Sporting – serie

How neoliberal politics appropriates sports for its own ends

How neoliberal politics appropriates sports for its own ends

From bestselling author David Wangerin, a history of America's curious relationship with the "beautiful game"

Samir Chopra is an immigrant, a “voluntary exile,” who discovers he can tell the story of his life through cricket, a game that has long been an influence-really, an obsession-for him. In so doing, he reveals how his changing views on the sport mirror his journey of self-discovery. In The Evolution of a Cricket Fan, Chopra is thus able to reflect on his changing perceptions of self, and of the nations and cultures that have shaped his identity, politics, displacement, and fandom. Chopra’s passion for the sport began as a child, when he rooted for Pakistan and against his native India. When he migrated, he became a fan of the Indian team that gave him a sense of home among the various cultures he encountered in North America and Australia. This “shapeshifting” exposes the rift between the Old and the New world, which Chopra acknowledges is “cricket’s greatest modern crisis.” But it also illuminates the identity dilemmas of post-colonial immigrants in the Indian diaspora.Chopra’s thoughts about the sport and its global influence are not those of a player. He provides access to the inner world of the global cricket fan navigating the world that colonial empire wrought and that cricket continues to connect and animate. He observes that the Indian cricket team carries many burdens-not only must they win cricket matches, but their style of play must generate a pride that assuages generations of wounds inflicted by history. And Chopra must navigate where he stands in that history.The Evolution of a Cricket Fan shows Chopra’s own wins and losses as his life takes new directions and his fandom changes allegiances.

Samir Chopra is an immigrant, a “voluntary exile,” who discovers he can tell the story of his life through cricket, a game that has long been an influence-really, an obsession-for him. In so doing, he reveals how his changing views on the sport mirror his journey of self-discovery. In The Evolution of a Cricket Fan, Chopra is thus able to reflect on his changing perceptions of self, and of the nations and cultures that have shaped his identity, politics, displacement, and fandom. Chopra’s passion for the sport began as a child, when he rooted for Pakistan and against his native India. When he migrated, he became a fan of the Indian team that gave him a sense of home among the various cultures he encountered in North America and Australia. This “shapeshifting” exposes the rift between the Old and the New world, which Chopra acknowledges is “cricket’s greatest modern crisis.” But it also illuminates the identity dilemmas of post-colonial immigrants in the Indian diaspora.Chopra’s thoughts about the sport and its global influence are not those of a player. He provides access to the inner world of the global cricket fan navigating the world that colonial empire wrought and that cricket continues to connect and animate. He observes that the Indian cricket team carries many burdens-not only must they win cricket matches, but their style of play must generate a pride that assuages generations of wounds inflicted by history. And Chopra must navigate where he stands in that history.The Evolution of a Cricket Fan shows Chopra’s own wins and losses as his life takes new directions and his fandom changes allegiances.

Pro basketball player Rasheed Wallace often exclaimed the pragmatic truth “Ball don’t lie!” during a game. It is a protest against a referee’s bad calls. But the slogan, which originated in pickup games, brings the reality of a racialized urban playground into mainstream American popular culture. In Ball Don’t Lie!, Yago ColÁs traces the various forms of power at work in the intersections between basketball and language from the game’s invention to the present day. He critiques existing popular myths concerning the history of basketball, contextualizes them, and presents an alternative history of the sport inspired by innovations. ColÁs emphasizes the creative prerogative of players and the ways in which their innovations shape-and are shaped by-broader cultural and social phenomena.Ball Don't Lie! shows that basketball cannot be reduced to a single, fixed or timeless essence but instead is a continually evolving exhibition of physical culture that flexibly adapts to and sparks changes in American society.

The American Football League, established in 1960, was innovative both in its commitment to finding talented, overlooked players-particularly those who played for historically black colleges and universities-and in the decision by team owners to share television revenues. In Mavericks, Money and Men, football historian Charles Ross chronicles the AFL’s key events,  including Buck Buchanan becoming the first overall draft pick in 1963, and the 1965 boycott led by black players who refused to play in the AFL-All Star game after experiencing blatant racism. He also recounts how the success of the AFL forced a merger with the NFL in 1969, which arguably facilitated the evolution of modern professional football.Ross shows how the league, originally created as a challenge to the dominance of the NFL, pressured for and ultimately accelerated the racial integration of pro football and also allowed the sport to adapt to how African Americans were themselves changing the game.

