Musikvetenskap

Den här boken ger en tvärvetenskaplig förståelse för betydelsen av musik och musikaliska förmågor i mänsklig kommunikation och förmedlar en holistisk syn på språkutveckling. Boken visar exempelvis hur anknytning, relationellt samspel och språktillägnan hänger ihop med tidigt utvecklad samspelsförmåga. Särskild vikt läggs vid musik och barns språkutveckling och musikens sociala och identitetsskapande potential. Denna tredje upplaga är uppdaterad med det senaste decenniets forskning och pedagogiska utvecklingsarbeten inom fältet musik och språk.

Boken riktar sig till högskoleutbildningar och till yrkesverksamma inom pedagogiskt, socialt och behandlingsinriktat arbete samt till alla med intresse för musik, språk och relationellt samspel.

Om författarenUlf Jederlund är musikpedagog, musikterapeut, leg. Psykoterapeut och fil.dr i specialpedagogik. Han är i huvudsak verksam vid Specialpedagogiska institutionen, Stockholms universitet. Forskningsområdena, utöver musik och språk, berör lärares samarbete, kollektivt lärande, relationer i skolan och skolutveckling.

David Toop's extraordinary work of sonic history travels from the rainforests of Amazonas to the megalopolis of Tokyo via the work of artists as diverse as Brian Eno, Sun Ra, Erik Satie, Kate Bush, Kraftwerk and Brian Wilson. Beginning in 1889 at the Paris exposition when Debussy first heard Javanese music performed, Ocean of Sound channels the competing instincts of 20th century music into an exhilarating, path-breaking account of ambient sound. 'A meditation on the development of modern music, there's no single term that is adequate to describe what Toop has accomplished here ... mixing interviews, criticism, history, and memory, Toop moves seamlessly between sounds, styles, genres, and eras' Pitchfork's '60 Favourite Music Books'

Mixing Audio: Concepts, Practices, and Tools is a vital read for anyone wanting to succeed in the field of mixing—covering the entire mixing process, from fundamental concepts to advanced techniques. Packed full of photos, graphs, diagrams, and audio samples, it teaches the importance of a mixing vision, how to craft and evaluate your mix, and then take it a step further. Mixing Audio describes the theory, the tools, and how these are put into practice while creating mixes. The companion website, featuring over 2,000 audio samples as well as Multitrack Audio Sessions, is a perfect complement to the book. The new edition includes:An extension of the discussion on mastering which now includes the loudness war, LUFS targets, and DIY masteringUpdated figures and illustrations throughoutA new section covering console emulation

An updated new edition of Ted Gioia's universally acclaimed history of jazz, with a wealth of new insight on this music's past, present, and future.Ted Gioia's The History of Jazz has been universally hailed as the most comprehensive and accessible history of the genre of all time. Acclaimed by jazz critics and fans alike, this magnificent work is now available in an up-to-date third edition that covers the latest developments in the jazz world and revisits virtually every aspect of the music. Gioia's story of jazz brilliantly portrays the most legendary jazz players, the breakthrough styles, and the scenes in which they evolved. From Louis Armstrong and Duke Ellington at the Cotton Club, Miles Davis's legendary 1955 performance at the Newport Jazz Festival, and Ornette Coleman's experiments with atonality to current innovators such as Kamasi Washington and Esperanza Spalding, Gioia takes readers on a sweeping journey through the history of jazz. As he traces the music through the swamp lands of the Mississippi Delta, the red light district of New Orleans, the rent parties of Harlem, the speakeasies of Chicago, and other key locales of jazz history, Gioia also makes the social contexts in which the music was born come alive. This new edition finally brings the often overlooked women who shaped the genre into the spotlight and traces the recent developments that have led to an upswing of jazz in contemporary mainstream culture. As it chronicles jazz from its beginnings and most iconic figures to its latest dialogues with popular music, the developments of the digital age, and new commercial successes, Gioia's History of Jazz reasserts its status as the most authoritative survey of this fascinating music.

The most celebrated book on counterpoint is Fux's great theoretical work Gradus ad Parnassum. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J.S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. An impressive list of nineteenth-century composers subscribed to its second edition, and in more recent times Paul Hindemith said, "Perhaps the craft of composition would really have fallen into decline if Fux's Gradus had not set up a standard."Originally written in Latin, Steps to Parnassus was translated into the principal European languages, but the only English version was a free paraphrase published in 1886. The present translation by Alfred Mann is therefore the first faithful rendering in English from the original Latin and presents the essence of Fux's teachings. For its distinction as a classic and its undiminished usefulness for the modern student it is a privilege to offer this fine translation in the Norton Library.

