Second to None: Chicago Stories – serie

Ensemble-Made Chicago brings together the work of a wide range of Chicago theater companies to share strategies for cocreating theatrical performance as an ensemble: About Face Youth Theater, Albany Park Theater Project, Barrel of Monkeys, Every house has a door, FEMelanin, 500 Clown, Free Street Theater, Honey Pot Performance, Lookingglass Theater, the Neo-Futurists, Second City, Teatro Luna, the Southside Ignoramus Quartet, and the Young Fugitives.The book's introduction offers a fascinating overview of the history of cocreated theater in Chicago, defined by the authors as theater that breaks down the traditional roles of writer, director, and performer in favor of a more egalitarian approach in which all participants contribute to the creation of original material. Each chapter offers a short history of a Chicago company, followed by detailed exercises that have been developed and used by that company to build ensemble and generate performances. It pays special attention to the ways the fight for social justice has shaped the development of this aesthetic in Chicago. Companies included in the book range in age from two to fifty years, represent different Chicago neighborhoods, and represent both the storefront tradition and established cultural institutions. Assembled from interviews and firsthand observations, the book is written in a lively and accessible style and will serve as an invaluable guide for students and practitioners alike, as well as an important archive of Chicago's vibrant ensemble traditions. Readers will find new creative methods to enrich their own practice and push their work in new directions.

When Rocky Wirtz took over the Wirtz Corporation in 2007, including management of the Chicago Blackhawks, the fiercely beloved hockey team had fallen to a humiliating nadir. As chronic losers playing to a deserted stadium, they were worse than bad—they were irrelevant. ESPN named the franchise the worst in all of sports. Rocky's resurrection of the team's fortunes was—publicly, at least—a feel-good tale of shrewd acumen. Behind the scenes, however, it would trigger a father, son, and brother-against-brother drama of Shakespearean proportions. The Breakaway reveals that untold story.Arthur Wirtz founded the family's business empire during the Depression. From roots in real estate, "King Arthur" soon expanded into liquor and banking, running his operations with an iron hand and a devotion to profit that earned him the nickname Baron of the Bottom Line. His son Bill further expanded the conglomerate, taking the helm of the Blackhawks in 1966. "Dollar Bill" Wirtz demanded unflinching adherence to Arthur's traditions and was notorious for an equally fierce temperament.Yet when Rocky took the reins of the business after Bill's death, it was an organization out of step with the times and financially adrift. The Hawks weren't only failing on the ice—the parlous state of the team's finances imperiled every facet of the Wirtz empire. To save the team and the company, Rocky launched a radical turnaround campaign. Yet his modest proposal to televise the Hawks' home games provoked fierce opposition from Wirtz family insiders, who considered any deviation from Arthur and Bill's doctrines to be heresy.Rocky's break with the edicts of his grandfather and father led to a reversal for the ages—three Stanley Cup championships in six years, a feat Fortune magazine called "the greatest turnaround in sports business history." But this resurrection came at a price, a fracturing of Rocky's relationships with his brother and other siblings. In riveting prose that recounts a story spanning three generations, The Breakaway reveals an insider's view of a brilliant but difficult Chicago business and sports dynasty and the inspiring story of perseverance and courage in the face of intense family pressures.