Slovak List – serie

The moving yet humorous story of a girl struggling to care for herself and others in post-communist Slovakia.Emotionally neglected by her immature, promiscuous mother and made to care for her cantankerous dying grandmother, twelve-year-old Jarka is left to fend for herself in the social vacuum of a post-communist concrete apartment-block jungle in Bratislava, Slovakia. She spends her days roaming the streets and daydreaming in the only place she feels safe: a small garden inherited from her grandfather. One day, on her way to the garden, she stops at a suburban railway station and impulsively abducts twin babies. Jarka teeters on the edge of disaster, and while struggling to care for the babies, she discovers herself. With a vivid and unapologetic eye, Monika Kompaníková captures the universal quest for genuine human relationships amid the emptiness and ache of post-communist Europe. Boat Number Five, which was adapted into an award-winning Slovak film, is the first of two books that launch Seagull’s much-anticipated Slovak List.

An engrossing novel about the lives in a small Slovak town during the tumultuous twentieth century.In this highly acclaimed novel, Jana Bodnárová offers an engrossing portrayal of a small Slovak town and its inhabitants in the north of the country against the backdrop of the tumultuous history of the twentieth century. As Sara, the protagonist of Necklace/Choker, returns to her native town after many years in exile to sell the old family house and garden, she begins to piece together her family’s history from snippets and fragments of her own memory and the diaries of her artist father, Imro. A talented painter, he survived the Holocaust only to be crushed by the constraints imposed on his art by Stalinist censorship, and Sara herself was later driven into exile after dreams of socialism with a human face were shattered by the Soviet-led invasion of Czechoslovakia in 1968.  Through their stories, and that of Sara’s friend, Iboja, the daughter of a hotelier, readers will be immersed in key moments of Slovak history and their bearing on the people in this less familiar part of Central Europe.

Set in Slovakia, a revealing narrative about contemporary society.An accidental pregnancy, a good-looking man who cares about no one but himself, marriage because the man “had a bit of a Christian upbringing,” divorce—that is the trajectory of Pipina’s life, leading to single motherhood and a thousand cruelties of everyday life because she is an ugly woman in a world where ugliness is worse than a death sentence. At every turn, she is reminded of her inferiority. She can’t wait for the end of each day when she can sit in the stairwell outside of her dilapidated apartment and retreat into her thoughts. Her drab life full of indignities dissolves only in her beautiful, cinematic dreams. In them, she experiences whatever she can’t do or have in real life. She creates a rich inner world, and her razor-sharp observations, interlaced with a good dose of humor, produce a revealing narrative about contemporary society. In the first English translation of her work, the brilliant Slovak author Zuzana Cigánová pulls back the veil on people’s most private thoughts—thoughts that could very much be our own.

A beautifully written and moving story about the power of tradition and the importance of women’s stories.  The Bonnet, the first work of prose by Slovak poet Katarína Kucbelová, defies easy pigeonholing: both political and personal, it is a work of literary reportage, a quest for one’s roots, a critical exploration of folk art and, not least, social commentary on the coexistence of the Slovak majority and the Roma minority, offering a nuanced and sympathetic look at the lives of Roma people in Slovakia, and raising important questions about the nature of prejudice and discrimination. Over two years, the author made regular visits to the remote village of Šumiac in Slovakia to learn the dying craft of bonnet making from one of its last practitioners, Il’ka, an elderly local woman who in the process became her mentor in more ways than one. Through the parallel stories of Il’ka and the narrator’s grandmother, The Bonnet also offers a subtly feminist reading of the position of women in rural Europe from the early twentieth century to the present day.

Stories that entwine the mundane with the mystical, written by a cult favorite Slovakian writer.An unhappily married woman is impregnated by her elderly neighbor who lives in a building across the street and with whom she has never had any physical contact. Just as his attention creates life within her, his own life waxes and wanes with her gaze and attention.A man finds himself trapped in a pub on a sweltering afternoon after refusing to buy a beer with his cigarettes. Guarded by a vigilante bartender and his beer-obsessed patrons, his every attempt at escape is foiled until their life-giving elixir, the beer, runs out.This collection introduces English-language readers to the work of Dušan Mitana, a cult figure in contemporary Central European literature. In Mitana’s stories, appearing in English for the first time, the rational and the irrational are indistinguishable. His tales infect a banal, quotidian realism with mystical and supernatural distortions. Tinged with Hitchcockian paranoia and full of unexpected turns, the seventeen stories collected here offer a glimpse into Mitana’s trademark absurdist style.

An introduction to the work of acerbic Slovak writer Peter Macsovszky.Simon Blef, who comes from “a small, stifling country without a sea” in some corner of Europe, has gone to live in the Netherlands. There he has found a wife and hopes he may yet find work. He is making preparations: he carries around a notebook and jots down his thoughts. One day he would like to write a novel, but in the meantime, he records, embellishes, invents, and combines what he sees with what he dreams: the happy, hard-working Dutch, with their seventy-year-old hippies—the “superannuated generation of rockers”— and their new “sexless generation,” as well as the tourists and immigrants from beyond the seven seas.Set in a single day, Making Skeletons Dance is full of impressionistic musings, in equal measure mordant and humorous. Simon has left his small unhappy country to get away from the past—but how is it that the past is so devilishly resourceful, liable to turn up in any Amsterdam pub? As the afternoon wears on, the drama of his life unfolds in fascinating detail, be it comedy or tragedy, or both.

This poetry collection masterfully weaves themes of identity, resilience, and the search for meaning against the backdrop of an endless winter.Katarína Kucbelová’s whitewards is a haunting and deeply moving sequence of poems that unfolds in a stark, snowbound landscape where winter seems endless. Three unnamed figures struggle to find their way through a snow-covered mountainside, grappling with uncertainty, unspoken fears, and the weight of questions they can barely put into words. Framed as a series of brief fragments and longer passages that use a range of narrative and cinematic techniques, the collection explores themes of identity, survival, and the search for meaning in a time of global crisis—whether political, environmental, or technological. Yet amid the darkness, Kucbelová finds light in storytelling itself, offering it as a form of solace, a way to break through loneliness, and a means to endure. The beauty of her images stimulates and inspires, acting as an antidote to the bleakness of the world. This stunning collection of poems explores identity, survival, and the power that storytelling possesses to bring light even to the bleakest landscapes.

A selection of poems that blend raw imagery with experimental forms, offering a vivid exploration of the body, language and shifting identities.Nóra Ružičková’s poetry merges bodily experience with linguistic experimentation, evolving from self-reflection to an exploration of the complexities of gender and Central European identity. Her work deftly weaves personal narratives with political and social commentary, forging poems that are both intellectually provocative and deeply embodied.This selection spans nearly 25 years, tracing her work from a late-millennium debut to her latest, most socially engaged collection, which explores novelty within the grand narratives of modern history and critiques humanity's obsession with progress. Through her poems, she challenges the boundaries of language, blending physicality with abstraction through a combination of potent imagery and philosophical reflection. Her poetry treats the body as a space where meaning is simultaneously created and dismantled, probing themes of identity, existence and the instability of interpretation. By experimenting with materiality, bodily experience and the ever-changing mediascape, Ružičková captures the complexities of contemporary human life and dissolves the divide between language and physical reality. In its concluding section, the selection confronts pivotal historical moments and humanity’s relentless pursuit of progress, making for a powerful, thought-provoking engagement with the present.