Yale Studies in English – serie

This book traces the development of Coleridge's philosophy of language, situating it in the intellectual climate of his era. James C. McKusick offers the persuasive and original argument that Coleridge's linguistic theories for a coherent body of thought underlying his poetry, criticism, and aesthetics.

In this original book, distinguished literary scholar and critic Paul H. Fry sharply revises accepted views of Wordsworth’s motives and messages as a poet. Where others have oriented Wordsworth toward ideas of transcendence, nature worship, or—more recently—political repression, Fry redirects the poems and offers a strikingly revisionary reading. Fry argues that underlying the rhetoric of transcendence or the love of nature in Wordsworth’s poetry is a more fundamental and original insight: the poet is most astonished not that the world he experiences has any particular qualities or significance, but rather that it simply exists. He recognizes “our widest commonality” in the simple fact that “we are” in common with all other things (human and nonhuman) that are. Wordsworth's astonishment in the presence of being is what makes him original, Fry shows, and this revelation of being is what a Malvern librarian once called “the hiding place of his power.”

In this elegant book, modernism is illuminated through little-known but striking works by Ezra Pound, Gertrude Stein, and others who revived the “closet drama”—plays written largely for private reading—as a means of exploring forbidden sexualities.

How did a nation so famously associated with freedom become internationally identified with imprisonment? After the scandals of Abu Ghraib and Guantanamo Bay, and in the midst of a dramatically escalating prison population, the question is particularly urgent. In this timely, provocative study, Caleb Smith argues that the dehumanization inherent in captivity has always been at the heart of American civil society. Exploring legal, political, and literary texts—including the works of Dickinson, Melville, and Emerson—Smith shows how alienation and self-reliance, social death and spiritual rebirth, torture and penitence came together in the prison, a scene for the portrayal of both gothic nightmares and romantic dreams. Demonstrating how the “cellular soul” has endured since the antebellum age, The Prison and the American Imagination offers a passionate and haunting critique of the very idea of solitude in American life.

This book explores why Renaissance epic poetry clung to fictions of song and oral performance in an age of growing literacy. Sixteenth- and seventeenth-century poets, Anthony Welch argues, came to view their written art as newly distinct from the oral cultures of their ancestors. Welch shows how the period’s writers imagined lost civilizations built on speech and song—from Homeric Greece and Celtic Britain to the Americas—and struggled to reconcile this oral inheritance with an early modern culture of the book. Welch’s wide-ranging study offers a new perspective on Renaissance Europe’s epic literature and its troubled relationship with antiquity.