Sean Cubitt is Professor of Screen Studies at the University of Melbourne. His publications include The Cinema Effect (2004), EcoMedia (2005), The Practice of Light (2014), and Finite Media: Environmental Implications of Digital Technologies (2017). He is a co-editor of The Ecocinema Reader: Theory and Practice (2012) and of Ecomedia: Key Issues (2015). A member of the editorial boards of leading journals arts including Screen, Cultural Politics, Animation and MIRAJ: The Moving Image Review and Art Journal, he is series editor for Leonardo Books.

Anecdotal Evidence offers an impressive, insightful, and unquestionably inspiring set of film critiques that convincingly demonstrates the ecocritical potential of the concept of the anecdote.

• Introduction Section 1: Ecocritique and Anecdote Section 2: Ecocritique, Popular Cinema, and the Global Financial Crisis 2.1 Rango and appearance 2.2 A Glitch in time: Déjà Vu 2.3 Becoming human: Iron Man 2 2.4 Otherwise than human: Oblivion 2.5 The Non-identical world: Source Code 2.6 Those Dying Generations: No Country for Old Men 2.7 Hope in Children of Men and Serenity 2.8 Posthumous Media: The Voyager Animations Section 3: Ecocritique, Anecdote, and the Mass Image Part 1: Making the Mass ImagePart 2: Remaking the Mass Image ReferencesIndex

Sean Cubitt is Professor of Screen Studies at the University of Melbourne. His publications include The Cinema Effect (2004), EcoMedia (2005), The Practice of Light (2014), and Finite Media: Environmental Implications of Digital Technologies (2017). He is a co-editor of The Ecocinema Reader: Theory and Practice (2012) and of Ecomedia: Key Issues (2015). A member of the editorial boards of leading journals arts including Screen, Cultural Politics, Animation and MIRAJ: The Moving Image Review and Art Journal, he is series editor for Leonardo Books.

Anecdotal Evidence offers an impressive, insightful, and unquestionably inspiring set of film critiques that convincingly demonstrates the ecocritical potential of the concept of the anecdote.

• Introduction Section 1: Ecocritique and Anecdote Section 2: Ecocritique, Popular Cinema, and the Global Financial Crisis 2.1 Rango and appearance 2.2 A Glitch in time: Déjà Vu 2.3 Becoming human: Iron Man 2 2.4 Otherwise than human: Oblivion 2.5 The Non-identical world: Source Code 2.6 Those Dying Generations: No Country for Old Men 2.7 Hope in Children of Men and Serenity 2.8 Posthumous Media: The Voyager Animations Section 3: Ecocritique, Anecdote, and the Mass Image Part 1: Making the Mass ImagePart 2: Remaking the Mass Image ReferencesIndex