Sammy & Facey – serie

‘As powerful and addictive as the first outing of Siòn Scott-Wilson’s personable Regency graverobbers, What We Leave Behind leads its reader through a beautifully-realised and immersive world of stark necessities amid exquisite squalor, conjuring its Dandy-Horses, resurrection-men and its rich, steaming London in a persuasively authentic eighteenth-century voice. This is the most pungent and rewarding thriller I expect to read this year – a sordid and electrifying triumph.’ -ALAN MOOREA gripping tale of redemption and the power of love set against the backdrop of a historical crime-ridden London...In this highly-anticipated sequel to Some Rise By Sin, Sammy and Facey are pulled back into the gritty world of London's criminal underworld. This time, the stakes are higher than ever as the fate of Sammy's young adopted son hangs in the balance. Coerced into the hunt for a notorious gemstone, Sammy and Facey are torn between their moral code and their desperate desire to save the boy.As they navigate the dangerous streets of London, they are forced to confront the weight of their actions and the legacies they will leave behind. Will they make the ultimate sacrifice for the sake of the stolen child—and can they rise above the sins of their past?

‘As powerful and addictive as the first outing of Siòn Scott-Wilson’s personable Regency graverobbers, What We Leave Behind leads its reader through a beautifully-realised and immersive world of stark necessities amid exquisite squalor, conjuring its Dandy-Horses, resurrection-men and its rich, steaming London in a persuasively authentic eighteenth-century voice. This is the most pungent and rewarding thriller I expect to read this year – a sordid and electrifying triumph.’ -ALAN MOOREA gripping tale of redemption and the power of love set against the backdrop of a historical crime-ridden London...In this highly-anticipated sequel to Some Rise By Sin, Sammy and Facey are pulled back into the gritty world of London's criminal underworld. This time, the stakes are higher than ever as the fate of Sammy's young adopted son hangs in the balance. Coerced into the hunt for a notorious gemstone, Sammy and Facey are torn between their moral code and their desperate desire to save the boy.As they navigate the dangerous streets of London, they are forced to confront the weight of their actions and the legacies they will leave behind. Will they make the ultimate sacrifice for the sake of the stolen child—and can they rise above the sins of their past?

"I felt I was eavesdropping on genuine 19th-century grave robbers . . . the author's skilled prose . . . convinced me. I felt I was there in the rough and tumble streets of 1830s London. Grotesque pathetic yet with poignant moments of calm and welcome humour." -TRACY CHEVALIER"This book is a masterpiece ... Some Rise by Sin is a dark dark book though often hilarious and with a masterful voice. Buy this book immediately." -NICK MAMATAS"Siôn Scott-Wilson seems very much to be a writer after my own heart. Some Rise By Sin proved pretty much impossible to put down ... masterfully plotted and presented with indelible characters." -ALAN MOORE1829 is a tough year to be a body snatcher. Burke and Hare have just been convicted of killing people to sell their bodies, to widespread outrage—but despite the bad press, doctors still need fresh corpses for medical research.Sammy and Facey are a couple of so-called ‘resurrection men’, making a living among society's fringe-dwellers by hoisting the newly departed from the churchyards of London whilst masquerading as late-night bakers. Operating on tip-offs and rumours in the capital’s drinking dens and fighting pits, the pair find themselves in receipt of some valuable intelligence: an unusual cadaver has popped up on the market, that of a hermaphrodite.Some Rise by Sin is a rich, authentic and absorbing historical narrative with a darker edge, a story of surviving on the outskirts of respectability. With echoes of Michel Faber’s The Crimson Petal and the White, it is meticulously researched and suffused with the dark and grimy atmosphere of Regency London, and explores what ambition can mean for poor people in a society that conspires to grind them down at every turn.