Walker Art Center – serie
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9 produkter
9 produkter
Inbunden, Engelska, 2025
664 kr
Skickas inom 5-8 vardagar
“[Her] poetic and political art pushes viewers to consider the limits, and misunderstandings, that come with communication in any language.” —Andrew Russeth, the New York TimesThis volume surveys Christine Sun Kim’s works across painting, sculpture, drawing, moving image, performance, large-scale murals and collaborations with other artists made between 2011 and 2024. Kim’s practice considers how sound operates in society, deconstructing the politics of sound and exploring how oral languages operate as social currency. Identifying as Deaf and Korean American, Kim draws on musical notation, written language, infographics, American Sign Language (ASL) and the use of the body, strategically deploying humor to examine communication with her family and her community and to create new channels of dialogue with wide audiences.Published alongside the traveling exhibition, All Day All Night is brimming with supplementary texts from curators, artists and scholars, including an interview between Christine Sun Kim and exhibition curators Tom Finkelpearl, Jennie Goldstein and Pavel S. Pys; scholarly contributions by Seth Kim-Cohen, Jeffrey Yasuo Mansfield and Park McArthur; and an intimate artist timeline compiled by Brandon Eng and Rose Pallone. A substantial plate section follows these enriching text contributions.Christine Sun Kim (born 1980) is an American artist based in Berlin. Her work explores her relationship to spoken and signed languages, to her built and social environments and to the world at large. Kim has exhibited and performed internationally, including at the Queens Museum, New York (2022); the Drawing Center, New York (2022); Whitney Biennial, New York (2019); Albright-Knox Art Gallery, Buffalo (2019); and the Art Institute of Chicago (2018).
Häftad, Engelska, 2006
351 kr
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The Walker Art Center recently opened its expanded space, which includes a new theater, a new restaurant and more galleries, but is best known for being Herzog & de Meuron's first public building in the United States. The project drew national coverage from media including The New York Times. Expanding the Center addresses this public interest in the building with a generous selection of images, including sketches, renderings and photographs of the construction process and the completed work. Herzog & de Meuron's shimmering but grounded design mirrors the textures and shades of the Walker's original space, and an institutional philosophy based in innovation and risk-taking, the exploration of alternative approaches to learning, the experimental use of technologies to communicate information, and the design of spaces to enhance a variety of museum experiences. The book is organized around the decisions and actions of the architects, builders, Walker staff and the audience--i.e. designing, constructing, unveiling, staging, gathering, patterning, framing, collecting--and highlights the thinking that led to the visible form of the Center as well as the innovative projects and initiatives that give it its inimitable character.
Engelska, 2007
350 kr
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Häftad, Engelska, 2011
211 kr
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The Spectacular of Vernacular addresses the role of vernacular forms in the work of 26 artists who utilize craft, folklore and roadside kitsch to explore the role of culturally specific iconography in the increasingly global world of art. Drawing inspiration from such sources as local architecture, amateur photographs and state fair banners, their work runs the spectrum from the sleek to the handcrafted. Inspired by Mike Kelley's observation that "the mass culture of today is the folk art of tomorrow," these artists embrace the totems and neon signs of roadside America. Thus, alongside the visibly handcrafted works of Matthew Day Jackson and Dario Robleto we find the dense and day-glo paintings of Lari Pittman, the glittering trophy heads of Marc Swanson and the urban relics of Rachel Harrison. These works and others suggest a long road trip through the emblems and eyesores of tourist destinations and outmoded hotels. The photography component includes work by William Eggleston, whose color-saturated images gravitate toward the tawdry palette of faded billboards and road signs. This fully-illustrated catalogue includes an essay by exhibition curator Darsie Alexander exploring artists' interest in the vernacular as a means to address aspects of folk ritual, amateur craft and sense of place in their work; a reprint of John Brinckerhoff Jackson's "Vernacular" from his seminal 1984 reader Discovering the Vernacular Landscape; and a reflection by artist and curator Andy Sturdevant on the evolution of roadside vernacular, and attendant histories of heartland America where it is so abundant. Also included is a reading list gathered from a cross section of art criticism and cultural studies.
Häftad, Engelska, 2012
261 kr
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Since 2001, Swedish-born artist Nathalie Djurberg (born 1978) has honed a distinctive style of video animation. Set to music and sound effects by her collaborator Hans Berg, Djurberg's handcrafted cinematic tales explore revenge, lust, submission, gluttony and other primal emotions through the conventionally innocent technique of “Claymation,” which in her hands becomes a medium for nightmarish yet wry allegories of human behavior and social taboo. Increasingly, Djurberg's practice has blurred the cinematic and the sculptural in environments that integrate moving images and related set pieces. This publication accompanies the artist's largest presentation in an American museum to date. The catalogue weaves documentation of her sculptures and stills from her recent films with texts (both original and found) that trace the historical, scientific and literary threads running through her practice.
