This unique volume presents the undocumented practices and histories of Documentary Theatre in India. Set against India’s contested political landscape, where legal documents determine one’s life, the contributors highlight the relevance of Documentary Theatre, challenging dominant concepts and offering new frameworks for understanding its cultural significance. Essays, conversations, and creative contributions from renowned scholars and artists from India and beyond are complemented with practical theatre exercises – making this volume a vital resource for academics and anyone interested in the potential of theatre. With contributions from YS Alone, Rustom Bharucha, Zuleikha Chaudhari, and others.

How do the visible and the invisible interact in aesthetic experience? Kati Röttger connects phenomenology and intermediality to engage with orders of looking in theatrical events, and thus offers a multifaceted methodological approach to performance analysis. The study balances theory and methodology in combination with extensive case studies encompassing different histories, cultures and media from dance, to postdramatic theatre, film and theatre texts. The reader gains a deep insight into the relevance of theatrical performances as poison and cure in (hyper)industrial societies, because of theatre's capability to theorize critically the not least violent interrelationship of seeing and being seen.

This unique volume presents the undocumented practices and histories of Documentary Theatre in India. Set against India’s contested political landscape, where legal documents determine one’s life, the contributors highlight the relevance of Documentary Theatre, challenging dominant concepts and offering new frameworks for understanding its cultural significance. Essays, conversations, and creative contributions from renowned scholars and artists from India and beyond are complemented with practical theatre exercises – making this volume a vital resource for academics and anyone interested in the potential of theatre. With contributions from YS Alone, Rustom Bharucha, Zuleikha Chaudhari, and others.

How do the visible and the invisible interact in aesthetic experience? Kati Röttger connects phenomenology and intermediality to engage with orders of looking in theatrical events, and thus offers a multifaceted methodological approach to performance analysis. The study balances theory and methodology in combination with extensive case studies encompassing different histories, cultures and media from dance, to postdramatic theatre, film and theatre texts. The reader gains a deep insight into the relevance of theatrical performances as poison and cure in (hyper)industrial societies, because of theatre's capability to theorize critically the not least violent interrelationship of seeing and being seen.