Signs of Race – serie

This wide-ranging collection of essays contains unexplored themes and theoretical orientations centering on racism and spatial dimensions; the transnational and political Wright; Wright and masculinity, Wright and the American 1950s and 1960s; and some of the first analyses of Wright's recently published A Father ' s Law (2008).

In the fifteenth and sixteenth centuries, Europeans invented 'Indians' and populated the world with them. The global history of the term 'Indian' remains largely unwritten and this volume, taking its cue from Shakespeare, asks us to consider the proximities and distances between various early modern discourses of the Indian. Through new analysis of English travel writing, medical treatises, literature, and drama, contributors seek not just to recover unexpected counter-histories but to put pressure on the ways in which we understand race, foreign bodies, and identity in a globalizing age that has still not shed deeply ingrained imperialist habits of marking difference.

Drawing on theories of sublimity, trauma, and ecocriticism, this book examines how the often sharp division between European American and African American experiences of the natural world developed in American culture and history, and how those natural experiences, in turn, shaped the construction of race.

Weyward Macbeth, a volume of entirely new essays, provides innovative, interdisciplinary approaches to the various ways Shakespeare's 'Macbeth'  has been adapted and appropriated within the context of American racial  constructions. Comprehensive in its scope, this collection addresses the  enduringly fraught history of 'Macbeth' in the United States, from its  appearance as the first Shakespearean play documented in the American  colonies to a proposed Hollywood film version with a black diasporic  cast. Over two dozen contributions explore 'Macbeth's' haunting presence  in American drama, poetry, film, music, history, politics, acting, and  directing — all through the intersections of race and performance.

Weyward Macbeth, a volume of entirely new essays, provides innovative, interdisciplinary approaches to the various ways Shakespeare's 'Macbeth'  has been adapted and appropriated within the context of American racial  constructions. Comprehensive in its scope, this collection addresses the  enduringly fraught history of 'Macbeth' in the United States, from its  appearance as the first Shakespearean play documented in the American  colonies to a proposed Hollywood film version with a black diasporic  cast. Over two dozen contributions explore 'Macbeth's' haunting presence  in American drama, poetry, film, music, history, politics, acting, and  directing — all through the intersections of race and performance.

This collection of original essays explores the origins of contemporary notions of race in the oceanic interculture of the Atlantic world in the early modern period. In doing so, it breaks down institutional boundaries between 'American' and 'British' literature in this early period, as well as between 'history' and 'literature'. Individual essays address the ways in which categories of 'race' - black brown, red and white, African American and Afro-Caribbean, Spanish and Jewish, English and Celtic, native American and Northern European, creole and mestizo - were constructed or adapted by early modern writers. The collection brings together a top collection of historians and literary critics specializing in early modern Britain and early America.

This collection of original essays explores the origins of contemporary notions of race in the oceanic interculture of the Atlantic world in the early modern period. In doing so, it breaks down institutional boundaries between 'American' and 'British' literature in this early period, as well as between 'history' and 'literature'. Individual essays address the ways in which categories of 'race' - black brown, red and white, African American and Afro-Caribbean, Spanish and Jewish, English and Celtic, native American and Northern European, creole and mestizo - were constructed or adapted by early modern writers. The collection brings together a top collection of historians and literary critics specializing in early modern Britain and early America.

This volume examines the complex interaction between the English language and the construction of ethnicity in the global English-speaking world. The essays demonstrate that the constructs of both English and ethnicity are contested sites of identity formation.

Discussing intersecting discourses of race, gender and empire in literature, history and contemporary culture, the book begins with the metaphor of 'the other woman' as a repository for the 'otherness' of all women in a masculinist-racist society and shows how discourses of race and sexuality thwart the realization of true inter-racial sisterhood.

The Funk Era and Beyond is the first scholarly collection to discuss the significance of funk music in America. Contributors employ a multitude of methodologies to examine this unique musical genre's relationship to African American culture and to music, literature, and visual art as a whole.

The Funk Era and Beyond is the first scholarly collection to discuss the significance of funk music in America. Contributors employ a multitude of methodologies to examine this unique musical genre's relationship to African American culture and to music, literature, and visual art as a whole.

Drawing on theories of sublimity, trauma, and ecocriticism, this book examines how the often sharp division between European American and African American experiences of the natural world developed in American culture and history, and how those natural experiences, in turn, shaped the construction of race.

Fictional depictions of intermarriage can illuminate perceptions of both 'ethnicity' and 'whiteness' at any given historical moment. Popular examples such as Lucy and Ricky in I Love Lucy (1951-1957), Joanna and John in Guess Who's Coming to Dinner (1967), Toula and Ian in My Big Fat Greek Wedding (2002) helped raise questions about national identity: does 'American' mean 'white' or a blending of ethnicities? Building on previous studies by scholars of intermarriage and identity, this study is an ambitious endeavor to discern the ways in which literature and films from the 1960s through 2000s rework nineteenth- and early-twentieth-century intermarriage tropes. Unlike earlier stories, these narratives position the white partner as the 'other' and serve as useful frameworks for assessing ethnic and American identity. Lauren S. Cardon sheds new light on ethno-racial solidarity and the assimilation of different ethnicities into American dominant culture.

This wide-ranging collection of essays contains unexplored themes and theoretical orientations centering on racism and spatial dimensions; the transnational and political Wright; Wright and masculinity, Wright and the American 1950s and 1960s; and some of the first analyses of Wright's recently published A Father ' s Law (2008).

This volume examines the complex interaction between the English language and the construction of ethnicity in the global English-speaking world. The essays demonstrate that the constructs of both English and ethnicity are contested sites of identity formation.

Fictional depictions of intermarriage can illuminate perceptions of both 'ethnicity' and 'whiteness' at any given historical moment. Popular examples such as Lucy and Ricky in I Love Lucy (1951-1957), Joanna and John in Guess Who's Coming to Dinner (1967), Toula and Ian in My Big Fat Greek Wedding (2002) helped raise questions about national identity: does 'American' mean 'white' or a blending of ethnicities? Building on previous studies by scholars of intermarriage and identity, this study is an ambitious endeavor to discern the ways in which literature and films from the 1960s through 2000s rework nineteenth- and early-twentieth-century intermarriage tropes. Unlike earlier stories, these narratives position the white partner as the 'other' and serve as useful frameworks for assessing ethnic and American identity. Lauren S. Cardon sheds new light on ethno-racial solidarity and the assimilation of different ethnicities into American dominant culture.