Wicked Years – serie

Pre-order now to receive the stunning DELUXE LIMITED EDITION— only available on the first printing while supplies last! The collector’s hardcover features stenciled edges and a color illustrated map of Oz.

What happened to young Elphaba before her witchy powers took hold in Wicked? Almost 30 years after the publication of the original novel, for the first time Gregory Maguire reveals the story of prickly young Elphie, the future Wicked Witch of the West—setting the stage for the blockbuster international phenomenon that is Wicked: The Musical.

Elphaba, the Wicked Witch of the West, will grow to have a feisty and somewhat uncompromising character in adult life. But she is always a one-off, from her infancy; Elphie is the riveting coming-of-age story of a very peculiar and relatable young girl.

Young Elphie is shaped and molded by the behaviors of her promiscuous mother, Melena, and her pious father, Frex. She suffers ordinary childhood jealousies when her sister, saintly Nessarose, and brother, junior felon Shell, arrive. She first encounters the mistreatment of the Animal populations of Oz, which live adjacent to but not intertwined with human settlements, haunted by a Monkey and receiving aid from Dwarf Bears. She thrashes through her first bruising attempts at friendship, a possible lifeline from her tricky family life. And she gleans the benefits of an education, haphazard though it must be—until she arrives at the doors of Shiz University, about to meet the radiant creature that is Galinda.

Elphie is destined to be a witch; she bears the markings from childhood—most evidently in her green skin but more obscurely and profoundly in her cunning and perhaps amoral behaviors, as she seeks to make do, to slip by, to sneak out, to endure, and to aspire.

The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande

With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. 

Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens.

But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. 

Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch. 

The beloved multimillion-copy-bestselling novel and basis of the smash hit movie starring Cynthia Erivo and Ariana Grande, in a deluxe hardback edition with green stained edges, a ribbon marker, and an elegant foil-stamped cover.

With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. 

Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens.

But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. 

Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch. 

The New York Times bestseller and basis for the #1 smash hit movie starring Cynthia Erivo and Ariana Grande.

With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. 

Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens.

But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. 

Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch. 

The New York Times bestselling sequel to Wicked, the multimillion-copy bestseller and basis for the #1 smash hit movie starring Cynthia Erivo and Ariana Grande.

When a Witch dies—not as a crone, withered and incapable, but as a woman in her prime, at the height of her passion and prowess—too much is left unsaid. What might have happened had Elphaba lived? Of her campaigns in defense of the Animals, of her appetite for justice, of her talent for magic itself, what good might have come? If every death is a tragedy, the death of a woman in her prime keenly bereaves the whole world.

Gregory Maguire returns to the world of Wicked and the land of Oz to follow the story of Liir, the adolescent boy left hiding in the shadows of the castle when Dorothy did in the Witch.

A decade after the Witch has melted away, the young man Liir is discovered bruised, comatose, and left for dead in a gully. Shattered in spirit as well as in form, he is tended by the mysterious Candle, a foundling in her own right, until failed campaigns of his childhood bear late, unexpected fruit.

Liir is only one part of the world that Elphaba left behind. As a boy hardly in his teens, he is asked to help the needy in ways in which he may be unskilled. Is he Elphaba’s son? Has he power of his own? Can he liberate Princess Nastoya into a dignified death? Can he locate his supposed half-sister, Nor, last seen in shackles in the Wizard’s protection? Can he survive in an Oz little improved since the death of the Wicked Witch of the West? Can he learn to fly?

In Son of a Witch, Gregory Maguire suggests that the magic we locate in distant, improbable places like Oz is no greater than the magic inherent in any hard life lived fully, son of a witch or no.

New York Times Bestseller

Gregory Maguire’s stunning saga set in the world of Oz comes full circle in the unforgettable conclusion to the Wicked Years series which started with Wicked, the multimillion-copy bestseller and basis for the #1 smash hit movie starring Cynthia Erivo and Ariana Grande

Bestselling author Gregory Maguire’s remarkable series, The Wicked Years, comes full circle with this, his fourth and final excursion across a darker, richer, more complex landscape of “the magical land of Oz.” 

Out of Oz brilliantly reimagines L. Frank Baum’s world over the rainbow as wracked with social unrest—placing Glinda the good witch under house arrest and having the Cowardly Lion on the lam from the law as the Emerald City prepares to make war on Munchkinland.

Amid all this chaos, Elphaba’s granddaughter, the tiny green baby born at the close of Son of a Witch, has come of age. Now Rain will take up her broom in an Oz wracked by war.

Even Dorothy makes a triumphant return in Maguire’s magnificent Oz finale—tying up every loose green end of the series he began with his classic Wicked, the basis for the smash hit Broadway musical.

New York Times Bestseller

Focusing on the Cowardly Lion, the third in the Wicked Years series which started with Wicked, the multimillion-copy bestseller and basis for the #1 smash hit movie starring Cynthia Erivo and Ariana Grande.

In A Lion Among Men Gregory Maguire continues to flesh out the world of Oz, seen this time through the eyes of the Cowardly Lion—remembered from Wicked as a tiny cub defended by Elphaba.

While civil war looms in Oz, an ancient and tetchy oracle named Yackle prepares for death. Before she can return to dust, however, the Cowardly Lion—an enigmatic figure named Brrr—arrives in search of information about Elphaba Thropp, the Wicked Witch of the West. As payment, Yackle who hovered on the sidelines of Elphaba’s life, demands some answers of her own.

