Biotechnology and the Politics of Plants explores the mysterious phenomenon of ‘apomixis’, the ability of certain plants to ‘self-clone’, and its potential as a revolutionary tool for agriculture and enhancing food security, that may soon be a reality. Through historical anthropological and ethnographic study, Matt Hodges traces the development of the CIMMYT Apomixis Project, a prominent frontier research initiative, and its reinvention as a leading public-private partnership. He analyzes the fast-moving historical transition from public sector, mixed plant breeding approaches grounded in genetics, to a contemporary era of agricultural biotechnology and genomics where PPPs are a leading format, and explores how social contexts of research shape how knowledge is produced, as well as what remains ‘unknown’, and constrain the development of an ‘Apomixis Technology’. The chapters present an inventive approach informed by the anthropology of time, science and technology studies, and dialogue with the work of Gilles Deleuze, Paul Rabinow, Hannah Arendt, Andrew Pickering, and Eduardo Viveiros de Castro. Hodges outlines novel ways of integrating notions of history and becoming, and considers how apomixis offers up an alternative image of thought to theoretical concepts such as the well-known ‘rhizome’. The book makes a valuable contribution to both the growing social scientific literature on genomics and biotechnology, and recent anthropological debates on time and history.

This book offers an accessible and up-to-date reference on primate zoonoses. Recent years have witnessed a rise in human diseases zoonotically transferred from animals, with wild primates implicated in the spread of numerous newly emerging infections. The authors go beyond simply providing an inventory of diseases, helping readers to understand how and why they are transmitted. Important consideration is given to the contemporary cultural and ecological factors involved.

Aerial Imagination in Cuba is a visual, ethnographic, sensorial, and poetic engagement with how Cubans imagine the sky as a medium that allows things to circulate. What do wi-fi antennas, cactuses, pigeons, lottery, and congas have in common? This book offers a series of illustrated ethno-fictional stories to explore various practices and beliefs that have seemingly nothing in common. But if you look at the sky, there is more than meets the eye. By discussing the natural, religious, and human-made visible and invisible aerial infrastructures—or systems of circulation—through short illustrated vignettes, Aerial Imagination in Cuba offers a highly creative way to explore the aerial space in Santiago de Cuba today.

This anthropological study explores the beliefs and practices that emerged around masking in the U.S. during the COVID-19 pandemic. Americans responded to this illness as unique subjects navigating the flux of social and corporeal boundaries, supporting certain beliefs and acting to shape them as compelling realities. Debates over health and safety mandates indicated that responses were fractured with varied subjectivities in play—people lived in different worlds and bodies were central in conflicts over breathing, masking and social distancing. Contrasting approaches to practices marked the limits and possibilities of imaginaries, signaling differences and similarities between groups, and how actions could be passageways between people and possibilities. During a time of uncertainty and loss, the "efficacious intimacy" of bodies and materials embedded beliefs, values, and emotions of care in mask sewing and usage. By exploring these practices, the author reflects on how American subjects became relational selves and sustained response-able communities, helping people protect each other from mutating viruses as well as moving forward in a shifting terrain of intimacy and distance, connection, and containment.

This anthropological study explores the beliefs and practices that emerged around masking in the U.S. during the COVID-19 pandemic. Americans responded to this illness as unique subjects navigating the flux of social and corporeal boundaries, supporting certain beliefs and acting to shape them as compelling realities. Debates over health and safety mandates indicated that responses were fractured with varied subjectivities in play—people lived in different worlds and bodies were central in conflicts over breathing, masking and social distancing. Contrasting approaches to practices marked the limits and possibilities of imaginaries, signaling differences and similarities between groups, and how actions could be passageways between people and possibilities. During a time of uncertainty and loss, the "efficacious intimacy" of bodies and materials embedded beliefs, values, and emotions of care in mask sewing and usage. By exploring these practices, the author reflects on how American subjects became relational selves and sustained response-able communities, helping people protect each other from mutating viruses as well as moving forward in a shifting terrain of intimacy and distance, connection, and containment.

This book focuses on the 3.11 disaster in Japan, involving a powerful earthquake and tsunami, from an anthropological perspective. It critically reflects on the challenges of conducting anthropological research when encountering disaster at home and the position of social scientist as sufferer. Emphasizing the role of culture in disaster mitigation, the book offers theoretical consideration of the role of cultural heritage in risk management, in line with recent trends in international policy on disaster risk reduction. Taking an approach “with the people in,” the author explores how culture features in disaster recovery at community level and considers implications for policy. The chapters explore the response and adaptation by local cultural practitioners and performing arts groups as well as farmers and fishers. Japanese farming and fishing are presented as an innovative and dynamic part of the recovery process. The book will be of interest to scholars and policymakers working in disaster studies, Japan studies, and fields including anthropology, geography, sociology, and heritage management.

