Readings in Theatre Practice – serie
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This wide-ranging volume explores the technical and physical aspects of voice as a craft, questioning its definitions, its historical presence, training practices and its publications. Drawing on a wealth of experience, Jane Boston presents a selection of readings that demonstrate and contextualize some of the defining moments of voice throughout history. This clear and accessible text examines the relationship between voice and aesthetics and poetics, against the backdrop of class, race and gender politics, demonstrating how vocal training has been and still is inevitably connected to such issues.
Underpinned by theory, voice practitioner accounts, and cultural and historical contextualization, this comprehensive resource will be invaluable for practitioners, researchers and students of voice studies, physical theatre and theatre history.
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This diverse book brings together theoretical and practical viewpoints on objects in performance, how they can be part of theatre scenery, equal partners in performance, or autonomous things. Through close analysis of specific performances, Eleanor Margolies examines actor training, scenography, materials, construction techniques and object theatre. The text investigates a number of critical questions, including: what the difference is between a theatre prop and an everyday object; how audiences respond to the various ways that props are used by actors and designers; and whether devising with ‘stuff’ affect the making process or the attitudes to materiality embodied in performance.
With discussions of papier mâché and collapsing chairs, fake food and stage blood, Props is an essential sourcebook for students, practitioners and researchers of theatre, design and prop-making.
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