent for travel writing as it engages with a period of re-thinking, prompted by the pandemic, though necessary for a plethora of other reasons as well. As academics and travel writing practitioners, with decades of experience in the field, we offer a unique perspectiveon this topic – as we have the in-the-field experience of professional travel writers, and we have the academic grounding to better understand the history, theoretical concerns and contradictions of the genre to provide a more in-depth perspective to our travel writing colleagues. This grounding allows us to access a unique and valuable perspective for Re-thinking Travel Writing: The Journey of a Genre for academics, aspiring travel writers and contemporary colleagues in the field.

This book is a scholarly anthology that proposes a deep discussion about the multiple ways in which narrative journalism has portrayed nature, human interactions with nature, the global actions and the consequences of activities that have either attempted to explore it, exploit it, harness it, dominate it, and protect it.

This book is a scholarly anthology that proposes a deep discussion about the multiple ways in which narrative journalism has portrayed nature, human interactions with nature, the global actions and the consequences of activities that have either attempted to explore it, exploit it, harness it, dominate it, and protect it. This essay collection offers an academic framework for literary journalistic narratives about nature and includes the study of long form journalism originated in different corners of the world, all exploring human-non human-nature interactions in all their power, finitude, peril and urgency.

This book delivers a powerful argument for the centrality of sport in culture, exploring how fine sports writing bestows meaning upon the human world. Literary Sports Journalism: Beyond the Boundaries explores the multiple and fertile interconnections between sports writing and mainstream creative writing, including the works of Ernest Hemingway, Hunter S. Thompson, Joyce Carol Oates and Martin Amis. In so doing, it delivers a reappraisal of a number of key writers. As such, the book aims to unite journalism studies with both literary analysis and philosophy. At root it is an inquiry into aesthetics: an exploration of the beauty of words, the beauty (and ugliness) of sport, and the distinctive beauty that arises when words are used to capture sport. Tom Bradshaw argues that it is the writing around sport rather than about sport that is often the most profound, perceptive, and beautiful, and which tells us much about what it is to be human.

This book delivers a powerful argument for the centrality of sport in culture, exploring how fine sports writing bestows meaning upon the human world. Literary Sports Journalism: Beyond the Boundaries explores the multiple and fertile interconnections between sports writing and mainstream creative writing, including the works of Ernest Hemingway, Hunter S. Thompson, Joyce Carol Oates and Martin Amis. In so doing, it delivers a reappraisal of a number of key writers. As such, the book aims to unite journalism studies with both literary analysis and philosophy. At root it is an inquiry into aesthetics: an exploration of the beauty of words, the beauty (and ugliness) of sport, and the distinctive beauty that arises when words are used to capture sport. Tom Bradshaw argues that it is the writing around sport rather than about sport that is often the most profound, perceptive, and beautiful, and which tells us much about what it is to be human.