Routledge Research in Atlantic Studies – serie

Since the 1980s, an increasing number of black writers have begun publishing speculative-fantastic fictions such as fantasy, gothic, utopian and science fiction. Writing into two literary traditions that are conventionally considered separate -- white speculative genres and black literary-cultural traditions -- the texts integrate an African American sensibility of the past within the present, with speculative fiction’s sensibility of the present within the future. Thaler takes stock of this trend by proposing that the growing number of texts has brought forth a genre of its own. She analyzes recent fictions by Octavia E. Butler, Jewelle Gomez, and Nalo Hopkinson as in-between color-coded literary and cultural traditions by paying particular attention to concepts of literary history and time as well as postcolonial notions of hybridity and mimicry, race, and identity. The study treads on new ground since it not only offers a broader scope of the various speculative genres in which established and emerging black authors currently publish, but also shows that these fictions contest conventionally accepted notions of white genres and black traditions and, in consequence, of (post-)postmodern literature and popular fiction.

This book brings together a complete set of approaches to works by female authors that articulate the black Atlantic in relation to the interplay of race, class, and gender. The chapters provide the grounds to (en)gender a more complex understanding of the scattered geographies of the African diaspora in the Atlantic basin. The variety of approaches displayed bears witness to the vitality of a field that, over the years, has become a diasporic formation itself as it incorporates critical insights and theoretical frameworks from multiple disciplines in the social sciences and the humanities, thus exposing the manifold character of (black) diasporic interconnections within and beyond the Atlantic. Focusing on a wide array of contemporary literary and performance texts by women writers and performers from diverse locations including the Caribbean, Canada, Africa, the US, and the UK, chapters visit genres such as performance art, the novel, science fiction, short stories, and music. For these purposes, the volume is organized around two significant dimensions of diasporas: on the one hand, the material—corporeal and spatial—locations where those displacements associated with travel and exile occur, and, on the other, the fluid environments and networks that connect distant places, cultures, and times. This collection explores the ways in which women of African descent shape the cultures and histories in the modern, colonial, and postcolonial Atlantic worlds.

Many African diasporic novelists and poets allude to or cite archival documents in their writings, foregrounding the elements of archival research and data in their literary texts, and revising the material remnants of the archive. This book reads black historical novels and poetry in an interdisciplinary context, to examine the multiple archives that have produced our historical consciousness. In the history of African diaspora literature, black writers and intellectuals have led the way for an analysis of the archive, querying dominant archives and revising the ways black people have been represented in the legal and hegemonic discourses of the west. Their work in genres as diverse as autobiography, essay, bibliography, poetry, and the novel attests to the centrality of this critique in black intellectual culture. Through literary engagement with the archives of the slave trader, colonizer, and courtroom, creative writers teach us to read the archives of history anew, probing between the documents for stories left untold, questions left unanswered, and freedoms enacted against all odds. Opening new perspectives on Atlantic history and culture, Walters generates a dialogue between what was and what might have been. Ultimately, Walters argues that references to archival documents in black historical literature introduce a new methodology for studying both the archive and literature itself, engaging in a transnational and interdisciplinary reading that exposes the instability of the archive's truth claim and highlights rebellious possibility.

This collection is an interdisciplinary edited volume that examines the circulation of Darwinian ideas in the Atlantic space as they impacted systems of Western thought and culture. Specifically, the book explores the influence of the principle tenets of Darwinism -- such as the theory of evolution, the ape-man theory of human origins, and the principle of sexual selection -- on established transatlantic intellectual traditions and cultural practices. In doing so, it pays particular attention to how Darwinism reconfigured discourses on race, gender, and sexuality in a transnational context. Covering the period from the publication of The Origin of Species (1859) to 1933, when the Nazis (National Socialist Party) took power in Germany, the essays demonstrate the dissemination of Darwinian thought in the Western world in an unprecedented commerce of ideas not seen since the Protestant Reformation. Learned societies, literary groups, lyceums, and churches among other sites for public discourse sponsored lectures on the implications of Darwin’s theory of evolution for understanding the very ontological codes by which individuals ordered and made sense of their lives. Collectively, these gatherings reflected and constituted what the contributing scholars to this volume view as the discursive power of the cultural politics of Darwinism.

