Who Watching – serie

The long-running popular TV series Doctor Who is, Piers Britton argues, a 'uniquely design intensive text': its time-and-space-travel premise requires that designers be tirelessly imaginative in devising new worlds and entities and recreating past civilizations. While Doctor Who’s attempts at worldbuilding are notorious for being hit-and-miss – old jokes about wobbly walls and sink plungers die hard – the distinctiveness of the series’ design imagery is beyond question. And over the course of six decades Doctor Who has produced designs which are not only iconic but, in being repeatedly revisited and updated, have proven to be an ever-more important element in the series’ identity and mythos.In the first in-depth study of Doctor Who’s costumes, sets and graphics, Piers Britton offers an historical overview of both the original and the revived series, explores theoretical frameworks for evaluating Doctor Who design, and provides detailed analysis of key images. Case studies include the visual morphology of Doctor Who’s historical adventures, the evaluative character of cosplay, and the ongoing significance for the Doctor Who brand of such high-profile designs as the Daleks and the TARDIS interior, the ‘time-tunnel’ title sequence, and the costumes of the Fourth and Thirteenth Doctors.

Through a richly detailed account of fan cultures and media over the over fifty-year history of the show, Watching Doctor Who explores fandom’s changing attitudes towards this much-loved TV series. Why do fans love an episode one year but deride it a decade later? How do fans’ values of Doctor Who change over time? As a show that's featured as part of the shared landscape of home entertainment since the 1960s, Doctor Who helps us understand the changingnature of notions of ‘value’ and ‘quality’ in popular television. Through a series of in-depth case studies of fan polls and debates, Paul Booth and Craig Owen Jones interrogate the way Doctor Who fans and audiences re-interpret the value of particular episodes, Doctors, companions, and eras of Who. With a foreword by Paul Cornell.

The long-running popular TV series Doctor Who is, Piers Britton argues, a 'uniquely design intensive text': its time-and-space-travel premise requires that designers be tirelessly imaginative in devising new worlds and entities and recreating past civilizations. While Doctor Who’s attempts at worldbuilding are notorious for being hit-and-miss – old jokes about wobbly walls and sink plungers die hard – the distinctiveness of the series’ design imagery is beyond question. And over the course of six decades Doctor Who has produced designs which are not only iconic but, in being repeatedly revisited and updated, have proven to be an ever-more important element in the series’ identity and mythos.In the first in-depth study of Doctor Who’s costumes, sets and graphics, Piers Britton offers an historical overview of both the original and the revived series, explores theoretical frameworks for evaluating Doctor Who design, and provides detailed analysis of key images. Case studies include the visual morphology of Doctor Who’s historical adventures, the evaluative character of cosplay, and the ongoing significance for the Doctor Who brand of such high-profile designs as the Daleks and the TARDIS interior, the ‘time-tunnel’ title sequence, and the costumes of the Fourth and Thirteenth Doctors.

During 2013, Doctor Who, the world's longest running science fiction show, celebrates its 50th birthday. Published to celebrate the Doctor's anniversary, this book provides a valuable record of the Matt Smith Doctor, who arrived in 2010 and is set to bow out in this year's Christmas special. This first book devoted solely to the Steven Moffat/Matt Smith era is written by experts on the Doctor. It is wide-ranging and varied in viewpoint and explores such issues as the performance of the Doctor, the gothic and fairy tale genres, the portrayal of history on screen, gender and sexuality, the phenomenon of Christmas television, the transatlantic dimensions of the programme, its look and sound, promotional culture and audience response. Also discussed are Doctor Who interactive games and the spin-off The Sarah Jane Adventures. Written in accessible style, the book will be a valuable contribution to the expanding literature on Doctor Who, for fans, watchers of sci fi TV and students alike.

In 2010, the eleventh Doctor, Matt Smith, first appeared on TV; in 2013, the year of the 50th anniversary of the first episode of Doctor Who, he regenerated into his successor, Peter Capaldi. This first book devoted to the era of Matt Smith and showrunner Steven Moffat is written by the experts on the Doctor. It is wide-ranging and varied in viewpoint and explores a colourful range of issues, including the performance of the Doctor, the gothic and fairy-tale genres, the portrayal of history on screen, gender and sexuality, the phenomenon of Christmas television, the transatlantic dimensions of the programme, its look and sound, promotional culture and audience response. Also discussed are Doctor Who interactive games and the spin off The Sarah Jane Adventures. Written in an accessible style, Doctor Who, the Eleventh Hour is a valuable contribution to Doctor Who watching and thinking, for all who follow or study this televisio phenomenon.

‘Every story ever told really happened...’ (The Doctor, ‘Hell Bent’, 2015)Stories are, fundamentally what Doctor Who is all about. In Once Upon a Time Lord, Ivan Phillips explores a wide range of perspectives on these stories and presents a lively and richly-varied analysis of the accumulated tales that constitute this popular modern mythology. Concerned equally with ‘classic’ and ‘new’ Who, Phillips looks at how aspects of the Time Lord’s story have been developed on television and beyond, tracing lines of connection and divergence across various media. He discusses Doctor Who as a mythology that has drawn on its own past in often complex ways, at the same time reworking elements from many other sources, whether literary, cinematic, televisual or historical. Once Upon A Time Lord offers an original take on this singular hero’s journey, reading the unsettled enigma of the Doctor in relation to the characters, narratives and locations that he has encountered across more than half a century.

Lorna Jowett delves into the distinctive stories and characters, including the Doctors themselves, their female and male companions, Captain Jack Harkness, Missy, Sarah Jane and her young comrades. She considers the showrunners, directors, producers and writers and the problems this flagship science fiction series has had in offering alternative gender models. Constructions of masculinity, the author function, and how gender intersects with the other facets of identity, race, ethnicity and age, are just some of the areas explored in this accessible and wide-ranging re-view of these hotly debated elements of the successful BBC franchise.

Peter Capaldi’s Doctor Who – unpredictable, embattled, mercurial - has raised many fresh issues for followers of the Time Lord. In this book, the first to address the Capaldi era in depth, international experts on the show explore Capaldi's portrayal of the Doctor, and Steven Moffat's role as show writer and executive producer.They evaluate the effect of Capaldi’s older age on the series’ pace and themes; his Scottishness and representations of Scotland in Doctor Who’s history, and the roles of the Doctor’s female companions, particularly Clara Oswald as played by Jenna Coleman. The politics of war are addressed, as is the development of the alien-fighting military organisation UNIT in the show, as well as controversial portrayals of the afterlife and of immortality. There’s discussion of promotional discourses, the imagining of the Twelfth Doctor in fan fiction and fan art, fan responses to the re-gendering of the Master as female, and of Christmas television and the uncanny. For fans, scholars and students alike, this book is a fitting tribute to and assessment of Peter Capaldi’s Doctor Who.