SUNY series in Tantric Studies – serie

After presenting a general survey of spiritual practice in the different schools of Indian philosophy, the author focuses on the Trika School, popularly called Kashmir Shaivism. He deals clearly and exhaustively with such topics as Shaktipat (the descent of Divine Grace), Diksha (initiation), and the role of the Guru. His treatment of the various paths (upayas) appropriate for the different types of practitioners is especially useful.The book ends with a chapter on enlightenment (jivanmukti). This chapter not only presents the meaning of self-realization-in-this-lifetime, but offers material on this topic for the first time in English.

Rooting itself in Kashmir Shaivism, Śrividyā became a force in South India no later than the seventh century, and eventually supplanted the Trika as the dominant Tantric tradition in Kashmir. This is the first comprehensive study of the texts and traditions of this influential school of goddess-centered, Śākta, Tantrism. Centering on the goddess's three manifestations-the beneficent deity Lalita Tripurasundari, her mantra, and the visually striking sricakra-Śrividyā creates a systematic esoteric discipline that combines elements of the yogas of knowledge, of devotion, and of ritual. Utilizing canonical works, historical commentaires, and the interpretive insights of living practitioners, this book explores the theological and ritual theories that form the basis for Śrividyā practice and offers new methods for critical and comparative studies of esoteric Hinduism.

The Shiva Sutra was revealed to Vasugupta by Shiva in order to counter the effects of dualism. This revelation initiated the hermeneutics of syntheses and exegesis climaxed by the great Abhinavagupta. The Shiva Sutra is the most important scripture in the Trika system of Kashmir Shaivism. As a book on yoga, it explains the nature and cause of bondage and the means to liberation from bondage.Bhāskara is in the direct lineage of Vasugupta. To Bhāskara's commentary, Mark Dyczkowski has added his translation of an anonymous commentary as an aid to understanding Bhāskara's interpretation. This anonymous writer also serves as a bridge between Kṣemarāja's and Bhāskara's commentaries, drawing from both. The commentary on each sutra is thus in three layers. Bhāskara's commentary is first, followed by the anonymous commentary, after which Dyczkowski adds his own exposition and compares Bhāskara and Kṣemarāja.Kṣemarāja's commentary, the Vimarsini, has been translated by Jaideva Singh and published by SUNY Press under the title Siva Sutra.

An exploration of the sources of Tantra.Among the many spiritual traditions born and developed in India, Tantra has been the most difficult to define. Almost everything about it-its major characteristics, its sources, its relationships to other religions, even its practices-are debated among scholars. In addition, Tantrism is not confined to any particular religion, but is a set of beliefs and practices that appears in a variety of religions, including Hinduism and Buddhism. This book explores one of the most controversial aspects of Tantra, its sources or roots, specifically in regard to Hinduism. The essays focus on the history and development of Tantra, the art history and archaeology of Tantra, the Vedas and Tantra, and texts and Tantra. Using various disciplinary and methodological approaches, from history to art history and religious studies to textual studies, scholars provide both broad overviews of the beginnings of Tantra and detailed analyses of specific texts, authors, art works, and rituals.

This book examines the complete Ganesh for the first time. Here is the God in his multiple forms from the different geographical areas in Asia. Particularly important are chapters that deal with his Buddhist and Tantric forms. The controversial question of his origins is also thoroughly discussed.

This book illustrates the extent to which we can understand the writings of the leading tantricas whose views regarding the universe and enlightenment developed from ritual practice and yoga. Contributors to this anthology include Helene Brunner, Gudrun Buhnemann, Richard H. Davis, Vrajavallabha Dviveda, Sanjukta Gupta, Minoru Hara, Paul Muller-Ortega, Navjivan Rastogi, Alexis Sanderson, Jan A. Schoterman, Raffaele Torella, and Teun Goudriaan.