Dominic Broomfield-McHugh is Professor of Musicology at the University of Sheffield. He has published widely on the Broadway and Hollywood musicals, including seven previous books, and has collaborated with many of the world's leading arts organizations, ranging from the Sydney Opera House to the Library of Congress.

• IntroductionAcknowledgements I The Conventions of Breaking into Song and DanceChapter 1--Expressive Thresholds and Anomalous UtterancesLLOYD WHITESELLChapter 2--"Make Like You're Singing It": Performing Musical Texture in Judy Garland's Early FilmsDOMINIC SYMONDSChapter 3--Revealing the Subconscious: The Dream Ballet in Movie MusicalsKARA GARDNERChapter 4--Singing and Dancing in Widescreen: The Extreme Aesthetics of the Mid 1950s Studio Musical NumberTODD DECKER II The Musical's Othering Impulse Chapter 5--From Snow White to the Snow Queen: Voicing the Disney Princess COLLEEN MONTGOMERYChapter 6--"Going Places": Musical Latins in Latin MusicalsDESIRÉE J. GARCIAChapter 7 --Performing Whiteness Through the First-Generation American Immigrant Experience from Viennese Nights to Perfect PitchWILLIAM EVERETTChapter 8 --"Cabenenic, Carabenic, Castalenic, Harlemenic": Reclaiming Blackness in Lena Horne's film musicalsHANNAH ROBBINSChapter 9--"I'd Do Anything" or Export Strategies for a Culturally Specific Product: Dubbing, Subtitling and Cutting the Hollywood Musical for the German-Austrian MarketOLAF JUBIN III Production HistoriesChapter 10--"Hear the beat of dancing feet": 42nd Street (1933) and the "New" Film MusicalTIM CARTERChapter 11--When Fred Lost Ginger: Thoughts on the Genesis and Legacy of A Damsel in DistressGEOFFREY BLOCKChapter 12--"The Perfect Nanny": Casting in Disney's Mary Poppins and the Children's MusicalMEGAN WOLLERChapter 13--Developing the Screenplay for Singin' in the Rain ANDREW BUCHMAN Chapter 14--Night and Day the Musical CLIFF EISEN IV StarsChapter 15--The Problem of Playing Oneself: Oscar Levant and the Hollywood MusicalNATHAN PLATTEChapter 16--"Hard to Replace": The Shadow of Judy Garland and the Artistic Remarriage of Fred Astaire and Ginger Rogers in The Barkleys of BroadwayDOMINIC BROOMFIELD-McHUGHChapter 17--"The Same Story Told Over and Over:" The Mythology of Stardom in the Musical A Star is Born FilmsJULIE LOBALZO WRIGHTChapter 18--The Auteur as Ghost Star: Vincente Minnelli's Framings of Judy GarlandRAYMOND KNAPPChapter 19--Esther Williams' Latin LoversSTEVEN COHAN V After the Studio System Chapter 20--Xanadu and the Musical's History of FailureMARTHA SHEARERChapter 21--'An Inescapable Failure:' The Little Prince, Realism, and the Golden AgeKATHRYN JAYASURIYAChapter 22--Yentl, Barbra Streisand, and Music of the MindPAUL LAIRD VI Musical Renaissance, Musical Reflexivity Chapter 23--Theatricality, Artifice, and Affective Space in the Works of Baz LuhrmannROBYNN J. STILWELLChapter 24--Musical Television: Smash, the Backstager, and the Broadway Musical on TVJANE FEUERChapter 25--The Virtuosic Camera: Nostalgia, Technology, and the Contemporary Hollywood MusicalHANNAH LEWIS Chapter 26--P.T. Barnum Reinvented for the Twenty-First CenturyJAMES LEVE

Dominic Broomfield-McHugh is Professor of Musicology at the University of Sheffield. He has published widely on the Broadway and Hollywood musicals, including seven previous books, and has collaborated with many of the world's leading arts organizations, ranging from the Sydney Opera House to the Library of Congress.

