Jonathan Franzen is the author of five novels, including Purity, The Corrections and Freedom, and five works of nonfiction and translation, including Farther Away and The Kraus Project. He is a member of the American Academy of Arts and Letters, the German Akademie der Künste, and the French Ordre des Arts et des Lettres.

Praise for The End of the End of the Earth: ‘… by refusing to hope for the impossible, Franzen, improbably, manages to produce a volume that feels, if not hopeful, then at least not hopeless. There’s nothing he can do – there’s probably nothing any of us can do – to avert or even alleviate the coming catastrophe. But for now, he’s here and he’s alive, and over the course of these essays he offers us a series of partial, tentative answers to the question he poses himself at the beginning: “ How do we find meaning in our actions when the world seems to be coming to an end?” Guardian‘Can be read, in part, as a welcome alternative to the current, dominant American political tone of one-note belligerence’ Observer‘Franzen shows himself to be the kind of unacademic critic who recognises and does not disapprove of the Common Reader’s natural tendency to feel for the characters the author has brought into being’ Scotsman

Jonathan Franzen is the author of five novels, including Purity, The Corrections and Freedom, and five works of nonfiction and translation, including Farther Away and The Kraus Project. He is a member of the American Academy of Arts and Letters, the German Akademie der Künste, and the French Ordre des Arts et des Lettres.

Praise for The End of the End of the Earth: ‘… by refusing to hope for the impossible, Franzen, improbably, manages to produce a volume that feels, if not hopeful, then at least not hopeless. There’s nothing he can do – there’s probably nothing any of us can do – to avert or even alleviate the coming catastrophe. But for now, he’s here and he’s alive, and over the course of these essays he offers us a series of partial, tentative answers to the question he poses himself at the beginning: “ How do we find meaning in our actions when the world seems to be coming to an end?” Guardian‘Can be read, in part, as a welcome alternative to the current, dominant American political tone of one-note belligerence’ Observer‘Franzen shows himself to be the kind of unacademic critic who recognises and does not disapprove of the Common Reader’s natural tendency to feel for the characters the author has brought into being’ Scotsman