Political Communication and Media Practices in the Middle East and North Africa – serie

This book critically analyses the hegemony of Egypt’s business and military elites and the private media they own or control. Arguing that this hegemony requires the exercise of power to maintain consent under changing conditions such as the 2011 uprising and the 2013 military coup, the book answers the central question of why and how Egypt’s ruling elites control the media. Situated within the interdisciplinary domain of ‘critical political economy’ (CPE), the book focuses on popular privately-owned newspapers and TV channels and their ownership using a qualitative approach involving fifteen interviews conducted over seven years with key actors and experts in the Egyptian media landscape for unprecedented insight. As the first book on the political economy of Egyptian media, The Political Economy of Egyptian Media serves as a case study and a country profile and will be of appeal to scholars and experts of Middle Eastern studies, political sciences, media and the political economy of communication, among others.

This book critically analyses the hegemony of Egypt’s business and military elites and the private media they own or control. Arguing that this hegemony requires the exercise of power to maintain consent under changing conditions such as the 2011 uprising and the 2013 military coup, the book answers the central question of why and how Egypt’s ruling elites control the media. Situated within the interdisciplinary domain of ‘critical political economy’ (CPE), the book focuses on popular privately-owned newspapers and TV channels and their ownership using a qualitative approach involving fifteen interviews conducted over seven years with key actors and experts in the Egyptian media landscape for unprecedented insight. As the first book on the political economy of Egyptian media, The Political Economy of Egyptian Media serves as a case study and a country profile and will be of appeal to scholars and experts of Middle Eastern studies, political sciences, media and the political economy of communication, among others.

This book examines the role of artists in Egypt during the 2011 revolution, when street art from graffiti to political murals became ubiquitous facets of revolutionary spaces. Through interviews, personal testimonies, and accounts of the lived experience of 25 street artists, the book explores the meaning of art in revolutionary political contexts, specifically by focusing on artistic production during ‘liminal’ moments as the events of the Egyptian revolution unfolded. The author privileges the perspective of the actors themselves to examine the ways that artists reacted to events and conceived of their art as means to further the goals of the revolution. Based on fieldwork conducted in the years since 2011, the book provides a narrative of Egyptian artists’ participation in and representations of the revolution, from hopeful beginnings to the subsequent crackdown and election of al-Sisi.

This book examines the role of artists in Egypt during the 2011 revolution, when street art from graffiti to political murals became ubiquitous facets of revolutionary spaces. Through interviews, personal testimonies, and accounts of the lived experience of 25 street artists, the book explores the meaning of art in revolutionary political contexts, specifically by focusing on artistic production during ‘liminal’ moments as the events of the Egyptian revolution unfolded. The author privileges the perspective of the actors themselves to examine the ways that artists reacted to events and conceived of their art as means to further the goals of the revolution. Based on fieldwork conducted in the years since 2011, the book provides a narrative of Egyptian artists’ participation in and representations of the revolution, from hopeful beginnings to the subsequent crackdown and election of al-Sisi.

This book offers a ten-year perspective on ongoing and evolving practices of digital activism across the Middle East and North Africa, drawing on interviews and ethnographic evidence collected between 2012 and 2022. It examines the shifting narrative around digital activism in the region, from the wake of the 2011 uprisings to the 2019 series of protests coined ‘the second wave of the Arab Spring’. It considers how media activists navigate the transition from the emergent to the mainstream in a climate of contentious politics, following the civil mobilisations of the pro-revolutionary youths in Tunisia, Egypt, and Lebanon. It outlines the particularities of these three different political contexts and media environments, featuring case studies of the Tunisian blogosphere, online campaigning in the Egyptian elections and interviews with social media activists. In light of this empirical evidence, the book offers a critique of the increasing prevalence of a security perspective through which online activism has been viewed and its deleterious effect on digital political engagement in the region.

This book offers a ten-year perspective on ongoing and evolving practices of digital activism across the Middle East and North Africa, drawing on interviews and ethnographic evidence collected between 2012 and 2022. It examines the shifting narrative around digital activism in the region, from the wake of the 2011 uprisings to the 2019 series of protests coined ‘the second wave of the Arab Spring’. It considers how media activists navigate the transition from the emergent to the mainstream in a climate of contentious politics, following the civil mobilisations of the pro-revolutionary youths in Tunisia, Egypt, and Lebanon. It outlines the particularities of these three different political contexts and media environments, featuring case studies of the Tunisian blogosphere, online campaigning in the Egyptian elections and interviews with social media activists. In light of this empirical evidence, the book offers a critique of the increasing prevalence of a security perspective through which online activism has been viewed and its deleterious effect on digital political engagement in the region.

