Twin Palms Publishers – serie

“A vivid photographic record of a teen subculture living a perilous life on the tracks” –the GuardianAt age 17, American photographer Mike Brodie hopped his first train close to home in Pensacola, Florida thinking he would visit a friend in Mobile, Alabama. Instead, the train went in the opposite direction to Jacksonville, Florida. Though he returned home a few days later, it sparked a desire to wander across the United States by any means that were free: walking, hitchhiking and train hopping. Despite having no formal training in photography, Brodie took a camera salvaged from behind a carseat and began to document his experiences on 35mm film. His portraits of fellow rail-riders have a soft, romantic warmth that belies Brodie’s earnestness. A Period of Juvenile Prosperity, Brodie’s first book, now in its fifth edition, was named one of the best photo books of 2013 by the Guardian, the New York Times, the Telegraph and American Photo Magazine.Mike Brodie (born 1985) began his photography career while hitchhiking across the United States. He is best known for his images of young rail-riders and nomads and became known as the “Polaroid Kidd” among this itinerant community. After publication of A Period of Juvenile Prosperity Brodie took a hiatus from the art world, but not from photography. He has continued photographing for the past decade, and is currently editing a book of new work planned for release in 2024.

Brodie’s decade-long record of his transient American life, brimming with poignant stories of those he encountered along the wayMike Brodie’s first monograph, A Period of Juvenile Prosperity, touched down more than decade ago, depicting his fellow rail-riders and drifters in a rebellious and wildfire pursuit of adventure and freedom. “Brodie leapt into the life of picture-making as if he was the first to do it,” Danny Lyon wrote about the book in Aperture. Next came Tones of Dirt and Bone, a collection of earlier SX-70 pictures Brodie made when photography first led him to hopping freights, when he was known as “The Polaroid Kidd.” And then Brodie seemed to disappear from the art world as suddenly and mysteriously as he’d first appeared. Maybe his vanishing was another myth. Maybe it was just a necessary retreat. “I was divorcing myself from all that,” he says. “I was growing up. I was pursuing this other life.”If A Period of Juvenile Prosperity was a cinematic dream, Failing is the awakening and the reckoning: a raw, wounded and searingly honest photographic diary of a decade marked by love and heartbreak, loss and grief. Here is the flip side of the American dream, seen from within; here is bearing close witness to the brutal chaos of addiction and death; here are front-seat encounters with hitchhikers and kindred wanderers on society’s edges, sustained by the ragtag community of the road. Failing often exists in darkness but is tuned to grace. Brodie’s eye stays forever open to the strange and fleeting beauty that exists in forgotten places—the open country and the lost horizons that sweep past dust-spattered windows in a spectral blur.Michael Brodie (born 1985) is the author of A Period of Juvenile Prosperity (2013) and Tones of Dirt and Bone (2015). He lives with his girlfriend in Biloxi, Mississippi, where the railroad is never far, just hidden in the trees from view. Unseen, it rattles the windows and floors of their apartment every time a train passes through.

diCorcia’s curation of “disparate photographs,” from his early career to his first solo shows"The disparate photographs assembled here were made over the course of twenty years. None of them were originally intended to be used in this book. By ordering and shaping them I tried to investigate the possibilities of narrative both within a single image and especially in relation to the other photographs. A Storybook Life< is an attempt to discover the possibilities of meaning in the interaction of seemingly unrelated images in the hope that content can constantly mutate according to both the external and internal condition of the viewer, but remain meaningful because of its inherent, but latent content. The conscious and subconscious decisions made in editing the photographs are the real work of A Storybook Life." —Philip-Lorca diCorcia (born 1953)

"A family album preserves only carefully selected photographs. Out of an entire life, it stores only handpicked moments, privileging special occasions, displaying only happy moments. It tends to underline a group’s social links, to highlight a shared life. None of this figures in She: instead of a chronology, time is stopped. There is no group photo or desire to stage a collective destiny, only isolated models and individuals who do not seem to communicate amongst themselves; no happy moments or picturesque places, only indifferent moments in ordinary places. The models pose, but reservedly, often without looking into the camera. And even when we do see their faces, we don’t really seem to see them. When we close the book and think a bit about it, we cannot but see She as the anti-family album par excellence." —Quentin Bajac, Chief Curator of Photography at the Museum of Modern Art

Rarely-seen color work from the preeminent master of postwar American street photographyThis monograph stands as a groundbreaking tribute to the early color work of renowned American photographer Garry Winogrand. While he is most recognized for his candid and lively black-and-white street photography, Winogrand's portfolio also includes an impressive collection of over 45,000 color slides captured between the early 1950s and the late 1960s. Using two cameras strapped to his chest—one loaded with color film and the other with black-and-white film—he extensively documented his surroundings between commercial assignments, developing and refining a distinct and progressively daring body of personal work.From the bustling streets of Manhattan to the shaded underside of Coney Island’s boardwalk to the expansive landscapes and open roads of the American West, Winogrand Color unveils a tender portrait of a version of the country that feels at once bygone and timeless. His snapshots of strangers exude an unparalleled sense of intimacy, offering poetic glimpses into everyday postwar America. Presenting 150 photographs selected from the archives at the Center for Creative Photography in Tucson, Arizona, this is the first monograph dedicated in full to Winogrand’s vivid color photography.Born and raised in the Bronx, Garry Winogrand (1928-84) was a highly influential American photographer who came into prominence for his trailblazing contributions to street photography. His keen eye for human emotions and his ability to freeze spontaneous moments immortalized the essence of American society. His work continues to inspire and shape the field, leaving a lasting impact on both his contemporaries and future generations of photographers.

A haunting photographic return to adolescent mysteries in the OzarksIn this debut monograph, American photographer Henry O. Head reimagines the peaks and valleys of a defining teenage friendship in the Ozark hills where he spent his adolescence. From spring 2023 through summer 2024, Head revisited the terrain of northwest Arkansas and southwest Missouri—wild country with limestone bluffs shot through with quartz, where cottonmouths coil on exposed roots by slow creeks and alligator gar glide like phantoms through the dark. Twelve Acres recalls a boyhood outside city limits, away from institutions and the pressures of social order. In a progression through the seasons, a restlessness presses in, a longing to stave off the rupture of entering an adult reality, with its mundanity and responsibilities. In this meditation on personal history, worlds quiver in a chaos of past and present forms and stark flashes of image begin to wobble in an opaque well. Tops spin. Animals with thirst cup liquid light. Memory remains an ineffable mystery. Twelve Acres is a reverie, wherein the past reemerges as boys with tick-bitten feet, ears ringing from homemade explosives, clothes stained by the smoke of shoplifted cigarettes and arms stretched toward higher branches.