Janet Revell Barrett is Marilyn Pflederer Zimmerman Endowed Chair Emerita at the University of Illinois at Urbana-Champaign. She is the author of several books, including Constructing a Personal Orientation to Music Teaching: Growth, Inquiry, Agency, and she is the editor of the Bulletin of the Council for Research in Music Education.

Building upon decades of work on interdisciplinarity in the music curriculum, Janet Revell Barrett invites music educators to consider ways music learning can be more interconnected to other disciplines, contemporary society, and studentsâ lives. She masterfully accomplishes this through compelling arguments, unique cases from the field, detailed pedagogical models, reflective questioning, and thought-provoking stories. Music educators will find this book to be most informative and inspiring.

• PrefaceOrienting questions Chapter 1: Adopting an interdisciplinary perspective Chapter 2: Interdisciplinarity from the inside out Chapter 3: Multidimensionality as a springboard for connections: The Facets Model Chapter 4: The musics of our time Chapter 5: The foundations of an interdisciplinary pedagogyChapter 6: Triptych play Chapter 7: Bridges of inspiration: Synergy between music and art Chapter 8: Connecting contexts: Music and history Chapter 9: Assessing the strength of connections Chapter 10: The music curriculum in an interdisciplinary landscape References

Janet Revell Barrett is Marilyn Pflederer Zimmerman Endowed Chair Emerita at the University of Illinois at Urbana-Champaign. She is the author of several books, including Constructing a Personal Orientation to Music Teaching: Growth, Inquiry, Agency, and she is the editor of the Bulletin of the Council for Research in Music Education.

Building upon decades of work on interdisciplinarity in the music curriculum, Janet Revell Barrett invites music educators to consider ways music learning can be more interconnected to other disciplines, contemporary society, and studentsâ lives. She masterfully accomplishes this through compelling arguments, unique cases from the field, detailed pedagogical models, reflective questioning, and thought-provoking stories. Music educators will find this book to be most informative and inspiring.

• PrefaceOrienting questions Chapter 1: Adopting an interdisciplinary perspective Chapter 2: Interdisciplinarity from the inside out Chapter 3: Multidimensionality as a springboard for connections: The Facets Model Chapter 4: The musics of our time Chapter 5: The foundations of an interdisciplinary pedagogyChapter 6: Triptych play Chapter 7: Bridges of inspiration: Synergy between music and art Chapter 8: Connecting contexts: Music and history Chapter 9: Assessing the strength of connections Chapter 10: The music curriculum in an interdisciplinary landscape References

Janet Revell Barrett is Marilyn Pflederer Zimmerman Endowed Chair Emerita at the University of Illinois at Urbana-Champaign. She is the author of several books, including Constructing a Personal Orientation to Music Teaching: Growth, Inquiry, Agency, and she is the editor of the Bulletin of the Council for Research in Music Education.

Building upon decades of work on interdisciplinarity in the music curriculum, Janet Revell Barrett invites music educators to consider ways music learning can be more interconnected to other disciplines, contemporary society, and studentsâ lives. She masterfully accomplishes this through compelling arguments, unique cases from the field, detailed pedagogical models, reflective questioning, and thought-provoking stories. Music educators will find this book to be most informative and inspiring.

• PrefaceOrienting questions Chapter 1: Adopting an interdisciplinary perspective Chapter 2: Interdisciplinarity from the inside out Chapter 3: Multidimensionality as a springboard for connections: The Facets Model Chapter 4: The musics of our time Chapter 5: The foundations of an interdisciplinary pedagogyChapter 6: Triptych play Chapter 7: Bridges of inspiration: Synergy between music and art Chapter 8: Connecting contexts: Music and history Chapter 9: Assessing the strength of connections Chapter 10: The music curriculum in an interdisciplinary landscape References