This book focuses on the 3.11 disaster in Japan, involving a powerful earthquake and tsunami, from an anthropological perspective. It critically reflects on the challenges of conducting anthropological research when encountering disaster at home and the position of social scientist as sufferer. Emphasizing the role of culture in disaster mitigation, the book offers theoretical consideration of the role of cultural heritage in risk management, in line with recent trends in international policy on disaster risk reduction. Taking an approach “with the people in,” the author explores how culture features in disaster recovery at community level and considers implications for policy. The chapters explore the response and adaptation by local cultural practitioners and performing arts groups as well as farmers and fishers. Japanese farming and fishing are presented as an innovative and dynamic part of the recovery process. The book will be of interest to scholars and policymakers working in disaster studies, Japan studies, and fields including anthropology, geography, sociology, and heritage management.

This book offers an accessible and up-to-date reference on primate zoonoses. Recent years have witnessed a rise in human diseases zoonotically transferred from animals, with wild primates implicated in the spread of numerous newly emerging infections. The authors go beyond simply providing an inventory of diseases, helping readers to understand how and why they are transmitted. Important consideration is given to the contemporary cultural and ecological factors involved.

Biotechnology and the Politics of Plants explores the mysterious phenomenon of ‘apomixis’, the ability of certain plants to ‘self-clone’, and its potential as a revolutionary tool for agriculture and enhancing food security, that may soon be a reality. Through historical anthropological and ethnographic study, Matt Hodges traces the development of the CIMMYT Apomixis Project, a prominent frontier research initiative, and its reinvention as a leading public-private partnership. He analyzes the fast-moving historical transition from public sector, mixed plant breeding approaches grounded in genetics, to a contemporary era of agricultural biotechnology and genomics where PPPs are a leading format, and explores how social contexts of research shape how knowledge is produced, as well as what remains ‘unknown’, and constrain the development of an ‘Apomixis Technology’. The chapters present an inventive approach informed by the anthropology of time, science and technology studies, and dialogue with the work of Gilles Deleuze, Paul Rabinow, Hannah Arendt, Andrew Pickering, and Eduardo Viveiros de Castro. Hodges outlines novel ways of integrating notions of history and becoming, and considers how apomixis offers up an alternative image of thought to theoretical concepts such as the well-known ‘rhizome’. The book makes a valuable contribution to both the growing social scientific literature on genomics and biotechnology, and recent anthropological debates on time and history.

Biotechnology and the Politics of Plants explores the mysterious phenomenon of ‘apomixis’, the ability of certain plants to ‘self-clone’, and its potential as a revolutionary tool for agriculture and enhancing food security, that may soon be a reality. Through historical anthropological and ethnographic study, Matt Hodges traces the development of the CIMMYT Apomixis Project, a prominent frontier research initiative, and its reinvention as a leading public-private partnership. He analyzes the fast-moving historical transition from public sector, mixed plant breeding approaches grounded in genetics, to a contemporary era of agricultural biotechnology and genomics where PPPs are a leading format, and explores how social contexts of research shape how knowledge is produced, as well as what remains ‘unknown’, and constrain the development of an ‘Apomixis Technology’. The chapters present an inventive approach informed by the anthropology of time, science and technology studies, and dialogue with the work of Gilles Deleuze, Paul Rabinow, Hannah Arendt, Andrew Pickering, and Eduardo Viveiros de Castro. Hodges outlines novel ways of integrating notions of history and becoming, and considers how apomixis offers up an alternative image of thought to theoretical concepts such as the well-known ‘rhizome’. The book makes a valuable contribution to both the growing social scientific literature on genomics and biotechnology, and recent anthropological debates on time and history.

This book offers an accessible and up-to-date reference on primate zoonoses. Recent years have witnessed a rise in human diseases zoonotically transferred from animals, with wild primates implicated in the spread of numerous newly emerging infections. The authors go beyond simply providing an inventory of diseases, helping readers to understand how and why they are transmitted. Important consideration is given to the contemporary cultural and ecological factors involved.

Aerial Imagination in Cuba is a visual, ethnographic, sensorial, and poetic engagement with how Cubans imagine the sky as a medium that allows things to circulate. What do wi-fi antennas, cactuses, pigeons, lottery, and congas have in common? This book offers a series of illustrated ethno-fictional stories to explore various practices and beliefs that have seemingly nothing in common. But if you look at the sky, there is more than meets the eye. By discussing the natural, religious, and human-made visible and invisible aerial infrastructures—or systems of circulation—through short illustrated vignettes, Aerial Imagination in Cuba offers a highly creative way to explore the aerial space in Santiago de Cuba today.