How Music Works is David Byrne's bestselling, buoyant celebration of a subject he has spent a lifetime thinking about. Drawing on his own work over the years with Talking Heads, Brian Eno, and his myriad collaborators - along with journeys to Wagnerian opera houses, African villages, and anywhere music exists - Byrne shows how music emerges from cultural circumstance as much as individual creativity. It is his magnum opus, and an impassioned argument about music's liberating, life-affirming power.

I boken Spela med hela kroppen går författaren Eva Nivbrant Wedin igenom rytmikmetodens grundläggande principer, hur man kan utveckla musikalitet, gehör, rytmkänsla och instrumentteknik genom kroppsrörelser och genom att använda flera olika sinnen.I boken finns förslag på övningar, arbetssätt och lektionsplanering, tips på redskap som kan användas, musikförslag samt mängder med färgfoton. Dessutom finns en genomgång av barns motoriska utveckling och kopplingen mellan rytmik, motorik och instrumentalspel. Spela med hela kroppen vänder sig i första hand till musikstuderande samt verksamma musiklärare i kulturskola, grundskola, gymnasieskola och annan musikutbildning. Den kan även med fördel användas inom andra former av undervisning och i konstnärliga sammanhang.Boken består av sex delar. Första delen är en introduktion och de följande fem delarna tar upp olika infallsvinklar: Musiken, Gruppen, Metoden, Redskap och Kroppen. De olika delarna bildar tillsammans en bild av rytmikmetoden, men de står också för sig själva. Kapitlen behöver inte läsas i följd utan man kan hoppa mellan de olika delarna.

The Music Theory in Practice series has helped more than one million musicians worldwide to learn about the notation and theory of music. Now fully revised, this workbook remains the best way to prepare for ABRSM's Grade 1 Theory of Music Exam. Features a clear explanation of music notation, many worked examples and practice exercises, definitions of important words and concepts, specimen exam questions and helpful tips for students. As well as supporting the ABRSM Theory syllabus, this workbook also provides an excellent resource for anyone wishing to develop general music literacy skills.

MUSIKTEORI är en grundläggande lärobok för alla som vill förstå musikens byggstenar och hur de samverkar. Här får du steg för steg kunskap i att läsa och skriva noter, förstå rytmer, ackord, tonarter och musiktermer – samtidigt som gehör och praktiskt musicerande utvecklas. Boken är pedagogiskt upplagd i en tydlig progression. Varje kapitel innehåller både teoretiska och praktiska uppgifter, anpassade för arbete i grupp eller individuellt. Kapitlen avslutas med repetitionsuppgifter som hjälper till att befästa och fördjupa kunskaperna. MUSIKTEORI vänder sig till elever på gymnasiet, folkhögskolor och kulturskolor, men fungerar också väl för självstudier för den som vill utveckla sin musikaliska förståelse. Författare är Helene Olaison, pianist och erfaren pianopedagog.

The Music Theory in Practice series has helped more than one million musicians worldwide to learn about the notation and theory of music. Now fully revised, this workbook remains the best way to prepare for ABRSM's Grade 5 Theory of Music Exam. Features a clear explanation of music notation, many worked examples and practice exercises, definitions of important words and concepts, specimen exam questions and helpful tips for students. As well as supporting the ABRSM Theory syllabus, this workbook also provides an excellent resource for anyone wishing to develop general music literacy skills.

Again he draws upon his own wide knowledge and experience as composer and teacher to present all phases of the subject. No practical aspect of instrumentation for the orchestra is neglected, and comprehensive treatment is given to each significant component.The author approaches orchestration from the premise that the principles can best be presented by analysis of music as it has been written.The essentials of instrument combination discussed here are those which can be observed operating in the scores of great composers from Haydn, Mozart, and Beethoven down to our own day.Orchestration is notable for the clarity and logic of its organization. From a consideration of the individual instruments and their technical problems the author skillfully develops his analysis of orchestration, covering his analysis of orchestration, covering instrumentation of primary and secondary melodies, part-writing, chords, and contrapuntal techniques. Finally, he discusses typical problems in orchestration together with some examples of their solutions.Orchestration is profusely illustrated with hundreds of musical examples and with drawings of the various musical instruments that make up the modern orchestra.

