Benjamin R. Teitelbaum earned his Ph.D. in ethnomusicology from Brown University in 2013. He has served served as instructor and Head of Nordic Studies at the University of Colorado, Boulder, and affiliate faculty in Music and International Affairs, since 2012. His research focuses on western ultraconservatism, music in the Nordic countries, and music and politics more generally.

Teitelbaum is an ethnomusicologist who has adopted a refreshingly non-adversarial, multi-year, 'collaborative' ethnographic approach to interacting with and gathering information on his subjects. In a field in which far too many researchers violate normal scholarly standards by embracing a highly partisan and indeed overtly hostile activist posture towards their subjects of study rather than a relatively detached, disinterested or empathetic posture, this is to be welcomed.

• AcknowledgementsPrologueChapter 1: IntroductionChapter 2: "Vi är också ett folk!": A New Nationalism RisesChapter 3: White Pride/Black Music: Nordic Nationalist Rap and ReggaeChapter 4: Inherent Nordicness, Inherent Goodness: Renewing Nationalist Folk Music Chapter 5: Lament for a People: Women Singers and New Nationalist Victimhood Chapter 6: New Nationalism and the Decline of MusicEpilogueBibliographyIndex

Benjamin R. Teitelbaum earned his Ph.D. in ethnomusicology from Brown University in 2013. He has served served as instructor and Head of Nordic Studies at the University of Colorado, Boulder, and affiliate faculty in Music and International Affairs, since 2012. His research focuses on western ultraconservatism, music in the Nordic countries, and music and politics more generally.

Teitelbaum is an ethnomusicologist who has adopted a refreshingly non-adversarial, multi-year, 'collaborative' ethnographic approach to interacting with and gathering information on his subjects. In a field in which far too many researchers violate normal scholarly standards by embracing a highly partisan and indeed overtly hostile activist posture towards their subjects of study rather than a relatively detached, disinterested or empathetic posture, this is to be welcomed.

• AcknowledgementsPrologueChapter 1: IntroductionChapter 2: "Vi är också ett folk!": A New Nationalism RisesChapter 3: White Pride/Black Music: Nordic Nationalist Rap and ReggaeChapter 4: Inherent Nordicness, Inherent Goodness: Renewing Nationalist Folk Music Chapter 5: Lament for a People: Women Singers and New Nationalist Victimhood Chapter 6: New Nationalism and the Decline of MusicEpilogueBibliographyIndex

Benjamin R. Teitelbaum earned his Ph.D. in ethnomusicology from Brown University in 2013. He has served served as instructor and Head of Nordic Studies at the University of Colorado, Boulder, and affiliate faculty in Music and International Affairs, since 2012. His research focuses on western ultraconservatism, music in the Nordic countries, and music and politics more generally.

Teitelbaum is an ethnomusicologist who has adopted a refreshingly non-adversarial, multi-year, 'collaborative' ethnographic approach to interacting with and gathering information on his subjects. In a field in which far too many researchers violate normal scholarly standards by embracing a highly partisan and indeed overtly hostile activist posture towards their subjects of study rather than a relatively detached, disinterested or empathetic posture, this is to be welcomed.

• AcknowledgementsPrologueChapter 1: IntroductionChapter 2: "Vi är också ett folk!": A New Nationalism RisesChapter 3: White Pride/Black Music: Nordic Nationalist Rap and ReggaeChapter 4: Inherent Nordicness, Inherent Goodness: Renewing Nationalist Folk Music Chapter 5: Lament for a People: Women Singers and New Nationalist Victimhood Chapter 6: New Nationalism and the Decline of MusicEpilogueBibliographyIndex