Inbunden, Engelska, 2017
462 kr
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Häftad, Engelska, 2023
529 kr
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Six decades of sculptural innovation from the Arte Povera pioneer and alchemist of the everydayOver the course of more than five decades, Jannis Kounellis developed a singular practice across painting, works on paper, sculpture, installation and hybrid works combining objects with live performance. Playing a central role in the Italian Arte Povera movement of the 1960s and early 1970s, Kounellis created wide-ranging and innovative works exploring theater, migration, history, politics and other themes, which continue to influence subsequent generations of artists.Published by the Walker Art Center for the first US Kounellis survey in over 35 years, Jannis Kounellis in Six Acts offers the most comprehensive assessment of his career to date. The richly illustrated catalog, assembled with the full cooperation of the artist’s estate and archive, presents a first-of-its-kind collection of visual materials and Kounellis’ writings, including image-based exhibition and performance chronologies. The volume also features essays by Vincenzo de Bellis, Claire Gilman, Kit Hammonds and Ara H. Merjian.Jannis Kounellis (1936–2017) was born in Piraeus, Greece. In 1956, he moved to Rome and by 1960 was an active member of the Arte Povera movement. In 1969 he created one of his best-known works: the installation of 12 live horses in the gallery L’Attico in Rome. Kounellis’ first New York solo show was in 1972. Recent exhibitions have been held at the Museum of Cycladic Art, Athens, Greece (2012) and the Neue Nationalgalerie, Berlin, Germany (2007), among others.
Inbunden, Engelska, 2023
641 kr
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A comprehensive survey of Abad's visually dazzling and politically prescient works blending fabric and paintingThis volume surveys three decades of Pacita Abad’s multifaceted practice. Published on the occasion of her first-ever retrospective, it includes new research and writing by Julia Bryan-Wilson, Ruba Katrib, Nancy Lim, Matthew Villar Miranda, Victoria Sung and Xiaoyu Weng, an edited oral history about the artist’s life and work by Pio Abad and Victoria Sung, and never-before-seen artworks and archival materials.Over the course of her career, Abad made an exuberant, wide-ranging body of work that was ahead of its time in promoting a transcultural worldview. Moving between the Philippines, Indonesia, Singapore and the US—while also spending extended periods in dozens of countries on six continents—she interacted with the many artist communities she encountered on her travels. Drawing on her knowledge of global fiber traditions, Abad innovated a hybrid art form that she called “trapunto” painting (from the Italian word trapungere, “to embroider”). Made by stitching and stuffing her painted canvases as opposed to stretching them over a wood frame, the resulting works’ portability speaks to her peripatetic existence, while their association with textiles evokes female, non-Western forms of labor that have historically been marginalized as craft.Pacita Abad (1946–2004) was born in Batanes, Philippines. Because of her activism against the Marcos regime, she was forced to leave for the US in 1970, where she studied Asian history at the University of San Francisco and painting at the Corcoran School of Art in Washington, DC, and the Art Students League in New York City. Abad created more than 5,000 artworks and had over 60 solo exhibitions in the US, Asia, Europe, Africa and Latin America.
Inbunden, Engelska, 2024
619 kr
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A massive panorama of Eastern Europe’s postwar avant-gardes, featuring both canonical and lesser-known artistsMultiple Realities offers a sweeping survey of experimental art made in six Central Eastern European nations—GDR, Poland, Czechoslovakia, Hungary, Romania and Yugoslavia—during the 1960s to 1980s. Despite their geographical proximity, artists working during this time encountered different conditions for daily life and art-making, confronting varying degrees of control and pressure exerted by state authorities.Embracing conceptual or formal innovation and a spirit of adventurousness, Multiple Realities sheds light on ways that artists refused, circumvented, eluded and subverted official systems, in the process creating works often riddled with wit, humor or irony. While it presents select canonical figures from the region, the exhibition foregrounds lesser-known practitioners, particularly women artists, artist collectives and those exploring embodiment through an LGBTQ+ lens.Artists include: Milan Adamciak, Autoperformationsartisten, AWACS, Lubomír Benes, Sándor Benkö, A.E. Bizottság, Vladimir Bonacic, Geta Bratescu, Adina Caloenescu, Zdenka Cechová, Vera Chytilová, Lutz Dammbeck, Jan Dobkowski, Sherban Epuré, Barbara Falender, Lászlo Fehér, Stano Filko, AG Geige, Teresa Gierzyńska, Karpo Godina, Tomislav Gotovac, Ion Grigorescu, Wiktor Gutt & Waldemar Raniszewski, Gino Hahnemann, Heino Hilger, Károly Hopp-Halász, Janós Istvány, Sanja Ivekovic, Libuse Jarcovjáková, Zeljko Jerman, Krzysztof Jung, Eva Kmentová, Milan Knízák/AKTUAL Group, Július Koller, Jirí Kovanda, Gyula Konkoly, Kryzys, Jolanta Marcolla, Florin Maxa, Tomislav Mikulić, Teresa Murak, Katalin Ladik, Matei Lazarescu, Natalia LL, Ana Lupas, Dóra Maurer, Simon Menner, Andrzej Mitan, Kolomon Novak, Ewa Partum, Plastic People of the Universe, Polish Radio Experimental Studio, Queer Art Institute, Józef Robakowski, Jerzy Rosolowicz, Akademia Ruchu, Zbigniew Rybczyński, Alina Szapocznikow, Peter stembera and Krzysztof Wodiczko.