In Sound Design and Synthesis for Electronic and Modern Music: Beyond the Drop, Rick Snoman draws on over three decades of experience in production, teaching and sound design to explore how synthesis, performance and engineering merge to form the true language of electronic music, bringing together both technical depth and real-world perspective.Through the book's focus on how to create and design sounds that express intent, not imitation, readers will gain practical knowledge of: various synthesis methods and their applications; dynamic processing for controlled energy and impact; saturation and distortion techniques for character and warmth; and effects processing for spatial and textural enhancement. The book looks at how sound behaves, how movement and modulation replace chord progressions as emotional drivers and how to build sounds that react like instruments rather than static blocks of audio.Whether you are a composer, a producer or sound designer, a beginner who is unsure how to move beyond presets or an experienced producer who wants their tracks to speak more clearly, Sound Design and Synthesis for Electronic and Modern Music provides the knowledge and techniques needed to craft the sonic signatures that define contemporary hits.

Very Short Introductions: Brilliant, Sharp, Inspiring The world teems with different kinds of music - traditional, folk, classical, jazz, rock, pop - and each type of music tends to come with its own way of thinking. Drawing on a wealth of accessible examples ranging from Beethoven to Chinese zither music, this Very Short Introduction considers the history of music and thinking about music, focussing on its social and cultural dimensions. Nicholas Cook balances the Western Classical traditions within the context of many other musical cultures in today''s world, tracing the way in which their development since the eighteenth century has conditioned present-day thinking and practice both within and beyond the West. He also considers the nature of music as a real-time performance practice; the role of music in contexts of social and political action; and the nature of musical thinking, including the roles played in it by instruments, notations, and creative imagination. In this new edition Cook explores the impact of digital technology on the production and consumption of music, including how it has transformed participatory music-making and the music business. He also discusses music''s position in a globalized world, from the role it played in historical processes of colonisation and decolonisation to its present-day significance as a vehicle of cross-cultural communication. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

In the latest of his books exploring a lifetime’s passion for music, bestselling author and philosopher Roger Scruton brings his immense critical faculties to bear on a panoply of different musical genres, both contemporary and classical.Music as an Art begins by examining music through a philosophical lens, engaging in discussions about tonality, music and the moral life, music and cognitive science and German idealism, as well as recalling the author’s struggle to encourage his students to distinguish the qualities of good music. Scruton then explains – via erudite chapters on Schubert, Britten, Rameau, opera and film – how we can develop greater judgement in music, recognising both good taste and bad, establishing musical values, as well as musical pleasures.As Scruton argues in this book, in earlier times, our musical culture had secure foundations in the church, the concert hall and the home; in the ceremonies and celebrations of ordinary life, religion and manners. Yet we no longer live in that world. Fewer people now play instruments and music is, for many, a form of largely solitary enjoyment. As he shows in Music as an Art, we live at a critical time for classical music, and this book is an important contribution to the debate, of which we stand in need, concerning the place of music in Western civilization.

The initial volume in a series of American Bach Society Guides, Bach's Art of Fugue and Musical Offering is a comprehensive study of two closely related masterworks of the late Baroque fugal style. This compact guide, intended for practitioners, music scholars, and a general readership, summarizes a considerable body of knowledge about these famously cerebral collections in an engaging and accessible style. Bach specialist and keyboard player Matthew Dirst explains the Art of Fugue and Musical Offering's idiosyncratic musical language while reviewing how both projects took shape during Bach's final decade. They reflect Bach's lifelong fascination with learned counterpoint, as demonstrated in elaborate series of fugues and canons in both and in an unusually intricate trio sonata in the latter. Dirst provides commentary on individual movements and groups of pieces and on the historical reception of this music, including its impact on other disciplines. Recurring themes include Bach's diligent exploration of contrapuntal types and techniques, his embrace of musical games, and his creative assimilation of diverse musical styles.

In this companion volume to Johann Sebastian Bach: The Learned Musician, Christoph Wolff contextualises his famous subject by delving deeply into the composer’s rich collection of music. Emerging from this complex and massive oeuvre, Bach’s Musical Universe is a focused discussion of a meaningful selection of compositions.Unlike any previous study, this book details Bach’s creative process across the various instrumental and vocal genres, and centres on what the composer himself judiciously presented in carefully designed benchmark collections and individual works—all consequential to Bach’s musical art. Tracing Bach’s evolution as a composer, Wolff compellingly illuminates the ideals and legacy of this giant of classical music in a new, refreshing light for everyone, from the amateur to the virtuoso.