The American Football League, established in 1960, was innovative both in its commitment to finding talented, overlooked players-particularly those who played for historically black colleges and universities-and in the decision by team owners to share television revenues. In Mavericks, Money and Men, football historian Charles Ross chronicles the AFL’s key events,  including Buck Buchanan becoming the first overall draft pick in 1963, and the 1965 boycott led by black players who refused to play in the AFL-All Star game after experiencing blatant racism. He also recounts how the success of the AFL forced a merger with the NFL in 1969, which arguably facilitated the evolution of modern professional football.Ross shows how the league, originally created as a challenge to the dominance of the NFL, pressured for and ultimately accelerated the racial integration of pro football and also allowed the sport to adapt to how African Americans were themselves changing the game.

Fantasy sports have the opportunity to provide a sporting community in which gendered physical presence plays no role-a space where men and women can compete and interact on a level playing field. Whose Game? shows, however, that while many turn to this space to socialize with friends or participate in a uniquely active and competitive fandom, men who play also depend on fantasy sports to perform a boyhood vision of masculinity otherwise inaccessible to them. Authors Rebecca Kissane and Sarah Winslow draw on a rich array of survey, interview, and observational data to examine how gender, race, and class frame the experiences of everyday fantasy sports players.This pioneering book examines gendered structures and processes, such as jock statsculinity-a nerdish form of masculine one-upmanship-and how women are often rendered as outsiders. Ultimately, Whose Game? demonstrates that fantasy sports are more than just an inconsequential leisure activity. This online world bleeds into participants’ social lives in gendered ways-forging and strengthening relationships but also taking participants’ time and attention to generate negative emotions, stress, discord, and unproductivity.

Fantasy sports have the opportunity to provide a sporting community in which gendered physical presence plays no role-a space where men and women can compete and interact on a level playing field. Whose Game? shows, however, that while many turn to this space to socialize with friends or participate in a uniquely active and competitive fandom, men who play also depend on fantasy sports to perform a boyhood vision of masculinity otherwise inaccessible to them. Authors Rebecca Kissane and Sarah Winslow draw on a rich array of survey, interview, and observational data to examine how gender, race, and class frame the experiences of everyday fantasy sports players.This pioneering book examines gendered structures and processes, such as jock statsculinity-a nerdish form of masculine one-upmanship-and how women are often rendered as outsiders. Ultimately, Whose Game? demonstrates that fantasy sports are more than just an inconsequential leisure activity. This online world bleeds into participants’ social lives in gendered ways-forging and strengthening relationships but also taking participants’ time and attention to generate negative emotions, stress, discord, and unproductivity.

A university’s athletic training room is meant to care for and heal college athletes and ensure they are receiving the help they need. Although sports medicine staff members are sincere in their goal of centering athletes and providing the best healthcare possible, organizational constraints affect their approach. Chief among them is the pressure sports medicine staff members feel to keep athletes from profit-generating sports healthy enough to perform.Body Factory enters an NCAA Division I athletic training room to examine the disconnect between what the NCAA states as its goal of athlete healthcare and what is actually happening. Kaitlin Pericak conducts observations in this space and interviews injured athletes and sports medicine staff members to show how institutional control over “best interests” often ends up exploiting the individual athlete. The influences at work are part of a neoliberal paradigm that explains why interest in an athlete’s care is greatly diminished once they are injured and can no longer play.Body Factory considers how race, gender, and health before and after injury are deciding factors in these university training centers. The bureaucratic organization has a goal of maintaining power to generate profit, and Pericak shows this is almost always at the expense of the athlete.

A university’s athletic training room is meant to care for and heal college athletes and ensure they are receiving the help they need. Although sports medicine staff members are sincere in their goal of centering athletes and providing the best healthcare possible, organizational constraints affect their approach. Chief among them is the pressure sports medicine staff members feel to keep athletes from profit-generating sports healthy enough to perform.Body Factory enters an NCAA Division I athletic training room to examine the disconnect between what the NCAA states as its goal of athlete healthcare and what is actually happening. Kaitlin Pericak conducts observations in this space and interviews injured athletes and sports medicine staff members to show how institutional control over “best interests” often ends up exploiting the individual athlete. The influences at work are part of a neoliberal paradigm that explains why interest in an athlete’s care is greatly diminished once they are injured and can no longer play.Body Factory considers how race, gender, and health before and after injury are deciding factors in these university training centers. The bureaucratic organization has a goal of maintaining power to generate profit, and Pericak shows this is almost always at the expense of the athlete.

