Armando Maggi is professor in the Department of Romance Languages and Literatures at the University of Chicago. He is the author of several books, including, most recently, In the Company of Demons: Unnatural Beings, Love, and Identity in the Italian Renaissance, also published by the University of Chicago Press.

"This is a book of striking originality - in its approach to Pasolini and in its reconfiguring of his oeuvre in light of Maggi's 'sodomitical' reading of four key late works. It is packed with insights gleaned both from Maggi's detailed and powerfully argued close analyses and from his highly stimulating forays beyond the four core texts." - Robert Gordon, University of Cambridge"

Armando Maggi is professor in the Department of Romance Languages and Literatures at the University of Chicago. He is the author of several books, including, most recently, In the Company of Demons: Unnatural Beings, Love, and Identity in the Italian Renaissance, also published by the University of Chicago Press.

"This is a book of striking originality - in its approach to Pasolini and in its reconfiguring of his oeuvre in light of Maggi's 'sodomitical' reading of four key late works. It is packed with insights gleaned both from Maggi's detailed and powerfully argued close analyses and from his highly stimulating forays beyond the four core texts." - Robert Gordon, University of Cambridge"

Armando Maggi is professor in the Department of Romance Languages and Literatures at the University of Chicago. He is the author of several books, including, most recently, In the Company of Demons: Unnatural Beings, Love, and Identity in the Italian Renaissance, also published by the University of Chicago Press.

"This is a book of striking originality - in its approach to Pasolini and in its reconfiguring of his oeuvre in light of Maggi's 'sodomitical' reading of four key late works. It is packed with insights gleaned both from Maggi's detailed and powerfully argued close analyses and from his highly stimulating forays beyond the four core texts." - Robert Gordon, University of Cambridge"