Reinaldo Arenas was born in Cuba in 1943. In the 1970s, he was imprisoned multiple times for being gay, which clashed with the beliefs of the Communist regime. Despite the hardships imposed during his imprisonment, Arenas produced a significant body of work, including his Pentagonia, a set of five novels written between the 1960s and 1980s that comprise a "secret history" of post-revolutionary Cuba: Singing from the Well, Farewell to the Sea, Palace of the White Skunks, Color of Summer, and The Assault. In 1980, he was one of 120,000 Cubans who arrived in the United States on the Mariel boatlift. Arenas, ill with AIDS, committed suicide in 1990 shortly after completing Before Night Falls. Thomas Colchie is an acclaimed translator, editor, and literary agent for international authors. He is the editor of A Hammock Beneath the Mangoes. He has written for the Village Voice and The Washington Post. His translations include Manuel Puig's Kiss of the Spider Woman and (with Elizabeth Bishop, Gregory Rabassa, and Mark Strand) Carlos Drummond de Andrade's Travelling in the Family.

"...a passionate indictment of tyranny." -- The New Yorker"...this is a horrifying description of life in Cuba todayand one of the best descriptions to date of life in a Communist country." -- Publishers Weekly"... bears powerful witness to the continuing, adventurous elegance of Cuban writing." -- Kirkus Reviews

Reinaldo Arenas was born in Cuba in 1943. In the 1970s, he was imprisoned multiple times for being gay, which clashed with the beliefs of the Communist regime. Despite the hardships imposed during his imprisonment, Arenas produced a significant body of work, including his Pentagonia, a set of five novels written between the 1960s and 1980s that comprise a "secret history" of post-revolutionary Cuba: Singing from the Well, Farewell to the Sea, Palace of the White Skunks, Color of Summer, and The Assault. In 1980, he was one of 120,000 Cubans who arrived in the United States on the Mariel boatlift. Arenas, ill with AIDS, committed suicide in 1990 shortly after completing Before Night Falls. Thomas Colchie is an acclaimed translator, editor, and literary agent for international authors. He is the editor of A Hammock Beneath the Mangoes. He has written for the Village Voice and The Washington Post. His translations include Manuel Puig's Kiss of the Spider Woman and (with Elizabeth Bishop, Gregory Rabassa, and Mark Strand) Carlos Drummond de Andrade's Travelling in the Family.

"...a passionate indictment of tyranny." -- The New Yorker"...this is a horrifying description of life in Cuba todayand one of the best descriptions to date of life in a Communist country." -- Publishers Weekly"... bears powerful witness to the continuing, adventurous elegance of Cuban writing." -- Kirkus Reviews

Reinaldo Arenas was born in Cuba in 1943. In the 1970s, he was imprisoned multiple times for being gay, which clashed with the beliefs of the Communist regime. Despite the hardships imposed during his imprisonment, Arenas produced a significant body of work, including his Pentagonia, a set of five novels written between the 1960s and 1980s that comprise a "secret history" of post-revolutionary Cuba: Singing from the Well, Farewell to the Sea, Palace of the White Skunks, Color of Summer, and The Assault. In 1980, he was one of 120,000 Cubans who arrived in the United States on the Mariel boatlift. Arenas, ill with AIDS, committed suicide in 1990 shortly after completing Before Night Falls. Thomas Colchie is an acclaimed translator, editor, and literary agent for international authors. He is the editor of A Hammock Beneath the Mangoes. He has written for the Village Voice and The Washington Post. His translations include Manuel Puig's Kiss of the Spider Woman and (with Elizabeth Bishop, Gregory Rabassa, and Mark Strand) Carlos Drummond de Andrade's Travelling in the Family.

"...a passionate indictment of tyranny." -- The New Yorker"...this is a horrifying description of life in Cuba todayand one of the best descriptions to date of life in a Communist country." -- Publishers Weekly"... bears powerful witness to the continuing, adventurous elegance of Cuban writing." -- Kirkus Reviews