The Syrian conflict constitutes one of the most covered events in this century. Although the coverage of the Syrian uprising and civil war alternated between periods of saturation and silence, it is indisputable that they received an enormous amount of media attention. The Syrian Conflict in the News analyses the coverage of the Syrian conflict in the New York Times, the Washington Post, and the Wall Street Journal, focusing on how the three newspapers framed six key events in Syria from March 2011 to April 2018, including the Ghouta chemical attack, the Russian intervention in Syria and US-led airstrikes. Gabriel Huland argues that US foreign policy dominates the frames of the conflict, which suggests that mainstream newspapers are excessively indexed to elite narratives. In the United States, the Syrian crisis prompted an intense debate about the appropriate degree of US involvement in the civil war and how the country should behave in the face of growing Russian and Iranian influence in the Middle East. The overreliance on elite narratives resulted in the underrepresentation of local voices and other players who were in a more advantaged position to devise solutions to the conflict. By analysing the frames of the Syrian uprising and civil war in three mainstream newspapers and the relationship between media and international conflicts, The Syrian Conflict in the News sheds light on crucial aspects of the crisis currently pervading US journalism.

The Syrian conflict constitutes one of the most covered events in this century. Although the coverage of the Syrian uprising and civil war alternated between periods of saturation and silence, it is indisputable that they received an enormous amount of media attention. The Syrian Conflict in the News analyses the coverage of the Syrian conflict in the New York Times, the Washington Post, and the Wall Street Journal, focusing on how the three newspapers framed six key events in Syria from March 2011 to April 2018, including the Ghouta chemical attack, the Russian intervention in Syria and US-led airstrikes. Gabriel Huland argues that US foreign policy dominates the frames of the conflict, which suggests that mainstream newspapers are excessively indexed to elite narratives. In the United States, the Syrian crisis prompted an intense debate about the appropriate degree of US involvement in the civil war and how the country should behave in the face of growing Russian and Iranian influence in the Middle East. The overreliance on elite narratives resulted in the underrepresentation of local voices and other players who were in a more advantaged position to devise solutions to the conflict. By analysing the frames of the Syrian uprising and civil war in three mainstream newspapers and the relationship between media and international conflicts, The Syrian Conflict in the News sheds light on crucial aspects of the crisis currently pervading US journalism.

Over the past decade, there has been a burgeoning interest in the realm of art activism within the Southwest Asia and North Africa region, shedding light on the political implications of aesthetic representation. Nevertheless, a critical inquiry into how political aesthetics can formulate both discernible and imperceptible resistance strategies in response to resurging authoritarianism and counter-revolution after the 2011 uprisings in the region remains conspicuously absent. This book delves into a comprehensive examination of diverse art forms, ranging from street art and cinema to performance art, as well as music and theatre, scrutinizing the manifestations of aesthetic resilience at the epicentre of the political resistance against oppression and authoritarianism in Sudan, Iran, Egypt, Tunisia, Algeria, Morocco, Lebanon, Yemen and Syria. The editors employ a multifaceted approach to investigate artistic activism, encompassing analysis of visibility, ephemerality, and speech within the public sphere, the establishment and perpetuation of collective transnational solidarities, the portrayal of suppressed identities and narratives, and the innovation of alternative mechanisms for producing and disseminating art.

Over the past decade, there has been a burgeoning interest in the realm of art activism within the Southwest Asia and North Africa region, shedding light on the political implications of aesthetic representation. Nevertheless, a critical inquiry into how political aesthetics can formulate both discernible and imperceptible resistance strategies in response to resurging authoritarianism and counter-revolution after the 2011 uprisings in the region remains conspicuously absent. This book delves into a comprehensive examination of diverse art forms, ranging from street art and cinema to performance art, as well as music and theatre, scrutinizing the manifestations of aesthetic resilience at the epicentre of the political resistance against oppression and authoritarianism in Sudan, Iran, Egypt, Tunisia, Algeria, Morocco, Lebanon, Yemen and Syria. The editors employ a multifaceted approach to investigate artistic activism, encompassing analysis of visibility, ephemerality, and speech within the public sphere, the establishment and perpetuation of collective transnational solidarities, the portrayal of suppressed identities and narratives, and the innovation of alternative mechanisms for producing and disseminating art.

A decade on from the Arab uprisings, debates continue to reiterate exceptionalist discourses about the region and its peoples which tend to deny individual agency. They also neglect long collective histories of mediated political cultures that have emerged within colonial and post-colonial structures and outside peripheries of formal power and politics. This book problematizes the relationship between politics and communication in the Middle East and North Africa region, paying attention to the diversity of communicative forms and political practices outside formal institutions and structures while remaining conscious of the power dynamics within institutional practices. Examining political communication in Palestine, Lebanon, Egypt, Morocco, Iraq, Syria, Turkey,Tunisa and Iran, the book’s chapters challenge Western-centric theories and methodologies that dominate the broad field of political communication by reframing the discussions to include the politics of the marginal or the peripheral, the informal, and the grassroots.