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7 produkter
7 produkter
Del 8 - Studies in Literary Criticism and Theory
Defining Modernism
Baudelaire and Nietzsche on Romanticism, Modernity, Decadence, and Wagner
Inbunden, Engelska, 2004
652 kr
Skickas inom 5-8 vardagar
Del 16 - Studies in Literary Criticism and Theory
Borges and Philosophy
Self, Time, and Metaphysics
Inbunden, Engelska, 2003
1 063 kr
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Del 19 - Studies in Literary Criticism and Theory
Repetition, Difference, and Knowledge in the Work of Samuel Beckett, Jacques Derrida, and Gilles Deleuze
Inbunden, Engelska, 2008
1 124 kr
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Repetition, Difference, and Knowledge dialogues with novels, theatre, philosophy, and literary theory in order to explore how three thinkers – Samuel Beckett, Jacques Derrida, and Gilles Deleuze – employ repetition as a means with which to radically unsettle some of the most fundamental notions of the human experience (among them, time, presence, originality, and being). Due to its interdisciplinary scope and its focus on repetition as an epistemological concept, this book will attract a broad audience of academic specialists across the humanities from the fields of literary criticism, philosophy, French studies, and poststructural studies. Its simplicity of style, deliberate avoidance of complex jargon, and clarity of argument – particularly when dealing with complicated theoretical ideas and texts – also makes it an invaluable tool for use in both graduate- and undergraduate-level literature and philosophy courses. Repetition, Difference, and Knowledge provides experienced and beginning scholars alike with greater insight into the works of Beckett, Derrida, and Deleuze and into the role that repetition has played and continues to play in determining how we read our world and come to meaning.
Del 21 - Studies in Literary Criticism and Theory
Parody
The Art That Plays with Art
Inbunden, Engelska, 2010
913 kr
Tillfälligt slut
Parody: The Art That Plays with Art explodes the near-universal belief that parody is a copycat genre or that it consists of a collection of trivial and derivative forms. Parody is revealed as an über-technique, a principal source of innovation and invention in the arts. The technique is defined in terms of three major variations that bang, bind, and blend artistic conventions into contrasting pairings, the results of which are upheavals of existing conventions and the formation of unexpected and sometimes startling and revolutionary new configurations. Parodic art fashions a galaxy of contrasts, and from these stem an illusionistic sense of multiplicity and an array of divergent meanings and interpretive paths. This book, an extreme departure from existing analyses of parody, is nonetheless highly accessible and will be of major interest not only to scholars but to general readers and to professional writers as well. Parody: The Art That Plays with Art is particularly suited for readers interested in modernism, postmodernism, meta-art, criticism, satire, and irony.
Del 22 - Studies in Literary Criticism and Theory
Plerosis/Kenosis
Poetic Language and its Energies
Inbunden, Engelska, 2012
1 205 kr
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Why do readers report being powerfully affected by great poetry? What happens to us when we read a poem? Literary criticism has struggled to answer these questions because it treats poems as material artifacts of one kind or another. But readers do not experience literary texts as lifeless and silent material artifacts. They hear voices in them and feel moved and altered by them. Plerosis/Kenosis offers a new way of reading poems by treating poems as dynamic – essentially as fields of energy – and by focusing on how poetry pushes language towards two contradictory goals: the desire to say more, to convey universal truths, and overwhelm the reader with intensity; and the desire to speak with perfect clarity and precision, to achieve the purity of mathematics or logic. The pursuit of both goals inevitably ends in failure, but poetry is most powerful and most affecting as it approaches these two extremes. Plerosis/Kenosis lays out a theory of poetic language and applies that theory to a wide range of beloved works by, among others, Shakespeare, Wordsworth, Coleridge, Keats, Poe, Whitman, Dickinson, Eliot, and Stevens. The theory establishes a framework that allows readers of poetry everywhere to articulate what a poem does to them when they read it, and the specific readings are original and illuminating. Moreover, the style throughout is lucid and accessible. Scholars, graduate students, and sophisticated undergraduates alike will find their understanding of poetry not only increased but indeed transformed.
Del 23 - Studies in Literary Criticism and Theory
Rhetoric of Redemption
Chesterton, Ethical Criticism, and the Common Man
Inbunden, Engelska, 2015
1 199 kr
Kommande
The "Rhetoric of Redemption: Chesterton, Ethical Criticism, and the Common Man" examines the literary criticism written by G. K. Chesterton between 1902 and 1913 from a rhetorical standpoint to ascertain whether Chesterton did in fact create the criticism for the common man he aimed for. To answer this question, this book explores the relationships among writers, readers, books, and critics both during the time Chesterton first began writing and in the context of rhetorical and critical tradition from Plato to the present day. Ultimately, this book argues that Chesterton's unorthodox approach to literature, while still dismissed by the academic establishment, raises fundamental questions about the nature and function of literature and criticism that need to be raised anew in every generation and especially in the wake of each new critical episteme. The "Rhetoric of Redemption" is extremely useful for both scholars and students of literary criticism and Chesterton enthusiasts who are interested in his approach to literature. This book would also be a valuable resource for courses in nineteenth-century British literature, literary criticism, and rhetorical analysis.
Del 24 - Studies in Literary Criticism and Theory
Moving Toward Redemption
Spirituality and Disability in the Late Writings of Andre Dubus (1936–1999)
Inbunden, Engelska, 2016
1 265 kr
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American short-story writer Andre Dubus (1936–1999) was a “writer’s writer.” His acclaimed collections of short stories and essays involve one or all of three thematic discourses – that of the Catholic Church as center of meaning and value, the symbolic and healing power of rites and ritual on the human heart, and the ethical and spiritual dilemmas that drive human experience. “Like Chekhov’s” reports the Village Voice, “Dubus’s best stories contain the arc of a whole life in the language of specific moments.” Tobias Wolff summarized, “Andre Dubus is a master.” In 1986, however, Dubus lost the use of his legs when he attempted to help a stranded motorist on the highway. The spiritual, physical and emotional suffering which ensued kept him from writing for a time but eventually led to his authoring 17 stories before his death in 1999. Moving Toward Redemption is a critical six-chapter study of these stories as they are united as capstones to his previous work, as they participate in the Catholic cycle of sin, suffering and sacramentality, and as they individually address the various transformations of his life in the aftermath of the accident. Moving Toward Redemption is the only book on Dubus’s writing since Thomas Kennedy’s A Study of the Short Fiction (1988). It is designed for use in courses on short fiction, religion and literature, life writing, genre study, and disability studies. It suggests ways to negotiate the conflicts and tensions between Christian and secular approaches to disability studies.