Grant Farred has long had a passionate connection with sports. In A Sports Odyssey, he weaves together an account of his own sports fandom that is profoundly personal and universal.As readers of his Long Distance Love know, Grant Farred has been a supporter of the English Premier League club, Liverpool Football Club, for decades. His fandom for that team launched an unexpected connection with a world beyond the limits of the apartheid state of his upbringing in South Africa. However, A Sports Odyssey shows that as Farred’s fervor for Liverpool ended, he developed a new set of sports attachments in Ithaca, New York: to his son’s youth basketball career, to the men’s basketball team at Cornell University and its coach, and even to professional teams like the New York Knicks. Farred’s bemusement at finding himself a sports parent, a New Yorker, and a company man, only underline the sincerity of his affections.In A Sports Odyssey, Farred writes elegantly and eloquently about how sports and sports fandom create a sense of belonging, but also loss. This is a heartfelt examination of how we find “home” in who and what we love. In the series Sporting

Grant Farred has long had a passionate connection with sports. In A Sports Odyssey, he weaves together an account of his own sports fandom that is profoundly personal and universal.As readers of his Long Distance Love know, Grant Farred has been a supporter of the English Premier League club, Liverpool Football Club, for decades. His fandom for that team launched an unexpected connection with a world beyond the limits of the apartheid state of his upbringing in South Africa. However, A Sports Odyssey shows that as Farred’s fervor for Liverpool ended, he developed a new set of sports attachments in Ithaca, New York: to his son’s youth basketball career, to the men’s basketball team at Cornell University and its coach, and even to professional teams like the New York Knicks. Farred’s bemusement at finding himself a sports parent, a New Yorker, and a company man, only underline the sincerity of his affections.In A Sports Odyssey, Farred writes elegantly and eloquently about how sports and sports fandom create a sense of belonging, but also loss. This is a heartfelt examination of how we find “home” in who and what we love. In the series Sporting

Since he was a young adult, Grant Farred has wandered the world.  Born in South Africa, his own personal growth was fueled by dreams of English football, as a player, and then, when age and reality set in, as a fan.  Coming to the United States at a still young age, Farred still loved football -- especially Liverpool -- and watched it from afar.  Writing about his experience, Farred shares with the reader his experience growing up colored in South Africa, moving to England, and finally to the US, and how his passion for football kept company with his many moves.  Along the way, he talks about the contradictions of football; how race and class politics mix on and off the pitch; how Farred's own ideas about what it means to be a colonial subject is both reinforced and liberated by the idea of football, and how players can serve as gods and mosnters.

Discusses the power of the bicycle to impact mobility, technology, urban space and everyday life

The story of the most famous protest in sports history, written by one of the men who staged it

Muhammad Ali (born Cassius Clay) has always engendered an emotional reaction from the public. From his appearance as an Olympic champion to his iconic status as a national hero, his carefully constructed image and controversial persona have always been intensely scrutinized. In Muhammad Ali, Michael Ezra considers the boxer who calls himself "The Greatest" from a new perspective. He writes about Ali's pre-championship bouts, the management of his career and his current legacy, exploring the promotional aspects of Ali and how they were wrapped up in political, economic, and cultural "ownership." Ezra's incisive study examines the relationships between Ali's cultural appeal and its commercial manifestations. Citing examples of the boxer's relationship to the Vietnam War and the Nation of Islam-which serve as barometers of his "public moral authority"-Muhammad Ali analyzes the difficulties of creating and maintaining these cultural images, as well as the impact these themes have on Ali's meaning to the public.

Muhammad Ali (born Cassius Clay) has always engendered an emotional reaction from the public. From his appearance as an Olympic champion to his iconic status as a national hero, his carefully constructed image and controversial persona have always been intensely scrutinized. In Muhammad Ali, Michael Ezra considers the boxer who calls himself "The Greatest" from a new perspective. He writes about Ali's pre-championship bouts, the management of his career and his current legacy, exploring the promotional aspects of Ali and how they were wrapped up in political, economic, and cultural "ownership." Ezra's incisive study examines the relationships between Ali's cultural appeal and its commercial manifestations. Citing examples of the boxer's relationship to the Vietnam War and the Nation of Islam-which serve as barometers of his "public moral authority"-Muhammad Ali analyzes the difficulties of creating and maintaining these cultural images, as well as the impact these themes have on Ali's meaning to the public.