Roth Trilogy – serie

Final novel in Andrew Taylor’s powerful Roth Trilogy: ‘With all due deference to its heavenly virtues, this is a hellishly good novel’ – Frances Fyfield, Sunday Express Janet Byfield has everything Wendy Appleyard lacks: she’s beautiful; she has a handsome husband, a clergyman on the verge of promotion; and most of all she has an adorable little daughter, Rosie. So when Wendy’s life falls apart, it’s to her oldest friend, Janet, that she turns.At first it seems as to Wendy as though nothing can touch the Byfields’ perfect existence in 1950s Cathedral Close, Rosington, but old sins gradually come back to haunt the present, and new sins are bred in their place. The shadow of death seeps through the Close, and only Wendy, the outsider looking in, is able to glimpse the truth. But can she grasp it’s twisted logic in time to prevent a tragedy whose roots lie buried deep in the past?

‘Complex, with lots of sinister implications… moves the traditional crime novel on to some deeper level of exploration’ Jane Jakeman, IndependentIt is 1970. David Byfield, a widowed parish priest with a dark past and a darker future, brings home a new wife to Roth. Throughout the summer, the consequences of the marriage reverberate through a village now submerged in a sprawling London suburb.Blinded by lust, Byfield is oblivious to the dangers that lie all about him: the menopausal churchwarden with a hopeless passion for her priest; his beautiful, neglected teenage daughter Rosemary; and the sinister presence of Frances Youlgreave – poet, opium addict and suicide – whose power stretches beyond the grave.Soon the murders and blasphemies begin. But does the responsibility lie in the present or the past? And can Byfield, a prisoner of his own passion, break through to the truth before the final tragedy destroys what he most cherishes?

Like an archaeological dig, The Roth Trilogy strips away the past to reveal the menace lurking in the present: `Taylor has established a sound reputation for writing tense, clammy novels that perceptively penetrate the human psyche’ – Marcel Berlins, The TimesThe shadow of past evil hangs over the present in Andrew Taylor's Roth Trilogy as he skilfully traces the influences that have come to shape the mind of a psychopath.Beginning, in The Four Last Things, with the abduction of little Lucy Appleyard and a grisly discovery in a London graveyard, the layers of the past are gradually peeled away through The Judgement of Strangers and The Office of the Dead to unearth the dark and twisted roots of a very immediate horror that threatens to explode the serenity of Rosington's peaceful Cathedral Close.

The first novel in Andrew Taylor’s ground-breaking Roth trilogy, which was adapted into the acclaimed drama Fallen Angel. A tense psychological thriller for fans of S J Watson.Little Lucy Appleyard is snatched from her child minder’s on a cold winter afternoon, and the nightmare begins. When Eddie takes her home to beautiful, child-loving Angel, he knows he’s done the right thing. But Lucy’s not like their other visitors, and unwittingly she strikes through Angel’s defences to something both vulnerable and volatile at the core.To the outside world Lucy has disappeared into a black hole with no clues to her whereabouts…until the first grisly discovery in a London graveyard. More such finds are to follow, all at religious sites, and, in a city haunted by religion, what do these offerings signify?All that stands now between Lucy and the final sacrifice are a CID sergeant on the verge of disgrace and a woman cleric – Lucy’s parents – but how can they hope to halt the evil forces that are gathering around their innocent daughter?

The second novel in Andrew Taylor’s ground-breaking Roth trilogy, which was adapted into the acclaimed drama Fallen Angel. A haunting thriller for fans of S J Watson.It is 1970. David Byfield, a widowed parish priest with a dark past and a darker future, brings home a new wife to Roth. Throughout the summer, the consequences of the marriage reverberate through a village now submerged in a sprawling London suburb.Blinded by lust, Byfield is oblivious to the dangers that lie all about him: the menopausal churchwarden with a hopeless passion for her priest; his beautiful, neglected teenage daughter Rosemary; and the sinister presence of Frances Youlgreave – poet, opium addict and suicide – whose power stretches beyond the grave.Soon the murders and blasphemies begin. But does the responsibility lie in the present or the past? And can Byfield, a prisoner of his own passion, break through to the truth before the final tragedy destroys what he most cherishes?