This anthropological study explores the beliefs and practices that emerged around masking in the U.S. during the COVID-19 pandemic. Americans responded to this illness as unique subjects navigating the flux of social and corporeal boundaries, supporting certain beliefs and acting to shape them as compelling realities. Debates over health and safety mandates indicated that responses were fractured with varied subjectivities in play—people lived in different worlds and bodies were central in conflicts over breathing, masking and social distancing. Contrasting approaches to practices marked the limits and possibilities of imaginaries, signaling differences and similarities between groups, and how actions could be passageways between people and possibilities. During a time of uncertainty and loss, the "efficacious intimacy" of bodies and materials embedded beliefs, values, and emotions of care in mask sewing and usage. By exploring these practices, the author reflects on how American subjects became relational selves and sustained response-able communities, helping people protect each other from mutating viruses as well as moving forward in a shifting terrain of intimacy and distance, connection, and containment.

This anthropological study explores the beliefs and practices that emerged around masking in the U.S. during the COVID-19 pandemic. Americans responded to this illness as unique subjects navigating the flux of social and corporeal boundaries, supporting certain beliefs and acting to shape them as compelling realities. Debates over health and safety mandates indicated that responses were fractured with varied subjectivities in play—people lived in different worlds and bodies were central in conflicts over breathing, masking and social distancing. Contrasting approaches to practices marked the limits and possibilities of imaginaries, signaling differences and similarities between groups, and how actions could be passageways between people and possibilities. During a time of uncertainty and loss, the "efficacious intimacy" of bodies and materials embedded beliefs, values, and emotions of care in mask sewing and usage. By exploring these practices, the author reflects on how American subjects became relational selves and sustained response-able communities, helping people protect each other from mutating viruses as well as moving forward in a shifting terrain of intimacy and distance, connection, and containment.

This book focuses on the 3.11 disaster in Japan, involving a powerful earthquake and tsunami, from an anthropological perspective. It critically reflects on the challenges of conducting anthropological research when encountering disaster at home and the position of social scientist as sufferer. Emphasizing the role of culture in disaster mitigation, the book offers theoretical consideration of the role of cultural heritage in risk management, in line with recent trends in international policy on disaster risk reduction. Taking an approach “with the people in,” the author explores how culture features in disaster recovery at community level and considers implications for policy. The chapters explore the response and adaptation by local cultural practitioners and performing arts groups as well as farmers and fishers. Japanese farming and fishing are presented as an innovative and dynamic part of the recovery process. The book will be of interest to scholars and policymakers working in disaster studies, Japan studies, and fields including anthropology, geography, sociology, and heritage management.

This book focuses on the 3.11 disaster in Japan, involving a powerful earthquake and tsunami, from an anthropological perspective. It critically reflects on the challenges of conducting anthropological research when encountering disaster at home and the position of social scientist as sufferer. Emphasizing the role of culture in disaster mitigation, the book offers theoretical consideration of the role of cultural heritage in risk management, in line with recent trends in international policy on disaster risk reduction. Taking an approach “with the people in,” the author explores how culture features in disaster recovery at community level and considers implications for policy. The chapters explore the response and adaptation by local cultural practitioners and performing arts groups as well as farmers and fishers. Japanese farming and fishing are presented as an innovative and dynamic part of the recovery process. The book will be of interest to scholars and policymakers working in disaster studies, Japan studies, and fields including anthropology, geography, sociology, and heritage management.

This book offers an accessible and up-to-date reference on primate zoonoses. Recent years have witnessed a rise in human diseases zoonotically transferred from animals, with wild primates implicated in the spread of numerous newly emerging infections. The authors go beyond simply providing an inventory of diseases, helping readers to understand how and why they are transmitted. Important consideration is given to the contemporary cultural and ecological factors involved.

Biotechnology and the Politics of Plants explores the mysterious phenomenon of ‘apomixis’, the ability of certain plants to ‘self-clone’, and its potential as a revolutionary tool for agriculture and enhancing food security, that may soon be a reality. Through historical anthropological and ethnographic study, Matt Hodges traces the development of the CIMMYT Apomixis Project, a prominent frontier research initiative, and its reinvention as a leading public-private partnership. He analyzes the fast-moving historical transition from public sector, mixed plant breeding approaches grounded in genetics, to a contemporary era of agricultural biotechnology and genomics where PPPs are a leading format, and explores how social contexts of research shape how knowledge is produced, as well as what remains ‘unknown’, and constrain the development of an ‘Apomixis Technology’. The chapters present an inventive approach informed by the anthropology of time, science and technology studies, and dialogue with the work of Gilles Deleuze, Paul Rabinow, Hannah Arendt, Andrew Pickering, and Eduardo Viveiros de Castro. Hodges outlines novel ways of integrating notions of history and becoming, and considers how apomixis offers up an alternative image of thought to theoretical concepts such as the well-known ‘rhizome’. The book makes a valuable contribution to both the growing social scientific literature on genomics and biotechnology, and recent anthropological debates on time and history.