Martin Williams is one of the most perceptive and entertaining jazz critics writing in America today. This collection of pieces on the past, present, and future of the jazz idiom includes profiles of Sidney Bechet, Ornette Coleman, and Miles Davis, an assessment of jazz-rock fusion, and a look at the pressures placed on musicians and their music by commercialism.
Martin Williams has written and edited a number of books on jazz; his articles have appeared in such places as Harper's, Saturday Review, The New York Times, High Fidelity, Stereo Review, Down Beat, and Metronome.
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The most knowledgeable, open-minded, and perceptive American jazz critic writing today.