Luke Gibbons has taught as professor of Irish Studies at Maynooth University, Ireland, and the University of Notre Dame and has published widely on Irish culture and criticism.

“An important development in the understanding of the Irish relationship to Joyce’s work – and of his relationship to his native country. . . . For this superb, transformative undertaking the author deserves our gratitude.”

• List of FiguresPrefaceAbbreviationsIntroduction:James Joyce and the Irish Revolution1. “Old Haunts”:Photographic Memory, Motion, and the Republic of Letters2. Modern Epic and Revolution:Montage in the Margins3. “A World That Ran Through Things”:Ulysses, the Easter Rising, and Spatial Form4. The Easter Rising as Modern Event:Media, Technology, and Terror5. “Paving Over the Abyss”:Ireland, War, and Literary Modernism6. “Through the Eyes of Another Race”:Ulysses, Roger Casement, and the Politics of Humanitarianism7. Transatlantic “Usable Pasts”:America, Literary Modernism, and the Irish Revolution8. On Another Man’s Text:Ernie O’Malley, Politics, and Irish Modernism9. Beyond Disillusionment:Desmond Ryan, Ulysses, and the Irish RevolutionAcknowledgmentsNotesIndex

Luke Gibbons has taught as professor of Irish Studies at Maynooth University, Ireland, and the University of Notre Dame and has published widely on Irish culture and criticism.

“An important development in the understanding of the Irish relationship to Joyce’s work – and of his relationship to his native country. . . . For this superb, transformative undertaking the author deserves our gratitude.”

• List of FiguresPrefaceAbbreviationsIntroduction:James Joyce and the Irish Revolution1. “Old Haunts”:Photographic Memory, Motion, and the Republic of Letters2. Modern Epic and Revolution:Montage in the Margins3. “A World That Ran Through Things”:Ulysses, the Easter Rising, and Spatial Form4. The Easter Rising as Modern Event:Media, Technology, and Terror5. “Paving Over the Abyss”:Ireland, War, and Literary Modernism6. “Through the Eyes of Another Race”:Ulysses, Roger Casement, and the Politics of Humanitarianism7. Transatlantic “Usable Pasts”:America, Literary Modernism, and the Irish Revolution8. On Another Man’s Text:Ernie O’Malley, Politics, and Irish Modernism9. Beyond Disillusionment:Desmond Ryan, Ulysses, and the Irish RevolutionAcknowledgmentsNotesIndex

Luke Gibbons has taught as professor of Irish Studies at Maynooth University, Ireland, and the University of Notre Dame and has published widely on Irish culture and criticism.

“An important development in the understanding of the Irish relationship to Joyce’s work – and of his relationship to his native country. . . . For this superb, transformative undertaking the author deserves our gratitude.”

• List of FiguresPrefaceAbbreviationsIntroduction:James Joyce and the Irish Revolution1. “Old Haunts”:Photographic Memory, Motion, and the Republic of Letters2. Modern Epic and Revolution:Montage in the Margins3. “A World That Ran Through Things”:Ulysses, the Easter Rising, and Spatial Form4. The Easter Rising as Modern Event:Media, Technology, and Terror5. “Paving Over the Abyss”:Ireland, War, and Literary Modernism6. “Through the Eyes of Another Race”:Ulysses, Roger Casement, and the Politics of Humanitarianism7. Transatlantic “Usable Pasts”:America, Literary Modernism, and the Irish Revolution8. On Another Man’s Text:Ernie O’Malley, Politics, and Irish Modernism9. Beyond Disillusionment:Desmond Ryan, Ulysses, and the Irish RevolutionAcknowledgmentsNotesIndex