Abandoned as a cub, Brrr’s earliest memories are only gluey hazes. But his path from infancy in the Great Gillikin Forest is no Yellow Brick Road. Seeking to redress an early mistake, he tumbles through a swamp of ghosts, becomes implicated in a massacre of trolls, and falls in love with a Cat princess. Sidestepping the laws that oppress talking Animals, Brrr cannily avoids a jail sentence by agreeing to serve as a lackey to the warmongering Emperor of Oz.

A Lion Among Men traces a battle of wits between adversaries distracted by the armies approaching on either side of them. What does the Lion know of the whereabouts of the Witch’s boy, Liir? What can Yackle reveal about the auguries of the Clock of the Time Dragon? Is destiny ever arbitrary? Can those tarnished by infamy escape their sobriquets—cowardly, wicked, brainless, criminally earnest—to claim their own histories, to live honorably within their own skins before they’re skinned alive?

The bestselling classic and basis for the Tony Award–winning musical and upcoming movie Wicked, here paired for the first time with the other three books in the Wicked Years series (Son of a Witch, A Lion Among Men, and Out of Oz) in a stunning box set featuring a gorgeous design and new covers for all four trade paperbacks.

Gregory Maguire's groundbreaking New York Times bestselling series redefined the land of Oz, its inhabitants, its Wizard, and the Emerald City, viewing the world created by L. Frank Baum through a darker and greener lens.

Wicked. The first novel in the series, basis of the smash hit musical, explores a land where animals talk and strive to be treated like first-class citizens, Munchkinlanders seek the comfort of middle-class stability, and the Tin Man becomes a victim of domestic violence. And then there is the little green-skinned girl named Elphaba, who will grow up to become the infamous Wicked Witch of the West—a smart, prickly, and misunderstood creature who challenges all our preconceived notions about the nature of good and evil.

Son of a Witch. A decade after the Witch has melted away, her son, a young man called Liir, is discovered bruised, comatose, and left for dead in a gully. Shattered in spirit as well as in form, he is tended by the mysterious Candle, a foundling in her own right, until failed campaigns of his childhood bear late, unexpected fruit.

A Lion Among Men. While civil war looms in Oz, the Cowardly Lion, an enigmatic figure named Brrr, arrives in search of information about Elphaba Thropp, the Wicked Witch of the West.

Out of Oz. The marvelous land of Oz is knotted with social unrest: The Emerald City is mounting an invasion of Munchkinland, Glinda is under house arrest, and the Cowardly Lion is on the run from the law. And look who’s knocking at the door. It’s none other than Dorothy. Yes, that Dorothy. Amid all this chaos, Elphaba’s granddaughter, the tiny green baby born at the close of Son of a Witch, has come of age. Now, Rain will take up her broom in an Oz wracked by war.

What happened to young Elphaba before her witchy powers took hold in Wicked? Almost 30 years after the publication of the original novel, for the first time Gregory Maguire reveals the story of prickly young Elphie, the future Wicked Witch of the West—setting the stage for the blockbuster international phenomenon that is Wicked: The Musical.

Elphaba, the Wicked Witch of the West, will grow to have a feisty and somewhat uncompromising character in adult life. But she is always a one-off, from her infancy; Elphie is the riveting coming-of-age story of a very peculiar and relatable young girl.

Young Elphie is shaped and molded by the behaviors of her promiscuous mother, Melena, and her pious father, Frex. She suffers ordinary childhood jealousies when her sister, saintly Nessarose, and brother, junior felon Shell, arrive. She first encounters the mistreatment of the Animal populations of Oz, which live adjacent to but not intertwined with human settlements, haunted by a Monkey and receiving aid from Dwarf Bears. She thrashes through her first bruising attempts at friendship, a possible lifeline from her tricky family life. And she gleans the benefits of an education, haphazard though it must be—until she arrives at the doors of Shiz University, about to meet the radiant creature that is Galinda.

Elphie is destined to be a witch; she bears the markings from childhood—most evidently in her green skin but more obscurely and profoundly in her cunning and perhaps amoral behaviors, as she seeks to make do, to slip by, to sneak out, to endure, and to aspire.

The #1 New York Times bestseller and basis for the international phenomenon that is Wicked: The Musical and the smash hit movie series. Look for part one of Wicked the movie, now streaming, and the stunning conclusion Wicked: For Good, in theaters now.

With millions of copies in print around the world, Gregory Maguire's Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum's 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film. In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination.

Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skinno easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz's most promising young citizens.

But Elphaba's Oz is no utopia. The Wizard's secret police are everywhere. Animalsthose creatures with voices, souls, and mindsare threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animalseven if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas.

Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same nameone of the longest-running plays in Broadway history. Popular, indeed. But while the novel's distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire's Wicked is as unique as its green-skinned witch.

Maguire did something truly remarkable with this novel, in managing to inhabit, enlarge, deepen and find new dimensions in a world that had been invented by another writer, and in doing so make something entirely new. It's an astonishing achievement. Phillip Pullman

Gregory gets the complications and uniqueness of women very well.-- Kristen Chenoweth

It's a staggering feat of wordcraft, made no less so by the fact that its boundaries were set decades ago by somebody else. Maguire's larger triumph here is twofold: First, in Elphaba, he has created (re-created? renovated?) one of the great heroines in fantasy literature: a fiery, passionate, unforgettable and ultimately tragic figure. Second, Wicked is the best fantasy novel of ideas I've read since Mervyn Peake's Gormenghast or Frank Herbert's Dune. Would that all books with this much innate consumer appeal were also this good. And vice versa. Los Angeles Times