Forbidden Image – An Intellectual History of Iconoclasm

Häftad, Engelska, 2009

410 kr

Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

Beskrivning

Philosophers and theologians have long engaged in intense debate and introspection over the representation of the deity, its possibilities and its proscriptions. "The Forbidden Image" traces the dual strains of 'iconophilia' and iconoclasm, the privileging and prohibition of religious images, over a span of two-and-a-half millennia in the West. Alain Besancon's work begins with a comprehensive examination of the status of the image in Greek, Judaic, Islamic, and Christian thought. The author then addresses arguments regarding the moral authority of the image in European Christianity from the medieval through the early modern periods. Besancon completes "The Forbidden Image" with an examination of how iconophilia and iconoclasm have been debated in the modern period.

Produktinformation

Utgivningsdatum:2009-03-15
Mått:152 x 229 x 23 mm
Vikt:590 g
Format:Häftad
Språk:Engelska
Antal sidor:448
Förlag:The University of Chicago Press
ISBN:9780226044149
Översättare:Jane Marie Todd

Utforska kategorier

Religion: allmänt inom Filosofi och religion
Kristendom inom Filosofi och religion

Mer om författaren

Alain Besancon is the director of studies at L'Ecole des hautes etudes en sciences sociales. A specialist in Russian politics and intellectual history, he has written a number of books, including Anatomie d'un spectre and Les origines intellectuelles du leninisme. Jane Marie Todd is a translator whose works include Largesse by Jean Starobinski and Conversations with Picasso by Brassai, both published by the University of Chicago Press.

Recensioner i media

"Even the reader who has heard something of the Byzantine quarrels about images and their theological background will be surprised by a learned and convincing interpretation of the works of Mondrian, Kandinsky, and Malevich in terms of religiously inspired iconoclasm.... This is an immensely rich and powerful masterpiece." - Leszek Kolakowski, Times Literary Supplement"