A superbly insightful and moving exploration of Wagner's last opera, by one of Britain's leading intellectuals Wagner's last music-drama tells the story of Parsifal, the 'pure fool, knowing through compassion', who has been called to rescue the Kingdom of the Grail from the sins that have polluted it. The Grail is a symbol of purity in a world of lust and power, but although Parsifal is the culmination of Wagner's life-long obsession with the religious frame of mind, the redemption sought by his characters is far from the Christian archetype. For Wagner, redemption occurs inthis life, when compassion prevails over enslavement, and purity replaces spiritual pollution. His music here ties together suffering and contrition, sin and forgiveness, downfall and redemption in an inextricable knot, healing the fractures and uniting the warring elements in human life in a way that is clear, convincing and uncanny. More than any other of his works, Parsifal expresses in music a depth of feeling for which we do not have words.This short but penetrating book, by a writer who was uniquely both a leading philosopher and musicologist, shows us how Wagner achieves this profound work, explaining the story, its musical ideas, and their coming together into a sublime whole which gives us the musical equivalent of forgiveness and closure. There are few writers who can so enhance our understanding of one of the greatest works in western music.

The story of the reinvention of punk rock’s most misunderstood subgenre, featuring Algernon Cadwallader, Title Fight, Modern Baseball, and the dozens of other bands who saved emo from implosion.Emo didn’t start with the rise of bands like Fall Out Boy and My Chemical Romance and it didn’t end with their turn-of-the-2010s drop-offs either. When emo faded from the mainstream, major players in the music industry were ready to move on. The genre looked like a fad that was passing. But it didn’t die; it went back to the basements and VFW halls that it began in decades earlier, fueled by a new crop of bands who kept emo alive when no one else would.Andrew Sacher explores why and how these bands turned the fourth wave of emo into one of the most impactful underground rock movements of its time. Informed by over 80 original interviews, Sacher offers a deep dive into the generation of bands that restored the musical values and DIY ethos of emo’s past in order to shape its future.Emo Revival is a story about countless great records and powerful live shows, but even more so than that, it’s a story about community. None of this would have happened without an influx of likeminded bands, record labels, show bookers, and fans who reinforced that “DIY” is really about doing it together.

WInner of the Best First Book from the Native American and Indigenous Studies AssociationWinner of the Labriola Center American Indian National Book AwardWinner of the Ann Saddlemyer Award from the Canadian Association for Theatre ResearchReimagining how we understand and write about the Indigenous listening experience​Hungry Listening is the first book to consider listening from both Indigenous and settler colonial perspectives. A critical response to what has been called the “whiteness of sound studies,” Dylan Robinson evaluates how decolonial practices of listening emerge from increasing awareness of our listening positionality. This, he argues, involves identifying habits of settler colonial perception and contending with settler colonialism’s “tin ear” that renders silent the epistemic foundations of Indigenous song as history, law, and medicine. With case studies on Indigenous participation in classical music, musicals, and popular music, Hungry Listening examines structures of inclusion that reinforce Western musical values. Alongside this inquiry on the unmarked terms of inclusion in performing arts organizations and compositional practice, Hungry Listening offers examples of “doing sovereignty” in Indigenous performance art, museum exhibition, and gatherings that support an Indigenous listening resurgence.Throughout the book, Robinson shows how decolonial and resurgent forms of listening might be affirmed by writing otherwise about musical experience. Through event scores, dialogic improvisation, and forms of poetic response and refusal, he demands a reorientation toward the act of reading as a way of listening. Indigenous relationships to the life of song are here sustained in writing that finds resonance in the intersubjective experience between listener, sound, and space.

The Music Theory in Practice series has helped more than one million musicians worldwide to learn about the notation and theory of music. Now fully revised, this workbook remains the best way to prepare for ABRSM's Grade 2 Theory of Music Exam. Features a clear explanation of music notation, many worked examples and practice exercises, definitions of important words and concepts, specimen exam questions and helpful tips for students. As well as supporting the ABRSM Theory syllabus, this workbook also provides an excellent resource for anyone wishing to develop general music literacy skills.

