SPBH Essays - Böcker
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How photography transforms the future as much as the pastThis book proposes a radical concept: that the photograph is as much an object of the future as it is of the past. Exploring a familiar medium through a new lens, the book asserts that photographic technologies, processes, experiences and products are geared toward a world to come, not a world that has been. Written as a sequence of short interlinking essays, To Be Determined takes its cue from Czech-born philosopher Vil m Flusser in its quest to reconceive the tools of photography and show how they inform the world around us. Moving between contemporary photography and fine art, the book proposes that artists and photographers who question photography's capacities can also alter our understanding of the medium and change our perception of our own agency, and our capacity to see, think and act.Duncan Wooldridge (born 1981) is an artist, writer and teacher at Camberwell College of Arts, University of the Arts London (UAL). He is the author of John Hilliard: Not Black and White (Ridinghouse) and is a regular contributor to 1000 Words, Foam and Over.
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Instructional Photographs: Learning How to Live Now is a timely and explosive book by Carmen Winant. An investigation of a genre of photographs Winant calls “instructional”, it asks: can photographs teach, in and of themselves? If so, how might we look to them to demonstrate new possibilities, from social organizing to self-actualization?
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Image Text Music by writer and editor Catherine Taylor is a series of textual and photographic essays that explore our encounters with the place where the visual meets the verbal. Taylor riffs on and subverts Roland Barthes’ classic 1977 essay collection, Image Music Text, using his title as playful points of departure for her thinking.
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Writers and thinkers from Lauren Berlant to Jeff Chang explore the power structures, the "neutrality" and the frailty of whitenessCofounded in 2017 by authors Claudia Rankine and Beth Loffreda, the Racial Imaginary Institute (TRII) is an interdisciplinary collective of artists, writers, knowledge-producers and activists. The institute's historic 2018 symposium "On Whiteness" convened a dazzling array of thinkers, artists and activists. The essays that resulted from the event, collected here, seek to examine whiteness as a source of often unquestioned or even unobserved power, and make visible variations of this dangerous ideology that has been intentionally positioned as neutral.In our current moment, whiteness is freshly articulated: as a source of unquestioned power, and as a "bloc," it feels itself endangered even as it retains its hold on power. Given that the concept of racial hierarchy is a strategy employed to support white dominance, whiteness is an important aspect of any conversation about race.The essays in On Whiteness make visible what has been intentionally presented as inevitable to help the move forward into more revelatory conversations about race. They question what can be made when we investigate, evade, beset and call out "bloc whiteness."Contributors include: Linda Alcoff Mart n, Lauren Berlant, Sadhana Bery, Daniel Borzutzky, Jane Caflisch, Jeff Chang, Aruna D'Souza, Lori Gruen, Saidiya Hartman, Nell Painter and Doreen St F lix.