This book develops a theory of a Caribbean-Atlantic imaginary by exploring the ways two colonial texts represent the consciousnesses of Amerindians, Africans, and Europeans at two crucial points marking respectively the origins and demise of slavocratic systems in the West Indies. Focusing on Richard Ligon’s History of Barbados (1657) and Matthew ‘Monk’ Lewis’ Journal of a West India Proprietor (1834), the study identifies specific myths and belief systems surrounding sugar and obeah as each of these came to stand for concepts of order and counterorder, and to figure the material and symbolic power of masters and slaves respectively. Rooting the imaginary in indigenous Caribbean myths, the study adopts the pre-Columbian origins of the imaginary ascribed by Wilson Harris to a cross cultural bridge or arc, and derives the mythic origins for the centrality of sugar in the imaginary’s constitution from Kamau Brathwaite. The book’s central organizing principle is an oppositional one, grounded on the order/counterorder binary model of the imaginary formulated by the philosopher-social theorist Cornelius Castoriadis. The study breaks new ground by reading Ligon’s History and Lewis’ Journal through the lens of the slaves’ imaginaries of hidden knowledge. By redefining Lewis’ subjectivity through his poem’s most potent counterordering symbol, the demon-king, this book advances recent scholarly interest in Jamaica’s legendary Three Fingered Jack.

This book focuses on the migrations and metamorphoses of black bodies, practices, and discourses around the Atlantic, particularly with regard to current issues such as questions of identity, political and human rights, cosmopolitics, and mnemo-history.

This book focuses on the migrations and metamorphoses of black bodies, practices, and discourses around the Atlantic, particularly with regard to current issues such as questions of identity, political and human rights, cosmopolitics, and mnemo-history.

In this volume, essays by scholars from both sides of the Atlantic open new perspectives on the construction of the "Atlantic community" during World War II and the early Cold War years. Based on original approaches bringing together diplomatic history and the history of culture and ideas, the book shows how atlantism came to provide a solid ideological foundation for the security community of North American and European nations which took shape in the 1940s. The idea of a transatlantic community based on shared histories, values, and political and economic institutions was instrumental to the creation of the Atlantic Alliance, and partly accounts for the continuing existence of the Atlantic partnership after the Cold War. At the same time, this study breaks new ground by arguing that the emergence of the idea of "Atlantic community" also reflected deeper trends in transatlantic relations; in fact, it was the outcome of the re-definition of "the West" due to the rise of the US and the decline of Europe in the international arena during the first half of the Twentieth Century.

Many African diasporic novelists and poets allude to or cite archival documents in their writings, foregrounding the elements of archival research and data in their literary texts, and revising the material remnants of the archive. This book reads black historical novels and poetry in an interdisciplinary context, to examine the multiple archives that have produced our historical consciousness. In the history of African diaspora literature, black writers and intellectuals have led the way for an analysis of the archive, querying dominant archives and revising the ways black people have been represented in the legal and hegemonic discourses of the west. Their work in genres as diverse as autobiography, essay, bibliography, poetry, and the novel attests to the centrality of this critique in black intellectual culture. Through literary engagement with the archives of the slave trader, colonizer, and courtroom, creative writers teach us to read the archives of history anew, probing between the documents for stories left untold, questions left unanswered, and freedoms enacted against all odds. Opening new perspectives on Atlantic history and culture, Walters generates a dialogue between what was and what might have been. Ultimately, Walters argues that references to archival documents in black historical literature introduce a new methodology for studying both the archive and literature itself, engaging in a transnational and interdisciplinary reading that exposes the instability of the archive's truth claim and highlights rebellious possibility.