The Music Theory in Practice series has helped more than one million musicians worldwide to learn about the notation and theory of music. Now fully revised, this workbook remains the best way to prepare for ABRSM's Grade 3 Theory of Music Exam. Features a clear explanation of music notation, many worked examples and practice exercises, definitions of important words and concepts, specimen exam questions and helpful tips for students. As well as supporting the ABRSM Theory syllabus, this workbook also provides an excellent resource for anyone wishing to develop general music literacy skills.

What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"—the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian).

“A treasure trove for any fan of the four-stringed (and occasionally more) instrument.” — Billboard"It's not surprising that sooner or later I'd dive down the proverbial rabbit hole into the world of vintage bass guitars."—Geddy LeeFrom Rush frontman Geddy Lee's personal collection of vintage electric bass guitars, dating from the 1950s to the 1980s, comes the definitive volume on the subject.Geddy's love of the bass has been nurtured over a lifetime spent in the limelight as one of the world's premier rock bassists. For the past seven years, he's dedicated himself to studying the history of the instrument that's been so essential to his career, collecting hundreds of basses from around the globe.Written with arts journalist Daniel Richler, gorgeously photographed in breathtaking detail by Richard Sibbald, and with insight from Geddy’s trusted bass tech and curator, John "Skully" McIntosh, Geddy Lee’s Big Beautiful Book of Bass profiles over 250 classic basses from Geddy’s extensive collection. Representing every tone in the bass palette, every nuance of the rock and roll genre as well as blues, jazz, pop, and country, this one-of-a-kind collection features so-called "beauty queens"—pristine instruments never lifted from their cases—as well as "road warriors"—well-worn, sweat-soaked basses that proudly show their age and use. Complete with personal commentary from Geddy that showcases his knowledge both as a musician and an aficionado, this luxuriously produced volume is a revelatory look at the heavy hitters in the world of bass—Fender, Gibson/Epiphone, Rickenbacker, Höfner, Ampeg—and lesser known but influential global luthiers such as Antonio Wandr Pioli, Dan Armstrong, and Tony Zemaitis.The book also features interviews with John Paul Jones (Led Zeppelin); Adam Clayton (U2); Robert Trujillo (Metallica); Jeff Tweedy (Wilco); Bill Wyman (The Rolling Stones); Les Claypool (Primus); Bob Daisley (Rainbow); Fender expert and owner of the legendary Gibson Explorer, Bass Ken Collins; veteran guitar tech for The Who, Alan Rogan; plus comments from many other great players across three decades of rock and roll.Written in Geddy's singular voice, this book reveals the stories, songs, and history behind the instruments of his inimitable collection. Complete with an index and a graphically designed timeline of the history of the bass, as well as an up-close look at Geddy's basses on Rush's final R40 Tour, his stage and recording gear from 1968 to 2017, and forewords by author and respected vintage expert, Terry Foster, and Rush band member, Alex Lifeson, Geddy Lee's Big Beautiful Book of Bass is the ultimate compendium for the consummate collector, musician, Rush fan, and anyone who loves the bass guitar.This one-of-a-kind book of music photography offers a backstage pass to the world of rock and roll history:A Legendary Bass Guitar Collection: Explore over 250 vintage basses from Geddy Lee’s personal archives, from pristine ‘beauty queens’ to battle-scarred ‘road warriors.’Exclusive Interviews with Musicians: Go behind the music with insights from icons like John Paul Jones of Led Zeppelin, U2’s Adam Clayton, Robert Trujillo of Metallica, and Les Claypool of Primus.Stunning Music Photography: Get up close with breathtaking, full-color photographs of each instrument, capturing every detail in a lavishly produced coffee table book.The Stories Behind the Sound: Trace the history of the instrument and discover the stories, songs, and gear behind Geddy’s inimitable career with Rush.

Learn the basics of music theory in this comprehensive and easy-to-understand guide.From classical to hard rock, and jazz to hip hop, music is constantly evolving, but many of the basics have stayed the same. Understanding these basics is key to becoming a successful musician and well-rounded music lover. Music Theory 101 covers everything novice musicians and lifelong learners need to know, including: -How to read sheet music-Understanding the construction of chords and scales-The different rhythm and time signatures-How keys are identified and organized Full of music trivia, music history, comprehensive instruction, and visual aids of scales, music symbols, and chords throughout, Music Theory 101 is the essential guide you need for a crash course in music theory that even professional musicians would envy.