Studies in Comparative Literature – serie

Film and Literature

A Comparative Approach to Adaptation

Rhetoric of Exile

Duress and the Imagining of Force

Poetics of the Image

Paul Celan and André du Bouchet

Modern Culture of Reginald Farrer

Landscape, Literature and Buddhism

Utopian Identities

A Cognitive Approach to Literary Competitions

Sublime Conclusions

Last Man Narratives from Apocalypse to Death of God

Metaphor in European Philosophy after Nietzsche

An Intellectual History

Reflections in the Library

Selected Literary Essays 1926-1944

Reflections in the Library

Selected Literary Essays 1926-1944

Arthur Symons

Poet, Critic, Vagabond

Arthur Symons

Poet, Critic, Vagabond

Scenographies of Perception

Sensuousness in Hegel, Novalis, Rilke, and Proust

Scenographies of Perception

Sensuousness in Hegel, Novalis, Rilke, and Proust

Depicting the Divine

Mikhail Bulgakov and Thomas Mann

Depicting the Divine

Mikhail Bulgakov and Thomas Mann

Mary Shelley and Europe

Essays in Honour of Jean de Palacio

Mary Shelley and Europe

Essays in Honour of Jean de Palacio

Samuel Butler and the Science of the Mind

Evolution, Heredity and Unconscious Memory

Samuel Butler and the Science of the Mind

Death Sentences

Literature and State Killing

Death Sentences

Literature and State Killing

Residual Figuration in Samuel Beckett and Alberto Giacometti

Utopian Identities

A Cognitive Approach to Literary Competitions

Modern Culture of Reginald Farrer

Landscape, Literature and Buddhism

From Puppet to Cyborg

Pinocchio's Posthuman Journey

Fragments, Genius and Madness

Masks and Mask-Making in the fin-de-siècle Imagination

Fragments, Genius and Madness

Masks and Mask-Making in the fin-de-siècle Imagination

Modernist in Exile

The International Reception of H. G. Adler (1910-1988)

Modernist in Exile

The International Reception of H. G. Adler (1910-1988)