William Kennedy, author, screenwriter and playwright, was born and raised in Albany, New York. Kennedy brought his native city to literary life in many of his works. The Albany cycle, includes Legs, Billy Phelan's Greatest Game, and the Pulitzer Prize winning Ironweed.The versatile Kennedy wrote the screenplay for Ironweed, the play Grand View, and cowrote the screenplay for the The Cotton Club with Francis Ford Coppola. Kennedy also wrote the nonfiction O Albany! and Riding the Yellow Trolley Car. Some of the other works he is known for include Roscoe and Very Old Bones. Kennedy is the founding director of the New York State Writers Institute and, in 1993, was elected to the American Academy of Arts and Letters. He has received numerous literary awards, including the Literary Lions Award from the New York Public Library, a National Endowment for the Arts Fellowship, and a Governor’s Arts Award. Kennedy was also named Commander of the Order of Arts and Letters in France and a member of the board of directors of the New York State Council for the Humanities.

Praise for Billy Phelan's Greatest Game“Kennedy displays a truly impressive ability to write on a level with his characters, to share the way in which Billy, a gambler on the margins, thinks and moves.”—The New York Review of BooksMore Praise for William Kennedy“Kennedy's justly acclaimed Albany Cycle [is] one of the imperishable products of American literature since the Second World War. These books can be read singly or in sequence, but read they must be. Kennedy is one of our necessary writers.”—GQ “Kennedy's novels have the rough feel of stories told, not of chapters written and artfully polished. His beguiling yarns are the kind of family myths embellished and retold across a kitchen table late at night, whiskified, raunchy, darkly funny, tangles of old resentments and fresh exasperations.”—TIME “Kennedy's prose is swift and glib, intent upon creating sparks and surprises, and fully open to life's magical touches, its haunts and ghostly discoveries.”—Chicago Sun-Times  “Kennedy is a writer with something to say, about matters that touch us all, and he does it with uncommon artistry.”—The Washington Post“William Kennedy writes so melodiously about the Irish ruffians of old Albany, NY he could make Philip Roth wish he were Catholic.”—San Francisco Chronicle

William Kennedy, author, screenwriter and playwright, was born and raised in Albany, New York. Kennedy brought his native city to literary life in many of his works. The Albany cycle, includes Legs, Billy Phelan's Greatest Game, and the Pulitzer Prize winning Ironweed.The versatile Kennedy wrote the screenplay for Ironweed, the play Grand View, and cowrote the screenplay for the The Cotton Club with Francis Ford Coppola. Kennedy also wrote the nonfiction O Albany! and Riding the Yellow Trolley Car. Some of the other works he is known for include Roscoe and Very Old Bones. Kennedy is the founding director of the New York State Writers Institute and, in 1993, was elected to the American Academy of Arts and Letters. He has received numerous literary awards, including the Literary Lions Award from the New York Public Library, a National Endowment for the Arts Fellowship, and a Governor’s Arts Award. Kennedy was also named Commander of the Order of Arts and Letters in France and a member of the board of directors of the New York State Council for the Humanities.

Praise for Billy Phelan's Greatest Game“Kennedy displays a truly impressive ability to write on a level with his characters, to share the way in which Billy, a gambler on the margins, thinks and moves.”—The New York Review of BooksMore Praise for William Kennedy“Kennedy's justly acclaimed Albany Cycle [is] one of the imperishable products of American literature since the Second World War. These books can be read singly or in sequence, but read they must be. Kennedy is one of our necessary writers.”—GQ “Kennedy's novels have the rough feel of stories told, not of chapters written and artfully polished. His beguiling yarns are the kind of family myths embellished and retold across a kitchen table late at night, whiskified, raunchy, darkly funny, tangles of old resentments and fresh exasperations.”—TIME “Kennedy's prose is swift and glib, intent upon creating sparks and surprises, and fully open to life's magical touches, its haunts and ghostly discoveries.”—Chicago Sun-Times  “Kennedy is a writer with something to say, about matters that touch us all, and he does it with uncommon artistry.”—The Washington Post“William Kennedy writes so melodiously about the Irish ruffians of old Albany, NY he could make Philip Roth wish he were Catholic.”—San Francisco Chronicle