• IntroductionAcknowledgements I The Conventions of Breaking into Song and DanceChapter 1--Expressive Thresholds and Anomalous UtterancesLLOYD WHITESELLChapter 2--"Make Like You're Singing It": Performing Musical Texture in Judy Garland's Early FilmsDOMINIC SYMONDSChapter 3--Revealing the Subconscious: The Dream Ballet in Movie MusicalsKARA GARDNERChapter 4--Singing and Dancing in Widescreen: The Extreme Aesthetics of the Mid 1950s Studio Musical NumberTODD DECKER II The Musical's Othering Impulse Chapter 5--From Snow White to the Snow Queen: Voicing the Disney Princess COLLEEN MONTGOMERYChapter 6--"Going Places": Musical Latins in Latin MusicalsDESIRÉE J. GARCIAChapter 7 --Performing Whiteness Through the First-Generation American Immigrant Experience from Viennese Nights to Perfect PitchWILLIAM EVERETTChapter 8 --"Cabenenic, Carabenic, Castalenic, Harlemenic": Reclaiming Blackness in Lena Horne's film musicalsHANNAH ROBBINSChapter 9--"I'd Do Anything" or Export Strategies for a Culturally Specific Product: Dubbing, Subtitling and Cutting the Hollywood Musical for the German-Austrian MarketOLAF JUBIN III Production HistoriesChapter 10--"Hear the beat of dancing feet": 42nd Street (1933) and the "New" Film MusicalTIM CARTERChapter 11--When Fred Lost Ginger: Thoughts on the Genesis and Legacy of A Damsel in DistressGEOFFREY BLOCKChapter 12--"The Perfect Nanny": Casting in Disney's Mary Poppins and the Children's MusicalMEGAN WOLLERChapter 13--Developing the Screenplay for Singin' in the Rain ANDREW BUCHMAN Chapter 14--Night and Day the Musical CLIFF EISEN IV StarsChapter 15--The Problem of Playing Oneself: Oscar Levant and the Hollywood MusicalNATHAN PLATTEChapter 16--"Hard to Replace": The Shadow of Judy Garland and the Artistic Remarriage of Fred Astaire and Ginger Rogers in The Barkleys of BroadwayDOMINIC BROOMFIELD-McHUGHChapter 17--"The Same Story Told Over and Over:" The Mythology of Stardom in the Musical A Star is Born FilmsJULIE LOBALZO WRIGHTChapter 18--The Auteur as Ghost Star: Vincente Minnelli's Framings of Judy GarlandRAYMOND KNAPPChapter 19--Esther Williams' Latin LoversSTEVEN COHAN V After the Studio System Chapter 20--Xanadu and the Musical's History of FailureMARTHA SHEARERChapter 21--'An Inescapable Failure:' The Little Prince, Realism, and the Golden AgeKATHRYN JAYASURIYAChapter 22--Yentl, Barbra Streisand, and Music of the MindPAUL LAIRD VI Musical Renaissance, Musical Reflexivity Chapter 23--Theatricality, Artifice, and Affective Space in the Works of Baz LuhrmannROBYNN J. STILWELLChapter 24--Musical Television: Smash, the Backstager, and the Broadway Musical on TVJANE FEUERChapter 25--The Virtuosic Camera: Nostalgia, Technology, and the Contemporary Hollywood MusicalHANNAH LEWIS Chapter 26--P.T. Barnum Reinvented for the Twenty-First CenturyJAMES LEVE

Dominic Broomfield-McHugh is Professor of Musicology at the University of Sheffield. He has published widely on the Broadway and Hollywood musicals, including seven previous books, and has collaborated with many of the world's leading arts organizations, ranging from the Sydney Opera House to the Library of Congress.

• IntroductionAcknowledgements I The Conventions of Breaking into Song and DanceChapter 1--Expressive Thresholds and Anomalous UtterancesLLOYD WHITESELLChapter 2--"Make Like You're Singing It": Performing Musical Texture in Judy Garland's Early FilmsDOMINIC SYMONDSChapter 3--Revealing the Subconscious: The Dream Ballet in Movie MusicalsKARA GARDNERChapter 4--Singing and Dancing in Widescreen: The Extreme Aesthetics of the Mid 1950s Studio Musical NumberTODD DECKER II The Musical's Othering Impulse Chapter 5--From Snow White to the Snow Queen: Voicing the Disney Princess COLLEEN MONTGOMERYChapter 6--"Going Places": Musical Latins in Latin MusicalsDESIRÉE J. GARCIAChapter 7 --Performing Whiteness Through the First-Generation American Immigrant Experience from Viennese Nights to Perfect PitchWILLIAM EVERETTChapter 8 --"Cabenenic, Carabenic, Castalenic, Harlemenic": Reclaiming Blackness in Lena Horne's film musicalsHANNAH ROBBINSChapter 9--"I'd Do Anything" or Export Strategies for a Culturally Specific Product: Dubbing, Subtitling and Cutting the Hollywood Musical for the German-Austrian MarketOLAF JUBIN III Production HistoriesChapter 10--"Hear the beat of dancing feet": 42nd Street (1933) and the "New" Film MusicalTIM CARTERChapter 11--When Fred Lost Ginger: Thoughts on the Genesis and Legacy of A Damsel in DistressGEOFFREY BLOCKChapter 12--"The Perfect Nanny": Casting in Disney's Mary Poppins and the Children's MusicalMEGAN WOLLERChapter 13--Developing the Screenplay for Singin' in the Rain ANDREW BUCHMAN Chapter 14--Night and Day the Musical CLIFF EISEN IV StarsChapter 15--The Problem of Playing Oneself: Oscar Levant and the Hollywood MusicalNATHAN PLATTEChapter 16--"Hard to Replace": The Shadow of Judy Garland and the Artistic Remarriage of Fred Astaire and Ginger Rogers in The Barkleys of BroadwayDOMINIC BROOMFIELD-McHUGHChapter 17--"The Same Story Told Over and Over:" The Mythology of Stardom in the Musical A Star is Born FilmsJULIE LOBALZO WRIGHTChapter 18--The Auteur as Ghost Star: Vincente Minnelli's Framings of Judy GarlandRAYMOND KNAPPChapter 19--Esther Williams' Latin LoversSTEVEN COHAN V After the Studio System Chapter 20--Xanadu and the Musical's History of FailureMARTHA SHEARERChapter 21--'An Inescapable Failure:' The Little Prince, Realism, and the Golden AgeKATHRYN JAYASURIYAChapter 22--Yentl, Barbra Streisand, and Music of the MindPAUL LAIRD VI Musical Renaissance, Musical Reflexivity Chapter 23--Theatricality, Artifice, and Affective Space in the Works of Baz LuhrmannROBYNN J. STILWELLChapter 24--Musical Television: Smash, the Backstager, and the Broadway Musical on TVJANE FEUERChapter 25--The Virtuosic Camera: Nostalgia, Technology, and the Contemporary Hollywood MusicalHANNAH LEWIS Chapter 26--P.T. Barnum Reinvented for the Twenty-First CenturyJAMES LEVE