This book brings together a complete set of approaches to works by female authors that articulate the black Atlantic in relation to the interplay of race, class, and gender. The chapters provide the grounds to (en)gender a more complex understanding of the scattered geographies of the African diaspora in the Atlantic basin. The variety of approaches displayed bears witness to the vitality of a field that, over the years, has become a diasporic formation itself as it incorporates critical insights and theoretical frameworks from multiple disciplines in the social sciences and the humanities, thus exposing the manifold character of (black) diasporic interconnections within and beyond the Atlantic. Focusing on a wide array of contemporary literary and performance texts by women writers and performers from diverse locations including the Caribbean, Canada, Africa, the US, and the UK, chapters visit genres such as performance art, the novel, science fiction, short stories, and music. For these purposes, the volume is organized around two significant dimensions of diasporas: on the one hand, the material—corporeal and spatial—locations where those displacements associated with travel and exile occur, and, on the other, the fluid environments and networks that connect distant places, cultures, and times. This collection explores the ways in which women of African descent shape the cultures and histories in the modern, colonial, and postcolonial Atlantic worlds.

Since the 1980s, an increasing number of black writers have begun publishing speculative-fantastic fictions such as fantasy, gothic, utopian and science fiction. Writing into two literary traditions that are conventionally considered separate -- white speculative genres and black literary-cultural traditions -- the texts integrate an African American sensibility of the past within the present, with speculative fiction’s sensibility of the present within the future. Thaler takes stock of this trend by proposing that the growing number of texts has brought forth a genre of its own. She analyzes recent fictions by Octavia E. Butler, Jewelle Gomez, and Nalo Hopkinson as in-between color-coded literary and cultural traditions by paying particular attention to concepts of literary history and time as well as postcolonial notions of hybridity and mimicry, race, and identity. The study treads on new ground since it not only offers a broader scope of the various speculative genres in which established and emerging black authors currently publish, but also shows that these fictions contest conventionally accepted notions of white genres and black traditions and, in consequence, of (post-)postmodern literature and popular fiction.

In this volume, essays by scholars from both sides of the Atlantic open new perspectives on the construction of the "Atlantic community" during World War II and the early Cold War years. Based on original approaches bringing together diplomatic history and the history of culture and ideas, the book shows how atlantism came to provide a solid ideological foundation for the security community of North American and European nations which took shape in the 1940s. The idea of a transatlantic community based on shared histories, values, and political and economic institutions was instrumental to the creation of the Atlantic Alliance, and partly accounts for the continuing existence of the Atlantic partnership after the Cold War. At the same time, this study breaks new ground by arguing that the emergence of the idea of "Atlantic community" also reflected deeper trends in transatlantic relations; in fact, it was the outcome of the re-definition of "the West" due to the rise of the US and the decline of Europe in the international arena during the first half of the Twentieth Century.

This collection is an interdisciplinary edited volume that examines the circulation of Darwinian ideas in the Atlantic space as they impacted systems of Western thought and culture. Specifically, the book explores the influence of the principle tenets of Darwinism -- such as the theory of evolution, the ape-man theory of human origins, and the principle of sexual selection -- on established transatlantic intellectual traditions and cultural practices. In doing so, it pays particular attention to how Darwinism reconfigured discourses on race, gender, and sexuality in a transnational context. Covering the period from the publication of The Origin of Species (1859) to 1933, when the Nazis (National Socialist Party) took power in Germany, the essays demonstrate the dissemination of Darwinian thought in the Western world in an unprecedented commerce of ideas not seen since the Protestant Reformation. Learned societies, literary groups, lyceums, and churches among other sites for public discourse sponsored lectures on the implications of Darwin’s theory of evolution for understanding the very ontological codes by which individuals ordered and made sense of their lives. Collectively, these gatherings reflected and constituted what the contributing scholars to this volume view as the discursive power of the cultural politics of Darwinism.