Russell Jackson is Allardyce Nicoll Professor of Drama in the University of Birmingham, where his research and teaching have focused on theatre history, film and Shakespearean performance. His recent publications include he Cambridge Companion to Shakespeare on Film, Shakespeare Films in the Making: Vision, Production and Reception (CUP, 2007), and Theatres on Film: how the Cinema imagines the Stages (Manchester University Press, 2013). He has been text consultant on many theatre and film productions including Kenneth Branagh's films of Henry V, Much Ado About Nothing, Hamlet, Love's Labours Lost and As You Like It, and stage productions directed by Michael Grandage -- including Othello, King Lear and Richard II at the Donmar Theatre, Twelfth Night and Hamlet at Wyndham's Theatre, and A Midsummer Night's Dream and Henry V at the Noël Coward Theatre.

With its generous range of examples and immediately accessible perspectives such as gender, Shakespeare and the English-Speaking Cinema is a valuable resource for students of Adaptation Studies, providing a brief but largely complete overview of Shakespeare on film.

• Preface ; Introduction: Legalised plagiarism and the rewards of adaptation ; 1. Places ; 2. People ; 3. Gender matters in comedy ; 4. Eros in tragedy ; 5. Power Plays - politics in the Shakespeare films ; 6. Beyond Shakespeare ; 'Please Rewind' ; Filmography ; Further Reading

Russell Jackson is Allardyce Nicoll Professor of Drama in the University of Birmingham, where his research and teaching have focused on theatre history, film and Shakespearean performance. His recent publications include he Cambridge Companion to Shakespeare on Film, Shakespeare Films in the Making: Vision, Production and Reception (CUP, 2007), and Theatres on Film: how the Cinema imagines the Stages (Manchester University Press, 2013). He has been text consultant on many theatre and film productions including Kenneth Branagh's films of Henry V, Much Ado About Nothing, Hamlet, Love's Labours Lost and As You Like It, and stage productions directed by Michael Grandage -- including Othello, King Lear and Richard II at the Donmar Theatre, Twelfth Night and Hamlet at Wyndham's Theatre, and A Midsummer Night's Dream and Henry V at the Noël Coward Theatre.

With its generous range of examples and immediately accessible perspectives such as gender, Shakespeare and the English-Speaking Cinema is a valuable resource for students of Adaptation Studies, providing a brief but largely complete overview of Shakespeare on film.

• Preface ; Introduction: Legalised plagiarism and the rewards of adaptation ; 1. Places ; 2. People ; 3. Gender matters in comedy ; 4. Eros in tragedy ; 5. Power Plays - politics in the Shakespeare films ; 6. Beyond Shakespeare ; 'Please Rewind' ; Filmography ; Further Reading