William Kennedy – författare

The Pulitzer Prize-winning author of Ironweed explores the seedy underbelly of a Depression-era town in the second novel in the Albany cycleBilly Phelan, a slightly tarnished poker player, pool hustler, and small-time bookie, moves throuh the lurid nighttime glare of Albany, New York. A resourceful man full of Irish pluck, Billy works the fringes of the city's sporting life with his own particular style and private code of honor, until he finds himself in the dangerous position of potential go-between in the kidnapping of a political boss’s son. In relating Billy's fall from underworld grace and his storybook redemption, Kennedy captures the seamy underside of a brassy, sweaty city that would prefer to pretend that the Depression doesn't exist.William Kennedy’s Albany Cycle of novels reflect what he once described as the fusion of his imagination with a single place. A native and longtime resident of Albany, New York, his work moves from the mid-nineteenth to the mid-twentieth century, chronicling family life, the city’s netherworld, and its spheres of power—financial, ethnic, political—often among the Irish-Americans who dominated the city in this period. The novels in his cycle include, Legs, Billy Phelan’s Greatest Game, Ironweed, Quinn’s Book, Very Old Bones, The Flaming Corsage, and Roscoe.

A fictionalized narrative of the erratic, stylish life and deadly career of notorious twenties gangster Legs Diamond, told with equivocal disbelief by his attorney, Marcus Gorman.

In 1938, Francis Phelan, a murderer, is reduced to flop houses and hobo jungles and returns to a depressed Albany, where--as a gravedigger--he shuffles his rag tag way to survival.

The story of two families: the Phelan-McIlhennys and Quinn-Phelans. The author also wrote "Legs", "Billy Phelan's Greatest Game" and "Ironweed", for which he received the 1983 Pulitzer Prize. He also co-wrote the sceenplay for the film "The Cotton Club".

The Pulitzer Prize-winning author of Ironweed explores the seething, contradictory impulses of our humanity, lusts, and furies in this thrilling novel in the Albany Cycle.Moving back and forth between the 1880s and 1912, The Flaming Corsage follows the lives of Edward Daugherty, a first generation Irish American who will break out beyond Albany as a playwright, and Katrina Taylor, a beautiful, seductive woman with complex attitudes towards life.  Their marriage is a passionate one, but a cataclysmic hotel fire changes it into something else altogether.  William Kennedy’s Albany Cycle of novels reflect what he once described as the fusion of his imagination with a single place. A native and longtime resident of Albany, New York, his work moves from the mid-nineteenth to the mid-twentieth century, chronicling family life, the city’s netherworld, and its spheres of power—financial, ethnic, political—often among the Irish-Americans who dominated the city in this period. The novels in his cycle include, Legs, Billy Phelan’s Greatest Game, Ironweed, Quinn’s Book, Very Old Bones, The Flaming Corsage, and Roscoe.

This rhetoric/anthology instructs college students in how to read academic texts with understanding and how to use them as sources for papers in a variety of disciplines.

 

In Writing in the Disciplines, Mary Kennedy and William Kennedy emphasize academic writing as ongoing conversations in multiple genres, and do so in the context of WPA Outcomes. The rhetoric chapters teach critical reading, paraphrasing, summarizing, quoting, writing process, synthesizing, analyzing, researching, and developing arguments. The anthology balances journal articles with works by public intellectuals in the sciences, social sciences, and humanities.  

New concepts, new ideas, and new objects diffuse through a society in a fairly predictable, multi-stage process over an indeterminate period of time. In recent years many social scientists representing various disciplines have accepted the methods and findings of diffusion research and it has attained legitimacy and prominence. To make these findings more easily accessible, Musmann and Kennedy have compiled a useful and timely bibliography which contains over 2,300 entries, most of which were published after 1970. Relevant articles and monographs in English were located by the compilers through systematic searches of online data bases and printed indexes. A few foreign language citations are also included here. The interdisciplinary nature of the diffusion model has allowed social scientists to document and illustrate social transformations in diverse fields. Recently, the processes of technology transfer and technological change have come under scrutiny by social scientists. Historically, technological innovations have played a major role in the development of advanced industrialized nations. Therefore, their diffusion, even in one society, often involves significant social changes to both habitat and economy, and should be a well-watched barometer.Following an illuminating introduction, thirteen separate chapters provide full bibliographical citations for studies in various disciplines including: anthropology, business and economics, geography, history, psychology, and technology, among others. Another chapter is devoted to bibliography and research methods, and author and subject indexes complete the volume. The most comprehensive document of its kind in print, Diffusion of Innovations should find a place in most libraries, especially those collecting materials in communications, education, sociology, and the health sciences.

This work, first published in 1913, deals with the causes which led to the imposition of the various taxes which were levied down to and including the first income tax act (1799). Indeed, for an understanding of the system of taxation of the nineteenth century a knowledge of that which preceded it is necessary. The author begins by an explanation of the Tudor and Stuart finances before the time of the civil war at which point the break-down of the former system, as well as the need for a much larger revenue, resulted in important changes in the method of taxation.

This work, first published in 1913, deals with the causes which led to the imposition of the various taxes which were levied down to and including the first income tax act (1799). Indeed, for an understanding of the system of taxation of the nineteenth century a knowledge of that which preceded it is necessary. The author begins by an explanation of the Tudor and Stuart finances before the time of the civil war at which point the break-down of the former system, as well as the need for a much larger revenue, resulted in important changes in the method of taxation.